Small Format Television Production

ISBN-10: 0205483356
ISBN-13: 9780205483358
Edition: 7th 2007 (Revised)
List price: $123.80 Buy it from $3.00 Rent it from $57.41
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Book details

List price: $123.80
Edition: 7th
Copyright year: 2007
Publisher: Allyn & Bacon, Incorporated
Publication date: 8/3/2006
Binding: Hardcover
Pages: 480
Size: 7.00" wide x 9.50" long x 1.00" tall
Weight: 2.090
Language: English

Preface
Introduction
In the Field with Evening Magazine
The Evolution of Video Production Technology
Production Uses of Portable Video Equipment
Camera Equipment Quality and Target Markets
Video as a Medium of Communication
Principal Elements Involved in Video Production
Preproduction and Production Planning
Stages and Types of Production
Preproduction Planning
Production Planning
Copyright and Distribution
Video Basics: The Electronic Image and the Video Signal
Electronic Image Reproduction
How the Video Camera Makes a Picture-Analog and Digital Standards
Video Signal Control
The Color Signal
Camera Performance Characteristics
Camera Configurations
Camera Viewfinder Systems
Operating the Video Camcorder
The Basic System
Common Camcorder Camera Section Controls
VCR Section Controls and Inputs/Outputs
Power and Videotape
Camcorder System Setup
Audio and Video Connectors
Monitoring the Recording
Camera-Mounting Equipment
Carrying the Equipment
Video Recording
Videotape Recording
Videotape Recording Formats
Compatibility
Types of Videocassette Recorders
Videotape
Tapeless Video Recording Devices
Signal Processing
Lenses and Visualization
Lenses
Lenses: Functions and Types
Zoom Lens Components
Zoom Lens Operation
Aperture Control and Depth of Field
Visualization and Composition
Aesthetics of Visual Composition
Camera Movement
Shooting to Edit
Subject-Camera Relationships
On-Site Interview Setup
Lighting
Physical Factors of Lighting
Basic Lighting Concepts
Lighting Equipment: Types of Lamps
Portable Lighting Instruments
Power Requirements
Controlling the Intensity of Light
Other Equipment
Lighting Safety
Aesthetic Factors
Modeling
Three-Point Lighting
Lighting Problems
Sound
Technical Factors
Sound: Technical Bases
Microphone Characteristics
Camera-Mounted Microphones
External Microphones
Wired and Wireless Microphones
Recording Sound on a Camcorder
Mixers
Standardized Recording Procedures
Monitoring Sound
Hints for Recording Good Sound
Special Problems
Equalizing and Filtering to Improve Sound Quality
Adding Sound to Prerecorded Videotape
Additional Sound Recording and Playback Devices
Sound Aesthetics
Types of Sound
Sound Perspective and Sound Presence
Constructing the Audio Portion of a Program
The Visual Impact of Microphones
Editing Aesthetics
Role of the Editor
Types of Editing
Continuity Editing
Dynamic Editing
Transitions and Effects
Sound in Editing
"Don't Worry, We'll Fix It in Post"
Editing Voice-Driven Pieces
Storytelling
Getting Ready to Edit: Working with SMPTE Time Code and Postproduction Planning
SMPTE Time Code
Postproduction Planning
Linear Videotape Editing
Electronic Videotape Editing Systems
Control Track and SMPTE Time Code Editing
Linear Videotape Editing Modes: Assemble and Insert Editing
Editing on a Cuts-Only System
Nonlinear Video Editing
Nonlinear Video Editing
Components of a Nonlinear Video Editing System
The Process of Nonlinear Editing
Postproduction Graphic Design
Guiding Principles: Unity, Clarity, and Style
Functional and Practical Design Factors
Production Processes and Sources of Graphics
Titling in a Nonlinear Editing System
Ethics and Video Production
Codes of Ethics
Public Interest Obligations of Digital Television Broadcasters
Your Role as a Producer
Production Projects
Guidelines and Information for Filming in San Francisco
U.S. Copyright Office Short Form PA
Digital Information and the Metric System
Video Field Acquisition Formats
Full-Length Documentary Treatment
Glossary
Bibliography
Index
Credits

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