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Contents by Genre | |
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Thematic Table of Contents | |
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Preface | |
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Composing: An Overview | |
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The Prewriting Process | |
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James Joyce, "Eveline" | |
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The Writing Process | |
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Sample Student Paper: First Draft | |
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Writing a Convincing Argument | |
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Sample Student Paper (annotated) | |
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Dagoberto Gilb, "Love in L.A." | |
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The Rewriting Process | |
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Sample Student Paper: Final Draft | |
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Researched Writing | |
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Sample Documented Student Paper | |
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Sample Published Essay | |
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Explanation of the MLA Documentation Style | |
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Writing About Short Fiction | |
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How Do I Read Short Fiction? | |
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Writing About Structure | |
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Tim O'Brien, "The Things They Carried" MLL | |
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Writing About Imagery and Symbolism | |
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Shirley Jackson, "The Lottery" | |
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Sample Student Paper: Second and Final Drafts | |
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Writing About Point of View | |
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Alice Walker, "Everyday Use"MLL | |
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Writing About Setting and Atmosphere | |
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Tobias Wolff, "Hunters in the Snow" | |
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Writing About Theme | |
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Flannery O'Connor, "Good Country People" | |
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Casebook: Joyce Carol Oates's "Where Are You Going, Where Have You Been?" | |
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The Story's Origins | |
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Don Moser. "The Pied Piper of Tucson" | |
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Greg Johnson. From Invisible Writer: A Biography of Joyce Carol Oates | |
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Four Critical Interpretations | |
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Greg Johnson. From Understanding Joyce Carol Oates | |
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Larry Rubin. The Explicator | |
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Joyce Wegs. Journal of Narrative Technique | |
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Mike Tierce and John Michael Crafton. "Connie's Tambourine Man" | |
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Anthology of Short Fiction | |
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Nathaniel Hawthorne (1804-1864) | |
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"The Birthmark" | |
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Edgar Allan Poe (1809-1849) | |
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"The Cask of Amontillado" | |
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Kate Chopin (1851-1904) | |
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"Dÿsirÿe's Baby"MLL | |
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"The Story of an Hour"MLL | |
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Sherwood Anderson (1876-1941) | |
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"Hands" | |
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Susan Glaspell (1882-1948) | |
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"A Jury of Her Peers" | |
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D. H. Lawrence (1885-1930) | |
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"The Rocking-Horse Winner" | |
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Katherine Anne Porter (1890-1980) | |
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"The Grave" | |
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Zora Neale Hurston (1891-1960) | |
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"Spunk" | |
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William Faulkner (1897-1962) | |
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"A Rose for Emily" | |
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Ernest Hemingway (1899-1961) | |
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"Hills Like White Elephants" | |
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John Steinbeck (1902-1968) | |
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"The Chrysanthemums" | |
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Richard Wright (1908-1960) | |
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"The Man Who Was Almost a Man" | |
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Tillie Olsen (1913-2007) | |
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"I Stand Here Ironing" | |
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Hisaye Yamamoto (1921- ) | |
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"Seventeen Syllables" | |
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Flannery O'Connor (1925-1964) | |
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"A Good Man Is Hard to Find"MLL | |
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Rosario Morales (1930- ) | |
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"The Day It Happened" NEW | |
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Chinua Achebe (1930- ) | |
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"Dead Men's Path" NEW | |
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Raymond Carver (1938-1988) | |
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"What We Talk about When We Talk about Love" | |
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Toni Cade Bambara (1939-1995) | |
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"The Lesson"MLL | |
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Bharati Mukherjee (1940- ) | |
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"A Father" | |
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Octavia E. Butler (1947-2006) | |
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"Speech Sounds" | |
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T. Coraghessan Boyle (1948- ) | |
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"The Love of My Life" | |
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Sandra Cisneros (1954- ) | |
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"Geraldo No Name" | |
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Louise Erdrich (1954- ) | |
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"The Red Convertible " | |
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Ha Jin (1956- ) | |
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"The Bridegroom" | |
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Sherman Alexie (1966- ) | |
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"This Is What It Means to Say Phoenix, Arizona" | |
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A Portfolio of Humorous and Satiric Stories | |
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Frank O'Connor (1903-1966) | |
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"My Oedipus Complex" | |
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Eudora Welty (1909-2001) | |
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"Why I Live at the P. O." | |
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John Updike (1932- ) | |
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"A & P" MLL | |
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Margaret Atwood (1939- ) | |
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"Happy Endings" NEW | |
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David Sedaris (1956- ) | |
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"Nuit of the Living Dead" NEW | |
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Daniel Orozco (1957- ) | |
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"Orientation" NEW | |
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Writing About Poetry | |
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How Do I Read Poetry? | |
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Writing About Persona and Tone | |
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Theodore Roethke, "My Papa's Waltz" | |
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Thomas Hardy, "The Ruined Maid" | |
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W. H. Auden, "The Unknown Citizen" | |
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Edmund Waller, "Go, Lovely Rose" | |
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Dorothy Parker, "One Perfect Rose" | |
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Sample Student Paper | |
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Writing About Poetic Language | |
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Walt Whitman, "A Noiseless Patient Spider" | |
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William Shakespeare, "Shall I Compare Thee to a Summer's Day?" | |
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Kay Ryan, "Turtle" | |
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Hayden Carruth, "In the Long Hall" | |
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Donald Hall, "My Son My Executioner" | |
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Sample Student Paper: Second and Final Drafts | |
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Writing About Poetic Form | |
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Gwendolyn Brooks, "We Real Cool" MLL | |
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A. E. Housman, "Eight O'Clock" | |
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E. E. Cummings, "anyone lived in a pretty how town" MLL | |
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Wole Soyinka, "Telephone Conversation" | |
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Robert Frost, "The Silken Tent" NEW | |
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Billy Collins, "Sonnet" | |
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Roger McGough, "40---Love" | |
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Sample Student Paper | |
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Sample Published Essay on Poetic Form: David Huddle, "The 'Banked Fire' of Robert Hayden's 'those Winter Sundays'" | |
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Casebook: the Poetry and Prose of Langston Hughes | |
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Poetry | |
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"The Negro Speaks of Rivers" | |
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"Mother to Son" | |
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"The Weary Blues" MLL | |
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"Saturday Night" | |
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"Trumpet Player" | |
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"Harlem (A Dream Deferred)" MLL | |
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"Theme for English B" | |
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Prose | |
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"Salvation" | |
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"On the Road" | |
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"Thank You, M'am" | |
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Critical Commentaries | |
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Onwuchekwa Jemie, "Hughes and the Black Controversy" | |
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Margaret Larkin, "A Poet for the People" | |
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Richard Wright, "Forerunner and Ambassador" | |
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Karen Jackson Ford, "Do Right to Write Right: Langston Hughes's Aesthetics of Simplicity" | |
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Peter Townsend, "Jazz and Langston Hughes's Poetry" | |
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Langston Hughes, "Harlem Rent Parties" | |
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The Art of Poetry | |
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Lisel Mueller (1924- ) | |
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"American Literature" | |
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IMAGE: Edward Hopper (1882-1967), Nighthawks, 1942 | |
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Samuel Yellen (1906-1983) | |
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"Nighthawks" | |
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Susan Ludvigson (1942- ) | |
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"Inventing My Parents" | |
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IMAGE: Peter Brueghel the Elder (c. 1525-1569), Landscape with the Fall of Icarus, c. 1554-55 | |
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W. H. Auden (1907-1973) | |
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"Musÿe des Beaux Arts" | |
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IMAGE: Paolo Uccello, St. George and the Dragon (1470) | |
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U. A. Fanthorpe (1929- ) | |
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"Not My Best Side" | |
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IMAGE: Vincent Van Gogh (1853-1890), The Starry Night, 1889 | |
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Anne Sexton (1928-1974) | |
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"The Starry Night" | |
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IMAGE: Henri Matisse (1869-1954), The Red Studio, 1911 | |
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W. D. Snodgrass (1926- ) | |
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"Matisse: 'the Red Studio' " | |
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IMAGE: Kitagawa Utamaro (1754-1806), Two Women Dressing Their Hair, 1794-95 | |
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Cathy Song (1952- ) | |
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"Beauty and Sadness" | |
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Anthology of Poetry | |
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Thomas Wyatt (1503-1542) | |
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"They Flee from Me" | |
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William Shakespeare (1564-1616) | |
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"When in Disgrace with Fortune and Men's Eyes" | |
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"Let Me Not to the Marriage of True Minds" | |
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"That Time of Year Thou Mayst in Me Behold" | |
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"My Mistress' Eyes Are Nothing Like the Sun" | |
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John Donne (1572-1631) | |
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"The Flea" | |
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"A Valediction: Forbidding Mourning" | |
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"Death, Be Not Proud" MLL | |
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Andrew Marvell (1621-1678) | |
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"To His Coy Mistress" | |
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William Blake (1757-1827) | |
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"The Lamb" | |
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"The Tyger" MLL | |
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"The Sick Rose" | |
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"London" | |
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William Wordsworth (1770-1850) | |
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"The World Is Too Much with Us" | |
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George Gordon, Lord Byron (1788-1824) | |
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"She Walks in Beauty" | |
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Percy Bysshe Shelley (1792-1822) | |
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"Ozymandias" MLL | |
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John Keats (1795-1821) | |
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"Ode on a Grecian Urn" MLL | |
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Walt Whitman (1819-1892) | |
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"When I Heard the Learn'd Astronomer" | |
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"Song of Myself" (Section 11) | |
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Matthew Arnold (1822-1888) | |
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"Dover Beach" MLL | |
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Emily Dickinson (1830-1886) | |
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"Faith Is a Fine Invention" | |
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"I'm Nobody! Who Are You?" | |
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"He Put the Belt Around My Life" | |
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"Much Madness Is Divinest Sense" | |
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"Because I Could Not Stop for Death" MLL | |
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"Some Keep the Sabbath Going to Church" | |
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"Wild Nights Wild Nights!" MLL | |
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Gerard Manley Hopkins (1844-1889) | |
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"Pied Beauty" MLL | |
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"Spring and Fall" | |
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A. E. Housman (1859-1936) | |
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"To an Athlete Dying Young" | |
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"Loveliest of Trees" | |
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William Butler Yeats (1865-1939) | |
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"The Second Coming" | |
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"Sailing to Byzantium" | |
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Paul Laurence Dunbar (1872-1906) | |
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"We Wear the Mask" | |
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Robert Frost (1874-1963) | |
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"Mending Wall" MLL | |
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"Birches" MLL | |
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" 'Out, Out '" MLL | |
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"Fire and Ice" | |
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"Design" | |
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Carl Sandburg (1878-1967) | |
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"Fog" | |
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"Chicago" | |
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William Carlos Williams (1883-1963) | |
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"Danse Russe" | |
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"The Red Wheelbarrow" | |
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D. H. Lawrence (1885-1930) | |
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"Piano" | |
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T. S. Eliot (1888-1965) | |
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"The Love Song of J. Alfred Prufrock" | |
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Claude McKay (1890-1948) | |
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"America" | |
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Edna St. Vincent Millay (1892-1950) | |
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"Oh, Oh, You Will Be Sorry for That Word" | |
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"First Fig" | |
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E. E. Cummings (1894-1962) | |
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"in Just- " | |
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"pity this busy monster,manunkind" | |
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Jean Toomer (1894-1967) | |
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"Reapers" | |
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Stevie Smith (1902-1971) | |
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"Not Waving but Drowning" | |
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Countee Cullen (1903-1946) | |
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"Incident" | |
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Pablo Neruda (1904-1973) | |
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"Sweetness, Always" | |
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W. H. Auden (1907-1973) | |
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"Funeral Blues" | |
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"Lullaby" | |
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Theodore Roethke (1908-1963) | |
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"I Knew a Woman" | |
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Elizabeth Bishop (1911-1979) | |
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"One Art" MLL | |
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May Sarton (1912-1995) | |
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"AIDS" | |
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Karl Shapiro (1913-2000) | |
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"Auto Wreck" | |
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Octavio Paz (1914-1998) | |
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"The Street" | |
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Dudley Randall (1914-2000) | |
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"Ballad of Birmingham" NEW | |
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"To the Mercy Killers" | |
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Dylan Thomas (1914-1953) | |
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"The Force That Through the Green Fuse Drives the Flower" | |
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"Do Not Go Gentle into That Good Night" | |
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Gwendolyn Brooks (1917- 2000) | |
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"Sadie and Maud" | |
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"The Bean Eaters" | |
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Richard Wilbur (1921- ) | |
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"Love Calls Us to the Things of This World" | |
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Philip (1922-1985) | |
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"Home Is So Sad" | |
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James Dickey (1923-1997) | |
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"The Leap" | |
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Maxine Kumin (1925- ) | |
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"Woodchucks" | |
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Anne Sexton (1928-1974) | |
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"You All Know the Story of the Other Woman" | |
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Adrienne Rich (1929- ) | |
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"Aunt Jennifer's Tigers" | |
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"Living in Sin" | |
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Ruth Fainlight (1931- ) | |
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"Flower Feet" | |
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Sylvia Plath (1932-1963) | |
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"Mirror" | |
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John Updike (1932- ) | |
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"Ex-Basketball Player" | |
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Imamu Amiri Baraka (1934- ) | |
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"Biography" | |
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Audre Lorde (1934-1992) | |
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"Hanging Fire" | |
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Marge Piercy (1936- ) | |
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"Barbie Doll" NEW | |
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Seamus Heaney (1939- ) | |
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"Digging" MLL | |
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Sharon Olds (1942- ) | |
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"The Death of Marilyn Monroe" NEW | |
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"Sex Without Love" | |
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Nikki Giovanni (1943- ) | |
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"Dreams" | |
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Gina Valdes (1943- ) | |
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"My Mother Sews Blouses" | |
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Edward Hirsch (1950- ) | |
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"Execution" NEW | |
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Rita Dove (1952- ) | |
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"Daystar" | |
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Alberto Rüos (1952- ) | |
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"In Second Grade Miss Lee I Promised Never to Forget You and I Never Did" | |
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Jimmy Santiago Baca (1952- ) | |
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"There Are Black" | |
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Judith Ortiz Cofer (1952- ) | |
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"Latin Women Pray" | |
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Dorianne Laux (1952- ) | |
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"What I Wouldn't Do" | |
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Tony Hoagland (1953- ) | |
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"The Change" | |
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Cornelius Eady (1954- ) | |
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"The Supremes" | |
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Louise Erdrich (1954- ) | |
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"Indian Boarding School: the Runaways" | |
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Martün Espada (1957- ) | |
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"Bully" NEW | |
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Essex Hemphill (1957-1995) | |
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"Commitments" NEW | |
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Nancy A. Henry (1961- ) | |
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"People Who Take Care" NEW | |
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Christopher Murray (1967- ) | |
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"I Got Beat Up a Lot in High School" | |
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Paired Poems for Comparison | |
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Christopher Marlowe (1564-1593) | |
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"The Passionate Shepherd to His Love" | |
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Sir Walter Raleigh (1552?-1618) | |
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"The Nymph's Reply to the Shepherd" | |
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Robert Browning (1812-1889) | |
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"My Last Duchess" MLL | |
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Gabriel Spera (1966- ) | |
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"My Ex-Husband" | |
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Thomas Hardy (1840-1928) | |
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"The Convergence of the Twain" | |
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David R. Slavitt (1935- ) | |
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"Titanic" | |
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Edwin Arlington Robinson (1869-1935) | |
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"Richard Cory" MLL | |
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Paul Simon (1942- ) | |
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"Richard Cory" | |
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Robert Frost (1874-1963) | |
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"The Road Not Taken" | |
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Blanche Farley (1937- ) | |
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"The Lover Not Taken" | |
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William Stafford (1914-1993) | |
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"Traveling through the Dark" | |
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Mary Oliver (1935- ) | |
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"The Black Snake" | |
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Robert Hayden (1913-1980) | |
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"Those Winter Sundays" | |
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George Bilgere (1951- ) | |
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"Like Riding a Bicycle" NEW | |
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A Portfolio of War Poetry | |
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Richard Lovelace (1618-1657) | |
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"To Lucasta, on Going to the Wars" | |
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Thomas Hardy (1840-1928) | |
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"Channel Firing" | |
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Stephen Crane (1871-1900) | |
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"War Is Kind" | |
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Carl Sandburg (1878-1967) | |
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"Grass" | |
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Wilfred Owen (1893-1918) | |
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"Dulce et Decorum Est" MLL | |
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E. E. Cummings (1894-1962) | |
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"next to of course god america i" | |
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Wislawa Szymborska (1923- ) | |
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"End and Beginning" | |
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Peg Lauber (1938- ) | |
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"Six National Guardsmen Blown Up Together" NEW | |
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Yusef Komunyakaa (1947- ) | |
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"Facing It" | |
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Dwight Okita (1958- ) | |
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"In Response to Executive Order 9066" NEW | |
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A Portfolio of Humorous and Satirical Poems | |
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Don Marquis (1878-1937) | |
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"the lesson of the moth" | |
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Linda Pastan (1932- ) | |
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"Marks" | |
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Lucille Clifton (1936- ) | |
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"homage to my hips" NEW | |
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Ron Koertge (1940- ) | |
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"Cinderella's Diary" NEW | |
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Billy Collins (1941- ) | |
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"Introduction to Poetry" NEW | |
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Craig Raine (1944- ) | |
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"A Martian Sends a Postcard Home" NEW | |
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Jan Beatty (1952- ) | |
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"A Waitress's Instructions on Tipping" NEW | |
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Jeanne Marie Beaumont (1954- ) | |
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"Afraid So" NEW | |
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Peter Pereira (1959- ) | |
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"Reconsidering the Seven" NEW | |
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Jay Leeming (1969- ) | |
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"Man Writes Poem" NEW | |
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Writing About Drama | |
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How Do I Read a Play? | |
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Writing About Dramatic Structure | |
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Sophocles, Antigone MLL | |
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Sample Student Paper | |
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Writing About Character | |
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August Wilson, Fences MLL | |
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Casebook Fences: Interpreting Troy Maxson | |
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Frank Rich, "Family Ties in Wilson's Fences" | |
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Brent Staples, "Fences: No Barrier to Emotion" | |
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August Wilson, "Talking About Fences" | |
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Christine Birdwell, "Death as a Fastball on the Outside Corner" | |
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Carla J. McDonough, "August Wilson: Performing Black Masculinity" | |
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Mary Ellen Snodgrass, "Fences" | |
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Writing About Culture | |
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David Henry Hwang,M. Butterfly | |
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Sample Documented Student Paper | |
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Anthology of Drama | |
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William Shakespeare (1564-1616) | |
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Othello, the Moor of Venice MLL | |
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Henrik Ibsen (1828-1906) | |
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A Doll's House MLL | |
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Susan Glaspell (1882-1948) | |
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Trifles MLL | |
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Lorraine Hansberry (1930-1965) | |
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NEW A Raisin in the Sun MLL | |
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A Portfolio of Humorous and Satirical Plays | |
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Fernando Arrabal (1933- ) | |
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Picnic on the Battlefield NEW | |
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Jane Martin (1938?- ) | |
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Beauty NEW | |
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Luis Valdez (1940- ) | |
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Los Vendidos | |
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David Ives (1950- ) | |
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Sure Thing | |
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Handbook for Correcting Errors | |
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Critical Approaches for Interpreting Literature | |
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Glossary of Literary and Rhetorical Terms | |