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Preface | |
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Acknowledgments | |
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Introduction | |
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An Unanswered Question | |
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Goals and Methodology | |
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Music Cognition and Music Theory | |
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The Input Representation | |
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The Preference Rule Approach | |
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The Implementation Strategy | |
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Six Preference Rule Systems | |
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Metrical Structure | |
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Meter | |
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Previous Research on Metrical Analysis | |
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A Preference Rule System for Meter | |
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Implementation | |
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Tests | |
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Problems and Possible Improvements | |
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Other Factors in Metrical Structure | |
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Choosing the Right Tactus | |
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Melodic Phrase Structure | |
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Musical Grouping and Phrase Structure | |
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Studies of Musical Grouping in Psychology | |
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Models of Grouping Structure | |
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A Preference Rule System for Melodic Phrase Structure | |
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Implementation and Tests | |
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Grouping in Polyphonic Music | |
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Contrapuntal Structure | |
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Counterpoint | |
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Sequential Integration in Auditory Psychology | |
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Computational Models of Contrapuntal Analysis | |
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A Preference Rule System for Contrapuntal Analysis | |
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Implementation | |
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Tests | |
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Pitch Spelling and the Tonal-Pitch-Class Representation | |
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Pitch-Class, Harmony, and Key | |
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Spatial Representations in Music Theory | |
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Tonal-Pitch-Class Labeling | |
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A Preference Rule System for Tonal-Pitch-Class Labeling | |
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Implementation | |
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Tests | |
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Harmonic Structure | |
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Harmony | |
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Experimental and Computational Work on Harmonic Analysis | |
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A Preference Rule System for Harmonic Analysis | |
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Implementation | |
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Some Subtle Features of the Model | |
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Tests | |
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Other Aspects of Harmonic Structure | |
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Key Structure | |
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Key | |
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Psychological and Computational Work on Key | |
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The Krumhansl-Schmuckler Key-Finding Algorithm | |
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Improving the Algorithm's Performance | |
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Modulation | |
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Implementation | |
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Tests | |
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An Alternative Approach to Modulation | |
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Extensions and Implications | |
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Revision, Ambiguity, and Expectation | |
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Diachronic Processing and Ambiguity | |
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Modeling the Diachronic Processing of Music | |
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Examples of Revision | |
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Revision in Tonal Analysis | |
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Synchronic Ambiguity | |
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Ambiguity in Contrapuntal Structure | |
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Ambiguity in Meter | |
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Expectation | |
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Meter, Harmony, and Tonality in Rock | |
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Beyond Common-Practice Music | |
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Syncopation in Rock | |
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Applications and Extensions of the Syncopation Model | |
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Harmony in Rock | |
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Modality and Tonicization in Rock | |
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Meter and Grouping in African Music | |
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African Rhythm | |
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Meter in African Music | |
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How Is Meter Inferred? | |
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Western and African Meter: A Comparison | |
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Hemiolas and the "Standard Pattern" | |
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"Syncopation Shift" in African Music | |
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Grouping Structure in African Music | |
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Conclusions | |
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Style, Composition, and Performance | |
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The Study of Generative Processes in Music | |
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Describing Musical Styles and Compositional Practice | |
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Further Implications: Is Some Music "Nonmetrical"? | |
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Preference Rules as Compositional Constraints: Some Relevant Research | |
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Preference Rule Scores and Musical Tension | |
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Performance | |
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Functions of the Infrastructure | |
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Beyond the Infrastructure | |
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Motivic Structure and Encoding | |
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Musical Schemata | |
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Tension and Energy | |
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The Functions of Harmony and Tonality | |
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Arbitrariness | |
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Explaining Musical Details: An Exercise in Recomposition | |
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The Power of Common-Practice Music | |
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List of Rules | |
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Notes | |
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References | |
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Author Index | |
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Subject Index | |