Graduate Review of Tonal Theory A Recasting of Common Practice Harmony, Form, and Counterpoint

ISBN-10: 0195376994

ISBN-13: 9780195376999

Edition: 2009 (Student Manual, Study Guide, etc.)

List price: $62.95
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This student workbook accompanies Graduate Review of Tonal Theory: A Recasting of Common-Practice Harmony, Form, and Counterpoint. The exercises are organized by chapter into 61 discrete assignments, each progressing from short, introductory analytical and writing exercises to more-involved tasks. This volume also features additional keyboard exercises for 12 chapters. The student workbook is enhanced by a DVD of recordings by the Eastman students and faculty of musicalexamples from the text and analytical exercises within.
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Book details

List price: $62.95
Copyright year: 2009
Publisher: Oxford University Press
Publication date: 3/1/2009
Binding: Paperback
Pages: 288
Size: 8.25" wide x 10.75" long x 0.75" tall
Weight: 2.794
Language: English

György Buzsáki is a Board of Governors Professor of Neuroscience at Rutgers University. His primary research interests are in brain oscillations, sleep and memory, and with more than 200 papers published on these topics, he is among the top 250 most-cited neuroscientists. Dr. Buzsáki is a Fellow of the American Association for the Advancement of Science and honorary member of the Hungarian Academy of Sciences, and he sits on the editorial boards of several leading neuroscience journals.Steven G. Laitz is Associate Professor of Music Theory at the Eastman School of Music at the University of Rochester. He is also an Affiliate Faculty Member in the Chamber Music Department at Eastman. Dr. Laitz is the current editor of the Journal of Music Theory Pedagogy .

Musical Time and Space
Rhythm, Meter, and Accent
More Metrical Issues, Scales, and Key Signatures
More Scales, Intervals
More intervals and Melody
Harnessing Musical Time and Space
Contrapuntal Motions and 1:1 Counterpoint
1:1 and 2:1 Counterpoint
2:1 Counterpoint, Triads
Triads and Figured Bass
Figured Bass and Harmonic Analysis
Seventh Chords
Seventh Chords, Texture
Making Choices: When Harmony, Melody, and Rhythm Merge
Tones of Figuration and Harmonic Analysis
Melodic Fluency
Composition and Analysis: Using I, V, and V7
Writing and Analyzing I and V
More Writing of Tonic and Dominant
Contrapuntal Expansions of Tonic and Dominant
Six-Three Chords
More Six-Threes
V7 and viio7
More Seventh Chords
A New Harmonic Function
Additional Melodic and Harmonic Embellishments
The Pre-Dominant
More Pre-Dominants
Accented Tones of Figuration
All Tones of Figuration
Six Four Chords, Non-Dominant Seventh Chords, and Refining the Phrase Model
Six-Four Chords
More Six-Four Chords and Non-Dominant Seventh Chords
More Non-Dominant Seventh Chords
Embedded Phrase Models
The Submediant and Mediant
The Submediant
Submediant and Mediant
More Submediant and Mediant
Paradigms and Composition
The Period, Double Period, and Sentence
Period and Sentence
Period, Sentence, and Double Period
Harmonic Sequences: Concepts and Patterns
Triadic Sequences
More Triadic Sequences
Triadic and Seventh Chord Sequences
Applied Chords
Spelling, Recognizing, and Writing Applied Chords
Applied viio7
Harmonization and Applied Chord Sequences
Extended Tonicization
Modulation and Binary Form
Closely Related Keys, Pivots, and Modulation
More Modulation
More Writing
Two-Voice Modulations, Modulation, and Binary Form
Modulation and Binary Form
Binary Form
Expressive Chromaticism
Melodic and Harmonic Mixture
Plagal motions
Chromatic Tonicization
Prepared and Common-Tone Chromatic Modulations
The Neapolitan and Augmented Sixth Chords
Identifying and Writing the Neapolitan Chord
More Neapolitan
Tonicization of the Neapolitan
Augmented Sixth Chords
More Augmented Sixth Chords
More Writing of Augmented Sixth Chords, +6 in Modulation
Ternary and Sonata Forms
Analysis of Ternary
Ternary and Binary Forms
Keyboard Exercises
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