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| Introduction: Why Cultural Studies? | |
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| The Politics of Literature | |
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| ""Revolutionary"" Models for High Literature: Resisting Poetics | |
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| Culture and Crisis: The Intelligentsia and Literature After 1953 | |
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| Suggested Further Reading | |
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| Theatre, Music, Visual Arts | |
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| Performing Culture: Theatre | |
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| Music in the Socialist State | |
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| Soviet Music after the Death of Stalin: The Legacy of Shostakovich | |
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| Building a New Reality: The Visual Arts, 1921-53 | |
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| The Art of the Political Poster | |
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| Suggested Further Reading | |
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| Cinema, Media, The Russian Consumer | |
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| Cinema | |
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| The Media as Social Engineer | |
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| Creating a Consumer: Advertising and Commercialisation | |
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| Suggested Further Reading | |
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| Identities: Populism, Religion, Emigration | |
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| The Retreat from Dogmatism: Populism Under Krushchev and Brezhnev | |
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| Religion and Orthodoxy | |
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| Russian Culture and Emigration, 1921-53 | |
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| Suggested Further Reading | |
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| Sexuality, Gender, Youth Culture | |
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| Sexuality | |
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| Gender Angst in Russian Society and Cinema in the Post-Stalin Era | |
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| ""The Future is Ours"": Youth Culture in Russia, 1953 to the Present | |
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| Suggested Further Reading | |
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| Conclusion: Towards Post-Soviet Pluralism? Postmodernism and Beyond | |
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| Chronology of Events from 1861 | |
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| Analytical Index of Names and Places | |
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| Subject Index | |