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Preface | |
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Faculty and Student Resources for Teaching and Learning with Janson's History of Art | |
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Introduction | |
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The Renaissance Through Rococo | |
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Art in Thirteenth- and Fourteenth-Century Italy | |
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The Growth Of Mendicant Orders And The Visual Arts In Italy | |
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The Franciscans at Assisi and Florence | |
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Churches and Their Furnishings in Urban Centers | |
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Materials And Techniques: Fresco Painting And Conservation | |
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Pulpits in Pisan Churches | |
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Expanding Florence Cathedral | |
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Building for the City Government: The Palazzo della Signoria | |
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Painting In Tuscany | |
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Cimabue and Giotto | |
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Siena: Devotion to Mary in Works by Duccio and Simone | |
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: Agnolo di Tura del Grasso | |
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The Art Historian's Lens: The Social Work of Images | |
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Pietro and Ambrogio Lorenzetti | |
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Artists and Patrons in Times of Crisis | |
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Primary Sources: Inscriptions on the Frescoes in the Palazzo Pubblico, Siena | |
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Northern Italy | |
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Venice: Political Stability and Sumptuous Architecture | |
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Milan: The Visconti Family and Northern Influences | |
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Artistic Innovations in Fifteenth-Century Northern Europe | |
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Courtly Art: The International Gothic | |
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Sculpture for the French Royal Family | |
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Illuminated Manuscripts: Books of Hours | |
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Bohemia and England | |
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Urban Centers And The New Art | |
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Robert Campin in Tournai | |
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Jan van Eyck in Bruges | |
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Materials And Techniques: Panel Painting in Tempera and Oil | |
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Rogier van der Weyden in Brussels | |
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Primary Sources: Cyriacus of Ancona (1449) | |
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Late Fifteenth-Century Art In The Netherlands | |
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Aristocratic Tastes for Precious Objects, Personal Books, and Tapestries | |
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The Art Historian's Lens: Scientific and Technical Study of Paintings | |
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Panel Paintings in the Southern Netherlands | |
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The Northern Netherlands | |
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Regional Responses To The Early Netherlandish Style | |
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France | |
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Primary Sources: Fray Jos� De Sig�enza (1544?-1606) | |
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Spain | |
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Central Europe | |
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Primary Sources: From the Contract for the St. Wolfgang Altarpiece | |
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Printing And The Graphic Arts | |
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Printing Centers in Colmar and Basel | |
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Materials And Techniques: Printmaking | |
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The Early Renaissance in Fifteenth-Century Italy | |
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Florence In The Fifteenth Century | |
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The Baptistery Competition | |
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Primary Sources: In Praise of the City of Florence (ca. 1403-04) by Leonardo Bruni | |
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Architecture and Antiquity in Florence | |
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Primary Sources: Lorenzo Ghiberti (ca. 1381-1455) | |
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Materials And Techniques: Brunelleschi's Dome | |
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Primary Sources: Leon Battista Alberti on what makes a building beautiful | |
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Ancient Inspirations in Florentine Sculpture | |
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Materials And Techniques: Perspective | |
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Painting in Florentine Churches and Chapels | |
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The Art Historian's Lens: Patronage Studies | |
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Florentine Painters in the Age of the Medici | |
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Domestic Life: Palaces, Furnishings,And Paintings In Medicean Florence | |
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Palace Architecture | |
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Primary Sources: Domenico Veneziano Solicits Work | |
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Paintings for Palaces | |
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Primary Sources: Giovanni Dominici Urges Parents to Put Religious Images in Their Homes | |
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Portraiture | |
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Renaissance Art Throughout Italy, | |
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Piero della Francesca in Central Italy | |
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Alberti and Mantegna in Mantua | |
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Venice | |
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Rome and the Papal States | |
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The High Renaissance in Italy, 1495-1520 | |
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The High Renaissance In Florence And Milan | |
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Leonardo da Vinci in Florence | |
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Leonardo in Milan | |
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Primary Sources: Leonardo da Vinci (1452-1519) | |
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Leonardo Back in Florence and Elsewhere | |
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Rome Resurgent | |
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Bramante in Rome | |
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Michelangelo in Rome and Florence | |
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Primary Sources: Michelangelo Interprets the Vatican Piet� | |
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Michelangelo in the Service of Pope Julius II | |
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Materials And Techniques: Drawings | |
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Raphael in Florence and Rome | |
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The Art Historian's Lens: Cleaning And Restoring Works Of Art | |
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Primary Sources: On Raphael's Death | |
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VENICE | |
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Giorgione | |
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Titian | |
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The Late Renaissance and Mannerism in Sixteenth-Century Italy | |
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Late Renaissance Florence: The Church, The Court, And Mannerism | |
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Florentine Religious Painting in the 1520s | |
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The Medici in Florence: From Dynasty to Duchy | |
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Primary Sources: Benvenuto Cellini (1500-1571) | |
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Rome Reformed | |
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Michelangelo in Rome | |
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Primary Sources: Michelangelo the Poet | |
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The Catholic Reformation and Il Ges� | |
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Northern Italy: Ducal Courts And Urban Centers | |
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The Palazzo del Te | |
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Parma And Cremona | |
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Correggio and Parmigianino in Parma | |
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Cremona | |
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Venice: The Serene Republic | |
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Sansovino in Venice | |
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Andrea Palladio and Late Renaissance Architecture | |
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Primary Sources: Andrea Palladio | |
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Titian | |
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Materials And Techniques: Oil on Canvas | |
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Primary Sources: From a Session of the Inquisition Tribunal in Venice of Paolo Veronese | |
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Titian's Legacy | |
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Renaissance and Reformation in Sixteenth-Century Northern Europe | |
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France: Courtly Tastes For Italian Forms | |
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Chateaux and Palaces: Translating Italian Architecture | |
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Art for Castle Interiors | |
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Materials And Techniques: Making and Conserving Renaissance Tapestries | |
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Spain: Global Power And Religious Orthodoxy | |
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The Escorial | |
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El Greco and Religious Painting in Spain | |
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Central Europe: The Reformation And Art | |
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Catholic Contexts: The Isenheim Altarpiece | |
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Albrecht D�rer and the Northern Renaissance | |
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Primary Sources: Albrecht D�rer (1471-1528) | |
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Religious and Courtly Images in the Era of Reform | |
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Painting in the Cities: Humanist Themes and Religious Turmoil | |
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England: Reformation And Power | |
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Primary Sources: Elizabethan Imagery | |
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The Netherlands: World Marketplace | |
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The City and the Court: David and Gossaert | |
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The Art Historian's Lens: The Economics Of Art | |
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Antwerp: Merchants, Markets, and Morality | |
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Primary Sources: Karel van Mander Writes About Pieter Bruegel the Elder | |
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The Baroque in Italy and Spain | |
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Painting In Italy | |
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Caravaggio and the New Style | |
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Artemisia Gentileschi | |
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Primary Sources: Artemisia Gentileschi (1593-ca. 1653) | |
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Ceiling Painting and Annibale Carracci | |
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Architecture In Italy | |
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The Completion of St. Peter's and Carlo Maderno | |
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Bernini and St. Peter's | |
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Architectural Components in Decoration | |
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A Baroque Alternative: Francesco Borromini | |
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The Baroque in Turin: Guarino Guarini | |
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The Baroque in Venice: Baldassare Longhena | |
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Sculpture In Italy | |
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Early Baroque Sculpture: Stefano Maderno | |
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The Evolution of the Baroque: Gianlorenzo Bernini | |
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A Classical Alternative: Alessandro Algardi | |
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Materials And Techniques: Bernini's Sculptural Sketches | |
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Painting In Spain | |
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Spanish Still Life: Juan S�nchez Cot�n | |
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Naples and the Impact of Caravaggio: Jusepe de Ribera | |
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Diego Vel�zquez: From Seville to Court Painter | |
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Monastic Orders and Zurbar�n | |
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PRIMARY SOURCES: Antonio Palomino (1655-1726) | |
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Culmination in Devotion: Bartolom� Esteban Murillo | |
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The Baroque in the Netherlands | |
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Flanders | |
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Peter Paul Rubens and Defining the Baroque | |
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Primary Sources: Peter Paul Rubens (1577-1640) | |
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Anthony van Dyck: History and Portraiture at the English Court | |
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Local Flemish Art and Jacob Jordaens | |
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The Bruegel Tradition | |
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Still-Life Painting | |
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The Dutch Republic | |
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The Haarlem Academy: Hendrick Goltzius | |
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The Caravaggisti in Holland: Hendrick Terbrugghen | |
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The Haarlem Community and Frans Hals | |
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The Next Generation in Haarlem: Judith Leyster | |
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Rembrandt and the Art of Amsterdam | |
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The Art Historian's Lens: Authenticity and Workshops: Rubens and Rembrandt | |
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Materials And Techniques: Etching, Drypoint, and Selective Wiping | |
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The Landscape, Still-Life, And Genre Painting | |
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Landscape Painting: Jan van Goyen | |
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City Views: Jacob van Ruisdael | |
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Architectural Painting: Pieter Saenredam | |
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Still-life Painting: Willem Claesz. Heda | |
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Flower Painting: Rachel Ruysch | |
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Genre Painting: Jan Steen | |
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Intimate Genre Painting: Jan Vermeer | |
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Exquisite Genre Painting: Gerard ter Borch | |
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The Baroque in France and England | |
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France: The Style Of Louis Xiv | |
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Painting and Printmaking in France | |
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Primary Sources: Nicolas Poussin (ca. 1594-1665) | |
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The Art Historian's Lens: Forgeries and The Book of Truth | |
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French Classical Architecture | |
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Sculpture: The Impact of Bernini | |
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Baroque Architecture In England | |
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Inigo Jones and the Impact of Palladio | |
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Sir Christopher Wren | |
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John Vanbrugh and Nicholas Hawksmoor | |
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The Rococo | |
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France: The Rise Of The Rococo | |
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Painting: Poussinistes versus Rub�nistes | |
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Primary Sources: Jean de Jullienne (1686-1767) | |
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Materials And Techniques: Pastel Painting | |
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Chinoiserie | |
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The French Rococo Interior | |
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The Rococo In Western Europe Outside Of France | |
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William Hogarth and the Narrative | |
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Canaletto | |
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The Rococo In Central Europe | |
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Johann Fischer von Erlach | |
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Egid Quirin Asam | |
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Dominikus Zimmermann | |
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Balthasar Neumann | |
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Giovanni Battista Tiepolo and Illusionistic Ceiling Decoration | |
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The Modern World | |
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Art in the Age of the Enlightenment, 1750-1789 | |
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Rome Toward 1760: The Font Of Neoclassicism | |
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Artistic Foundations of Neoclassicism: Mengs and Hamilton | |
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Romanticism In Rome: Piranesi | |
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Neoclassicism In Britain | |
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Sculpture and Painting: Historicism, Morality, and Antiquity | |
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Materials And Techniques: Josiah Wedgwood and Neoclassical Jasperware | |
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The Birth of Contemporary History Painting | |
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Grand Manner Portraiture in the Neoclassical Style: Joshua Reynolds | |
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The Art Historian's Lens: The Elusive Meaning of West's The Death of General Wolfe | |
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Architecture and Interiors: The Palladian Revival | |
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Early Romanticism In Britain | |
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Architecture and Landscape Design: The Sublime and the Picturesque | |
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Early Romantic Painting in Britain | |
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Romanticism in Grand Manner Portraiture: Thomas Gainsborough | |
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Neoclassicism In France | |
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Architecture: Rational Classicism | |
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The Sublime in Neoclassical Architecture: The Austere and the Visionary | |
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Painting and Sculpture: Expressing Enlightenment Values | |
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Primary Sources: Denis Diderot (1713-1784) | |
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The Climax of Neoclassicism: The Paintings of Jacques-Louis David | |
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Primary Sources: �tienne-Jean Del�cluze | |
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Neoclassical Portraiture: Marie-Louise-�lisabeth Vig�e-Lebrun | |
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Italian Neoclassicism Toward 1785 | |
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Neoclassical Sculpture: Antonio Canova | |
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Art in the Age of Romanticism, 1789-1848 | |
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Painting | |
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Spain: Francisco Goya | |
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Britain: Spiritual Intensity and the Bond with Nature | |
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Materials And Techniques: Blake's Printing Process | |
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Primary Sources: John Constable (1776-1837) | |
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Germany: Friedrich's Pantheistic Landscape | |
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America: Landscape as Metaphor | |
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France: Neoclassical Romanticism | |
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France: Painterly Romanticism and Romantic Landscape | |
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Primary Sources: Eug�ne Delacroix (1798-1863) | |
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Romantic Landscape Painting | |
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Romantic Sculpture | |
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Romantic Revivals In Architecture | |
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Britain: The Sublime and the Picturesque | |
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Germany: Creating a New Athens | |
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America: An Ancient Style for a New Republic | |
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France: Empire Style | |
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The Age of Positivism: Realism, Impressionism, and the Pre-Raphaelites, 1848-1885 | |
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Realism In France | |
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Realism in the 1840s and 1850s: Painting Contemporary Social Conditions | |
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The Realist Assault on Academic Values and Bourgeois Taste | |
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Impressionism: A Different Form of Realism | |
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Primary Sources: Lila Cabot Perry (1848?-1933) | |
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Materials And Techniques: Impressionist Color Theory | |
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British Realism | |
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The Pre-Raphaelite Brotherhood | |
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The Aesthetic Movement: Personal Psychology and Repressed Eroticism | |
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Primary Sources: James Abbott McNeill Whistler (1834-1903) | |
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Realism In America | |
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Scientific Realism: Thomas Eakins | |
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Iconic Imagery: Winslow Homer | |
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The Art Historian's Lens: An Artist's Reputation and Changes in Art Historical Methodology | |
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Photography: A Mechanical Medium For Mass-Produced Art | |
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First Innovations | |
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Recording the World | |
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Reporting the News: Photojournalism | |
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Photography as Art: Pictorialism and Combination Printing | |
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Primary Sources: Charles Baudelaire (1821-1867) | |
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Architecture And The Industrial Revolution | |
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Ferrovitreous Structures: Train Sheds and Exhibition Palaces | |
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Historic Eclecticism and Technology | |
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Announcing the Future: The Eiffel Tower | |
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Progress and Its Discontents: Post-Impressionism, Symbolism, and Art Nouveau, 1880-1905 | |
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Post-Impressionism | |
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Paul C�zanne: Toward Abstraction | |
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Primary Sources: Paul C�zanne (1839-1906) | |
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Georges Seurat: Seeking Social and Pictorial Harmony | |
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Henri de Toulouse-Lautrec: An Art for the Demimonde | |
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Materials And Techniques: Lithography | |
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Vincent van Gogh: Expression Through Color and Symbol | |
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Paul Gauguin: The Flight from Modernity | |
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Primary Sources: Paul Gauguin | |
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Symbolism | |
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The Nabis | |
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Other Symbolist Visions in France | |
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Symbolism Beyond France | |
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Symbolist Currents in American Art | |
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The Art Historian's Lens: Feminist Art History | |
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The Sculpture of Rodin | |
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Art Nouveau And The Search For Modern Design | |
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The Public and Private Spaces of Art Nouveau | |
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American Architecture: The Chicago School | |
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Henry Hobson Richardson: Laying the Foundation for Modernist Architecture | |
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Louis Sullivan and Early Skyscrapers | |
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Frank Lloyd Wright and the Prairie House | |
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Photography And The Advent Of Film | |
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Pictorialist Photography and the Photo Secession | |
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Documentary Photography | |
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Motion Photography and Moving Pictures | |
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Toward Abstraction: The Modernist Revolution, 1904-1914 | |
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Fauvism | |
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Cubism | |
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Reflecting and Shattering Tradition: Les Demoiselles d'Avignon | |
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The Art Historian's Lens: The Myth of the Primitive | |
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Analytic Cubism: Picasso and Braque | |
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Synthetic Cubism: The Power of Collage | |
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The Impact Of Fauvism And Cubism | |
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German Expressionism | |
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Materials And Techniques: The Woodcut In German Expressionism | |
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Primary Sources: Vasily Kandinsky | |
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Austrian Expressionism | |
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Cubism after Picasso and Braque: Paris | |
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Italian Futurism: The Visualization of Movement and Energy | |
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Cubo-Futurism and Suprematism in Russia | |
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Primary Sources: Kazimir Malevich (1878-1935) | |
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Cubism and Fantasy: Marc Chagall and Giorgio de Chirico | |
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Marcel Duchamp And The Advent Of An Art Of Ideas | |
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Constantin Brancusi And The Birth Of Modernist Sculpture | |
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American Art | |
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America's First Modernists: Arthur Dove and Marsden Hartley | |
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Early Modern Architecture In Europe | |
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Austrian and German Modernist Architecture | |
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German Expressionist Architecture | |
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Art Between the Wars | |
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DADA | |
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Zurich Dada: Jean Arp | |
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New York Dada: Marcel Duchamp | |
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Berlin Dada | |
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Cologne Dada | |
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Primary Sources: Hannah H�ch (1889-1978) | |
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Paris Dada: Man Ray | |
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Surrealism | |
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Picasso and Surrealism | |
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Surrealism in Paris: Spurring the Imagination | |
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Representational Surrealism: Magritte and Dal� | |
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Surrealism and Photography | |
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The Surrealist Object | |
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Organic Sculpture Of The 1930S | |
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Alexander Calder in Paris | |
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Henry Moore and Barbara Hepworth in England | |
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Primary Sources: Barbara Hepworth (1903-1975) | |
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Creating Utopias | |
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Russian Constructivism: Productivism and Utilitarianism | |
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De Stijl and Universal Order | |
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The Bauhaus: Creating the "New Man" | |
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Primary Sources: Piet Mondrian (1872-1944) | |
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The Machine Aesthetic in Paris | |
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Primary Sources: Le Corbusier (1886-1965) | |
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Materials And Techniques: Reinforced Concrete | |
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Art In American: Modernity, Spirituality, And Regionalism | |
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The City and Industry | |
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Art Deco and the International Style | |
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Seeking the Spiritual | |
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Regionalism and National Identity | |
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The Harlem Renaissance | |
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Mexican Art: Seeking A National Identity | |
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Diego Rivera | |
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The Eve Of World War Ii | |
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America: The Failure of Modernity | |
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Europe: The Rise of Fascism | |
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Postwar to Postmodern, 1945-1980 | |
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Existentialism In New York: Abstract Expressionism | |
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The Bridge from Surrealism to Abstract Expressionism: Arshile Gorky | |
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Abstract Expressionism: Action Painting | |
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Primary Sources: Jackson Pollock (1912-1956) | |
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Abstract Expressionism: Color-Field Painting | |
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New York Sculpture: David Smith and Louise Nevelson | |
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Existentialism In Europe: Figural Expressionism | |
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Jean Dubuffet | |
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Francis Bacon | |
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Rejecting Abstract Expressionism: American Art Of The 1950S And 1960S | |
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Re-Presenting Life and Dissecting Painting | |
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Environments and Performance Art | |
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Pop Art: Consumer Culture as Subject | |
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Primary Sources: Roy Lichtenstein (1923-1997) | |
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Formalist Abstraction Of The 1950S And 1960S | |
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Formalist Painting | |
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Formalist Sculpture: Minimal Art | |
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Primary Sources: Frank Stella (b. 1936) | |
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The Pluralist 1970S: Post-Minimalism | |
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Post-Minimal Sculpture: Geometry and Emotion | |
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Earthworks and Site-Specific Art | |
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The Art Historian's Lens: Studying the Absent Object | |
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Conceptual Art: Art as Idea | |
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Television Art: Nam June Paik | |
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Art With A Social Agenda | |
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Street Photography | |
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African-American Art: Ethnic Identity | |
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Primary Sources: Romare Bearden (1911-1988) | |
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Feminist Art: Judy Chicago and Gender Identity | |
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Late Modernist Architecture | |
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Continuing the International Style: Ludwig Mies van der Rohe | |
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Sculptural Architecture: Referential Mass | |
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The Postmodern Era: Art Since | |
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Architecture | |
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Postmodern Architecture: A Referential Style | |
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New Modernisms: High-Tech Architecture | |
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Deconstructivism: Countering Modernist Authority | |
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Materials And Techniques: Computer-Aided Design in Architecture | |
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Postminimalism And Pluralism: Limitless Possibilities In Fine Art | |
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The Return of Painting | |
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Sculpture | |
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Appropriation Art: Deconstructing Images | |
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Primary Sources: Cindy Sherman (B. 1954) | |
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Photography and LED Signs | |
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Context and Meaning in Art: The Institutional Critique and Art as Commodity | |
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Multiculturalism And Political Art | |
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African-American Identity | |
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The AIDS Pandemic and a Preoccupation with the Body | |
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The Power of Installation, Video, and Large-Scale Photography | |
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Primary Sources: Ilya Kabakov (b. 1933) | |
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The Art Historian's Lens: The Changing Art Market | |
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GLOBAL ART | |
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El Anatsui, Adinkra Signs, and Postmodern Ambiguity | |
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Cai Guo Qing: Projects for Extraterrestrials | |
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Glossary | |
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Bibliography | |
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Index | |
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Credits | |