Cezanne and the End of Impressionism A Study of the Theory, Technique, and Critical Evaluation of Modern Art

ISBN-10: 0226753069
ISBN-13: 9780226753065
Edition: 1986
Authors: Richard Shiff
List price: $46.00
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Description: Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cézanne's painting. He shows how Cézanne's style met the emerging criteria of a "technique of originality" and how it  More...

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Book details

List price: $46.00
Copyright year: 1986
Publisher: University of Chicago Press
Publication date: 4/15/1986
Binding: Paperback
Pages: 334
Size: 7.00" wide x 9.75" long x 1.00" tall
Weight: 1.364
Language: English

Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cézanne's painting. He shows how Cézanne's style met the emerging criteria of a "technique of originality" and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of Cézanne and his critics, Shiff considers the problem of modern art in general. He locates the core of modernism in a dialectic of making (technique) and finding (originality). Ultimately, Shiff provides not only clarifying accounts of impressionism and symbolism but of a modern classicism as well.

Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.

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