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New to this edition | |
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Preface to the Enhanced Sixth Edition: | |
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Preface: | |
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Keyboard Basics | |
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Keyboard Posture | |
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Finger Numbers | |
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Basic Note Values | |
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The Keyboard | |
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The Major Five-Finger Pattern | |
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Dynamics | |
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Reading Notes | |
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IntervalsKeeping Time | |
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Slur and Phrase Markings | |
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Key Signature | |
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Transposition | |
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Eighth Notes and Eighth Rests | |
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Drone Bass | |
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Repertoire | |
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Improvisation | |
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Harmonization | |
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Sightreading Stud | |
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Rhythmic Studies | |
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Ensemble Pieces | |
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Worksheet Review | |
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Reading | |
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A Jazz Waltz | |
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Keveren | |
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Beethoven, Shepherd''s Song ("Pastoral" from Symphony No. 6) | |
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Classic Miniatures: Gurlitt, The Contest, Op. 136, No. 3; Beyer, Two Etudes | |
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Repertoire | |
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Bartok, Melody (No. 1 from First Term at the Piano) | |
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Ensemble Pieces | |
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Wohlfahrt, Waltz, Op. 87, No. 39 (from The Children''s Musical Friend) | |
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Mach, Ancient Chinese Bells | |
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The Five-Finger Pattern | |
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Playing in Different Registers | |
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Tempo Markings | |
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More Dynamic Markings | |
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Dotted Quarter Notes | |
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AccidentalsSlurs | |
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Parallel Motion6/8 Time | |
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Identifying Flat Key Signatures | |
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Change of Dynamics | |
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Contrary Motion | |
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Major Triads | |
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Five-Finger Studies and Triads in Major | |
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The Minor Five-Finger Pattern | |
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Minor TriadsFive-Finger Studies and Triads in Major and Minor | |
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More Tempo Markings | |
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Pieces Using Major and Minor Triads | |
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The Dominant Seventh Chord | |
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Block-Chord Accompaniment with I and V6/5Music Chord Symbols | |
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Five-Finger Melodies with Letter-Name Chord Symbols for I and V6/5 Chord | |
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Accompaniments | |
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The Subdominant Chord | |
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Cadences | |
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The Circle of Fifths and Major Key Signatures | |
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Pieces with I-IV6/4-V6/5 Accompaniments | |
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Five-Finger Melodies with Letter-Name Chord Symbols for I, IV6/4, and V6/5 Chord | |
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Accompaniments | |
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Changing Five-Finger Positions | |
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Repertoire | |
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Improvisation | |
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Creative Music and Harmonization | |
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Sightreading Studies | |
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Rhythmic Studies | |
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Technical Studies | |
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Ensemble Pieces | |
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Worksheet Review | |
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Reading | |
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Mach, Sahara | |
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Mach, Shoestring Boogie | |
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Classic Miniatures: Reinagle, Minuet; Beyer, Etude in A Minor, Op. 101, No. 60Repertoire | |
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Beyer, Etude in DEnsemble Piece | |
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Diabelli, Scherzo, Op. 149, No. 6 (from Melodious Pieces) | |
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Pieces with Easy Accompaniments | |
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Major Scales | |
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Major Scales in Tetrachord Position | |
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Major Scales with Fingerings for Both Hands Together | |
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Scale Studies in Clusters | |
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Triads on Major-Scale Degrees | |
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Intervals of a Sixth, Seventh, and Eighth (Octave) | |
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Extending the Five-Finger Position | |
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Sixteenth Notes and Sixteenth Rests | |
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The Dotted Eighth Note | |
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Musical Forms: AB and ABA | |
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Melodies with Letter-Name Chord Symbols for I, IV6/4, and V6/5 Chords | |
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Broken-Chord Accompaniment Patterns | |
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Waltz Pattern | |
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Arpeggio Accompaniment Patterns | |
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Syncopation | |
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The Damper PedalOther Accompaniment Patterns | |
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Secondary Chords | |
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Intervals Within the Scale | |
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Melodic Lines with Intervals | |
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Chord Inversions | |
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The Damper Pedal (Indirect Pedaling)Hymn Style | |
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Augmented and Diminished Triads | |
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Repertoire | |
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Improvisation | |
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Creative Music and Harmonization | |
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Sightreading Studies | |
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Rhythmic Studies | |
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Technical Studies | |
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Ensemble Pieces | |
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Worksheet Review | |
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Reading | |
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Gurlitt, Moving Along | |
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Mach, Apple Street Rag | |
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Classic Miniatures: Kuhlau, Scotch Dance; Turk, TeasingRepertoire | |
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Mach, Perpetual Motion | |
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Oesten, Hunting HornsEnsemble Pieces | |
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Au Clair de la Lune: | |
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Howard, Hello, Ma'' Baby | |
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Tonality and Atonality | |
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Minor Scales | |
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Minor Key Signatures | |
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Natural Minor Scales in Tetrachord Positions | |
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Harmonic Minor Scalesi-iv6/4-i-V6/5-i Chord Progression | |
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Parallel Major and Minor Scales | |
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Other Scale Forms (Modes) | |
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The Chromatic ScaleJazz | |
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Pandiatonicism | |
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The Whole-Tone Scale | |
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Bitonality | |
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Atonality | |
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Innovative Notations | |
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Quartal Harmony | |
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Repertoire | |
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Bitonal Improvisation | |
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Sightreading Studies | |
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Ensemble Pieces | |
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Worksheet Review | |
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Reading | |
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Dark Eyes | |
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Classic Miniatures: Kohler, Etude, Op. 190, No. 31; Rousseau, The VillageProphetRepertoire | |
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Salutrinskaya, Shepherd PipesEnsemble Pieces | |
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Tchaikovsky, Sugar Plum Fairy Dance (from The Nutcracker Suite) | |
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Wells, Gallop | |
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Letter-Name Chord Symbols | |
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Letter Names of I, IV, and V7 Chords | |
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Melodies with Letter-Name Chord Symbols | |
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Famous Themes | |
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Strumming Accompaniments | |
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Arpeggio Accompaniments | |
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Major and Minor Seventh Chords | |
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Letter-Name Chord Chart | |
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Ensemble Pieces | |
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Melodies to Harmonize | |
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Dona Nobis Pacern | |
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Hush Littl | |