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Pianoforte in the Classical Era

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ISBN-10: 0198166346

ISBN-13: 9780198166344

Edition: 1998

Authors: Michael Cole

List price: $345.00
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In a period of only thirty years in the second half of the eighteenth century European musical culture underwent a remarkable transformation. In 1765 the harpsichord was the indispensable item in almost every concert and in every home where music was practised; the sound of the pianoforte was virtually unknown to most music lovers. Yet by 1795 the situation was entirely reversed. The pianoforte was indispensable and the harpsichord had become all but obsolete - except in the most backward and conservative establishments. Three hundred years of harpsichord dominance had ended, and workshops that had been busy producing them either ceased trading or switched hurriedly to the new hammer-action…    
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Book details

List price: $345.00
Copyright year: 1998
Publisher: Oxford University Press, Incorporated
Publication date: 4/9/1998
Binding: Hardcover
Pages: 412
Size: 6.14" wide x 9.21" long x 1.06" tall
Weight: 1.694
Language: English

Introduction
The Early Piano I
The Early Piano II
Johannes Zumpe and the English Square Piano
After Zumpe: Small Pianos in Europe and America 1770-1795
Interlude: Buying a Pianoforte
Beyond Zumpe: The English Square Piano 1782-1805
Americus Backers, Inventor of the English Grand Piano
The English Grand, 1778-1805
Pianoforte or Pantalon? The Origins of German Tafelklaviere
Johann Andreas Stein and the German Grand Piano
Keyboard Instruments in Germany and Austria 1770-1790: An Overview
`Mozart's Own Fortepiano'
In Vienna
Harpsichord, Pianoforte, and Combination Instruments
The Upright Pianoforte: the Genesis of Upright Forms
Into the Nineteenth Century
Construction of the Early Piano
At the Keyboard. Touch and Tone in the Early Piano
Fakes, Frauds, and Forgeries
Envoi
Selected Passages from Early Sources
A Proposal for the Systematic Classification of Piano Actions
Americus Backus: the Inventory of his House and Workshop in 1778
Glossary
Bibliography
Index