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| Preface | |
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| Musical Time and Space | |
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| Rhythm, Meter, and Accent | |
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| More Metrical Issues, Scales, and Key Signatures | |
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| More Scales, Intervals | |
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| More intervals and Melody | |
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| Harnessing Musical Time and Space | |
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| Contrapuntal Motions and 1:1 Counterpoint | |
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| 1:1 and 2:1 Counterpoint | |
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| 2:1 Counterpoint, Triads | |
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| Triads and Figured Bass | |
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| Figured Bass and Harmonic Analysis | |
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| Seventh Chords | |
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| Seventh Chords, Texture | |
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| Making Choices: When Harmony, Melody, and Rhythm Merge | |
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| Tones of Figuration and Harmonic Analysis | |
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| Melodic Fluency | |
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| Embellishment | |
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| Composition and Analysis: Using I, V, and V7 | |
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| Writing and Analyzing I and V | |
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| More Writing of Tonic and Dominant | |
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| V7 | |
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| Contrapuntal Expansions of Tonic and Dominant | |
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| Six-Three Chords | |
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| More Six-Threes | |
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| V7 and viio7 | |
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| More Seventh Chords | |
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| A New Harmonic Function | |
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| Additional Melodic and Harmonic Embellishments | |
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| The Pre-Dominant | |
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| More Pre-Dominants | |
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| Accented Tones of Figuration | |
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| All Tones of Figuration | |
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| Six Four Chords, Non-Dominant Seventh Chords, and Refining the Phrase Model | |
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| Six-Four Chords | |
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| More Six-Four Chords and Non-Dominant Seventh Chords | |
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| More Non-Dominant Seventh Chords | |
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| Embedded Phrase Models | |
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| The Submediant and Mediant | |
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| The Submediant | |
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| Submediant and Mediant | |
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| More Submediant and Mediant | |
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| Paradigms and Composition | |
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| The Period, Double Period, and Sentence | |
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| Period and Sentence | |
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| Composition | |
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| Period, Sentence, and Double Period | |
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| Harmonic Sequences: Concepts and Patterns | |
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| Triadic Sequences | |
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| More Triadic Sequences | |
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| Triadic and Seventh Chord Sequences | |
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| Applied Chords | |
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| Spelling, Recognizing, and Writing Applied Chords | |
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| Applied viio7 | |
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| Harmonization and Applied Chord Sequences | |
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| Extended Tonicization | |
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| Modulation and Binary Form | |
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| Closely Related Keys, Pivots, and Modulation | |
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| More Modulation | |
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| More Writing | |
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| Two-Voice Modulations, Modulation, and Binary Form | |
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| Modulation and Binary Form | |
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| Binary Form | |
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| Expressive Chromaticism | |
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| Melodic and Harmonic Mixture | |
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| Plagal motions | |
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| Chromatic Tonicization | |
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| Prepared and Common-Tone Chromatic Modulations | |
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| The Neapolitan and Augmented Sixth Chords | |
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| Identifying and Writing the Neapolitan Chord | |
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| More Neapolitan | |
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| Tonicization of the Neapolitan | |
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| Augmented Sixth Chords | |
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| More Augmented Sixth Chords | |
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| More Writing of Augmented Sixth Chords, +6 in Modulation | |
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| Ternary and Sonata Forms | |
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| Analysis of Ternary | |
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| Ternary and Binary Forms | |
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| Sonata | |
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| Keyboard Exercises | |