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Prologue: So-You Want to Be a Conductor?: It Starts With You | |
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Preparing for Success | |
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Formal Musical Training | |
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Character Development | |
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Choosing the Path | |
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Path to the Podium | |
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Interview: Leonard Slatkin, National Symphony | |
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Interview: Robert Spano, Atlanta Symphony | |
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Interview: JoAnn Falletta, Buffalo Philharmonic | |
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Your First Job | |
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Getting the Job | |
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Negotiating the Contract | |
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First Year-Do's and Don'ts | |
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Getting Organized | |
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Artistic Leadership | |
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Understanding Leadership | |
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Steps to Becoming a Successful Leader | |
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Thoughts about Artistic Vision | |
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Artistic Programming | |
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Subscription Concert Programming | |
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Thematic Programming | |
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Pops Programming | |
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Educational and Family Programs | |
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The Overall Concert Experience | |
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The People Factor | |
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Working with People | |
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Implementing the Artistic Plan | |
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The Music Director's Role with the Board | |
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Union and Orchestra Relations | |
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Rehearsal Techniques | |
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Developing Your Network | |
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Funding the Artistic Vision | |
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Getting to Know the Numbers | |
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The Music Director's Role in Fundraising | |
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Creating a Visible Presence in the Community | |
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Closing Thoughts | |
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Keeping Your Competitive Edge | |
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Leaving a Legacy | |
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Epilogue | |
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Resources | |
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Music Organizations | |
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Networking Organizations | |
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Directories, Magazines, and Journals | |
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Internet Resources and Forums | |
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Artist Managers | |
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Music Sources | |
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Standard Music Publishers | |
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Pops Music Publishers | |
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Library Special Collections | |
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Training and Personal Development | |
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Summer Festivals and Workshops | |
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Conducting Competitions | |
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Grants and Residencies | |
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Programming Resources | |
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Thematic Programming Lists | |
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Encore Lists | |
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Audition Repertoire Lists | |
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Sample Contracts and Resume Format | |
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Music Director Job Posting | |
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Music Director Job Description | |
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Sample Guest Conducting Contract | |
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Sample Music Director Contract | |
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Sample Resume | |
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Recommended Reading | |
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Music Books | |
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Leadership Books | |
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Organizational Books | |
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Photo Credits | |
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Index | |