| |
| |
| Foreword | |
| |
| |
| Preface | |
| |
| |
| CD Track List | |
| |
| |
| |
| Heating Up! | |
| |
| |
| East Africa | |
| |
| |
| Traditional Music Performance: The Example of Ngoma | |
| |
| |
| What is "Music" in East Africa? | |
| |
| |
| Greetings | |
| |
| |
| Conclusion | |
| |
| |
| |
| Traditional Performances in Two Villages and a Town | |
| |
| |
| Introduction | |
| |
| |
| |
| Nyanhugi Village, Sukumaland, Tanzania | |
| |
| |
| |
| Bugwere Village, Busoga Region, Eastern Uganda | |
| |
| |
| |
| Kisumu Town, Western Kenya | |
| |
| |
| Musical Transcription | |
| |
| |
| Gender and Traditional Music Performance in East Africa | |
| |
| |
| Conclusion | |
| |
| |
| |
| Fostering Social Cohesion: Competition and Traditional Musical Performance | |
| |
| |
| Introduction: Competition as Social Cohesion | |
| |
| |
| |
| Bulabo in Sukumaland, Tanzania | |
| |
| |
| Bufumu | |
| |
| |
| Bagaalu and Bagiika Dance Societies | |
| |
| |
| Samba | |
| |
| |
| Changes and Adaptation in Bulabo | |
| |
| |
| |
| Choir Competitions in Dar es Salaam | |
| |
| |
| |
| The Initial Evangelical Encounter | |
| |
| |
| |
| The Emergence of Tanzanian Voices | |
| |
| |
| |
| A Postcolonial Moment | |
| |
| |
| Conclusion | |
| |
| |
| |
| Individuals in East African Musical Worlds: Gideon Mdegella and Centurio Balikoowa | |
| |
| |
| Introduction | |
| |
| |
| |
| Gideon Mdegella | |
| |
| |
| |
| Centurio Balikoowa | |
| |
| |
| Communities and Musical Specialists | |
| |
| |
| Gideon Mdegella: "Mwalimu" | |
| |
| |
| Mwalimu wa Kwaya: Ritual-Musical Specialists in the Tanzanian Lutheran Church | |
| |
| |
| "I Am Able to See Very Far, but I Am Unable to Reach There" | |
| |
| |
| Mdegella and "First-Class Music" | |
| |
| |
| Centurio Balikoowa | |
| |
| |
| Background | |
| |
| |
| Musical Instruments | |
| |
| |
| Endere (Flute) | |
| |
| |
| Endingidi (Tubefiddle) | |
| |
| |
| Construction of the Endingidi | |
| |
| |
| Ntongooli (Bowl Lyre) | |
| |
| |
| Personal History | |
| |
| |
| Conclusion | |
| |
| |
| |
| Situating Traditional Music within Modernity | |
| |
| |
| Introduction | |
| |
| |
| Vignette: Anthems and Identity | |
| |
| |
| |
| Mu Kkubo Ery 'Omusaalaba | |
| |
| |
| Basic Tenets of Kiganda Traditional Music | |
| |
| |
| Issue of Timbre | |
| |
| |
| Drumming | |
| |
| |
| Issue of Interlocking Patterns | |
| |
| |
| |
| "The Roots of Benga" | |
| |
| |
| D. O. Misiani, the "King" of Benga | |
| |
| |
| Conclusion: Popular versus Traditional--"Modernity Happened!" | |
| |
| |
| |
| Cooling Down! | |
| |
| |
| Introduction | |
| |
| |
| Traditional Music and the Interrelation of the Arts in East Africa | |
| |
| |
| Glossary | |
| |
| |
| Resources | |
| |
| |
| Index | |