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The Twentieth Century | |
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Perspectives: The Art of the Manifesto | |
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Filippo Tommaso Marinetti (1876-1944) | |
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The Foundation and Manifesto of Futurism | |
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Tristan Tzara (1896-1963) | |
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Unpretentious Proclamation | |
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Andr� Breton (1896-1966) | |
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The Surrealist Manifesto | |
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Mina Loy (1882-1966) | |
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Feminist Manifesto | |
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Yokomitsu Riichi (1898-1947) | |
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Sensation and New Sensation | |
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Oswald de Andrade (1890-1954) | |
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Cannibalist Manifesto | |
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Andr� Breton (1896-1966) | |
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Leon Trotsky (1879-1940) | |
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Diego Rivera (1886-1957) | |
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Manifesto: Towards a Free Revolutionary Art | |
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Hu Shi (1891-1962) | |
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Some Modest Proposals for the Reform of Literature | |
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Crosscurrents | |
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Joseph Conrad (1857-1924) | |
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Preface to the Nigger of the Narcissus | |
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Heart of Darkness | |
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Resonances | |
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Joseph Conrad:fromCongo Diary | |
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Sir Henry Morton Stanley:from | |
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Address to the Manchester Chamber of Commerce | |
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PREMCHAND (1880-1936) | |
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My Big Brother | |
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LU XUN (1881-1936) | |
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Preface to A Call to Arms | |
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A Madman's Diary | |
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A Small Incident | |
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JAMES JOYCE (1882-1941) | |
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Dubliners | |
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Araby | |
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The Dead | |
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Virginia Woolf (1882-1941) | |
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Mrs | |
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The Lady in the Looking Glass: A Reflection from A Room of One's Own | |
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Akutagawa Ryunosuke (1892-1927) | |
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RashMmon | |
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In a Grove | |
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A Note Forwarded to a Certain Old Friend | |
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Perspectives: Modernist Memory | |
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T.S. Eliot (1888-1965) | |
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The Love Song of | |
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The Waste Land | |
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Constantine Cavafy (1863-1933) | |
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Days of 1908 | |
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Ithaka | |
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Claude McKay (1890-1948) | |
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The Tropics in New York | |
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Flame Heart | |
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Outcast | |
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Federico Garc�a Lorca (1898-1936) | |
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Unsleeping City | |
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Carlos Drummond de Andrade (1902-1987) | |
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In the Middle of the Road | |
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Emile Habiby (1922-1998) | |
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from The Secret Life of Saeed, the Ill-Fated Pessoptimist | |
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Octavio Paz (1914-1998) | |
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A Wind Called Bob Rauschenberg | |
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Central Park | |
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Crosscurrents | |
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Franz Kafka (1883-1924) | |
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The Metamorphosis | |
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Parables | |
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The Trees | |
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The Next Village | |
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The Cares of a Family Man | |
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Give it Up! | |
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On Parables | |
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Translations: Kafka | |
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Anna Akhmatova (1889-1966) | |
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The Muse | |
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I am not with those | |
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Boris Pasternak | |
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Why is this century worse | |
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Requiem | |
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Resonance | |
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Osip Mandelstam (1891-1938) | |
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To A.A.A. (Akhmatova) | |
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William Butler Yeats (1865-1939) | |
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The Lake Isle of Innisfree | |
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Who Goes with Fergus? | |
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No Second Troy | |
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The Wild Swans at Coole | |
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Easter 1916 | |
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Resonance | |
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Proclamation of the Irish Republic | |
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The Second Coming | |
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Sailing to Byzantium | |
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Byzantium | |
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Under Ben Bulben | |
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Perspectives: Poetry About Poetry | |
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Ezra Pound (1885-1972) | |
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A Pact | |
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Eugenio Montale (1896-1981) | |
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Rhymes | |
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Poetry | |
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Fernando Pessoa (1888-1935) | |
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This | |
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Today I read nearly two pages | |
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The ancients used to invoke | |
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Translations:Pessoa's Autopsychography | |
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Pablo Neruda (1904-1973) | |
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Tonight I can write the saddest lines | |
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Ars Poetica | |
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Wallace Stevens (1879-1955) | |
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Anecdote of the Jar Of Modern Poetry Of Mere Being | |
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Nazim Hikmet (1902-1963) | |
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Regarding Art | |
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Bei Dao (b 1949) | |
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He Opens Wide a Third Eye | |
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Old Snow | |
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Daniel David Moses (b 1952) | |
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The Line | |
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Crosscurrents | |
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Bertolt Brecht | |
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Mother Courage And Her Children | |
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Perspectives: Echoes of War | |
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Yosano Akiko (1878-1942) | |
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I Beg You, Brother: Do Not Die | |
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Rupert Brooke (1887-1915) | |
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Peace | |
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The Soldier | |
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Wilfred Owen (1893-1918) | |
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Anthem for Doomed Youth | |
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Strange Meeting | |
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Dulce et Decorum Est | |
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Yukio Mishima (1925-1970) | |
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Patriotism | |
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Primo Levi (1919-1987) | |
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The Two Flags | |
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Paul Celan (1920-1970) | |
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Death Fugue | |
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Zbigniew Herbert (1924-1998) | |
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Report from the Besieged City | |
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Alejo Carpentier (1904-1980) | |
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Like the Night | |
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Nazim Hikmet (1902-1963) | |
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Giaconda and Si-Ya-U | |
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Ingeborg Bachmann (1926-1973) | |
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Youth in an Austrian Town | |
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Yehuda Amichai (1924-2000) | |
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Seven Laments for the War-Dead | |
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Little Ruth | |
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Crosscurrents | |
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Samuel Beckett (1906-1989) | |
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Endgame | |
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Perspectives: Cosmopolitan Exiles | |
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C�sar Vallejo (1892-1938) | |
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Agape | |
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Our Daily Bread | |
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Good Sense | |
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Black stone on a white stone | |
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Vladimir Nabokov (1899-1977) | |
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An Evening of Russian Poetry | |
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Czeslaw Milosz (b 1911) | |
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Child of Europe | |
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Encounter | |
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Dedication | |
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Fear-Dream | |
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V.S. Naipaul (b 1972) | |
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from Prologue to an Autobiography | |
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Adonis | |
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A Mirror to Khalida | |
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Crosscurrents | |
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Jorge Luis Borges (1899-1986) | |
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The Garden of Forking Paths | |
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The Library of Babel | |
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Borges and I | |
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Cult of the Phoenix | |
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The Web | |
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Resonance | |
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Gabriel Garc�a Marquez: I Sell My Dreams | |
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NAGIB MAHFOUZ (b 1911) | |
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Zaabalawi | |
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Arabian Nights and Days | |
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Shahriyar | |
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Shahrzad | |
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The Sheikh | |
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The Cafe of the Emirs | |
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Sanaan al-Gamali | |
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Perspectives: The 1001 Nights in the Twentieth Century | |
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G�neli G�n (b 1944) | |
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from On the Road to Baghdad | |
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John Barth (b 1930) | |
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Dunyazadiad | |
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Italo Calvino (1923-1985) | |
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fromInvisible Cities | |
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Assia Djebar (b 1936) | |
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from A Sister to Sheherazade | |
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Crosscurrents | |
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L�lpold S�dar Senghor (1906-2001) | |
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Letter to a Poet | |
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Nocturne (She Flies She Flies) | |
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Black Woman | |
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To New York | |
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Correspondence | |
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AIM� | |
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C�SAIRE (b 1913) | |
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Notebook of a Return to a Native Land | |
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Gerald Vizenor (b 1934) | |
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Ice Tricksters | |
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Shadows | |
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Perspectives: Indigenous Cultures in the Twentieth Century | |
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Oodgeroo of the Tribe Noonuccal (1920-1993) | |
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We Are Going | |
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Archie Weller (b 1957) | |
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Going Home | |
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Paula Gunn Allen (b 1939) | |
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Pocahontas to Her English Husband, John Rolfe | |
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Taking a Visitor to See the Ruins | |
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Leslie Marmon Silko (b 1948) | |
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Yellow Woman | |
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N. Scott Momaday (b 1934) | |
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from | |
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The Way to Rainy Mountain | |
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Louise Erdrich (b 1954) | |
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Dear John Wayne | |
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Ibrahim Al-Kuni (b 1948) | |
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The Golden Bird of Misfortune | |
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Crosscurrents | |
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Zhang Ailing (Eileen Chang), (1920-1995) | |
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Stale Mates | |
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Mahasweta Devi (b 1926) | |
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Breast-Giver | |
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Perspectives: Gendered Spaces | |
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Clarice Lispector (1925-1977) | |
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Preciousness | |
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Fatima Mernissi (b 1940) | |
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The Harem Within | |
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Ama Ata Aidoo (b 1942) | |
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No Sweetness Here | |
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Hanan Al-Shaykh (b 1945) | |
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A Season of Madness | |
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Juan Goytisolo (b 1931) | |
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from Makbara | |
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Gabriel Garc�a M�rquez (b 1928) | |
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Artificial Roses | |
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Jamaica Kincaid (b 1949) | |
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My Mother | |
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Crosscurrents | |
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Chinua Achebe (b 1930) | |
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Things Fall APart | |
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fromThe African Writer and the English Language | |
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Resonances | |
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Ngugi wa Thiong'o:fromThe Language of African Literature | |
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Mbwil a M. Ngal:from | |
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Giambatista Viko or, The Rape of African Discourse | |
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Jeremy Cronin: To learn how to speak | |
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Wole Soyinka (b 1934) | |
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Death and the King's Horseman | |
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Perspectives: Post-Colonial Conditions | |
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Nadine Gordimer (b 1923) | |
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The Defeated | |
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Fadwa Tuqan (b 1917) | |
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In the Aging City | |
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In the Flux | |
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Face Lost in the Wilderness | |
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Mahmoud Darwish (b 1941) | |
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A Poem Which Is Not Green, from My Country | |
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Diary of a Palestinian Wound | |
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Sirhan drinks his coffee in the cafeteria | |
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Birds die in Galilee | |
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Resonance | |
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Agha Shahid Ali: Ghazal | |
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Faiz Ahmed Faiz (1911-1984) | |
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Black Out | |
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No Sign of Blood | |
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Solitary Confinement | |
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Reza Baraheni (b 1935) | |
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The Unrecognized | |
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Answers to an Interrogation | |
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Farough Faroghzad (1935-1967) | |
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A Poem for You | |
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Derek Walcott (b 1930) | |
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A Far Cry from Africa | |
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Volcano | |
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The Fortunate Traveller | |
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Salman Rushdie (b 1947) | |
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Chekov and Zulu | |
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Crosscurrents | |
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Perspectives: Literature, Technology, and Media | |
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Mario Vargas Llosa (b 1936) | |
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fromThe Storyteller | |
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Christa Wolf (b 1929) | |
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from | |
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Accident: A Day's News | |
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Abdelrahman Munif (b 1933) | |
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from | |
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Cities of Salt | |
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Murakami Haruki (b 1949) | |
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TV People | |
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William Gibson ( b 1948) | |
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Burning Chrome | |
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Crosscurrents | |
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Bibliography | |
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Credits | |
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Index | |