Marina Tsvetaeva - Selected Poems

ISBN-10: 0140187596
ISBN-13: 9780140187595
Edition: Revised 
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Description: An acclaimed translation of the best work of the passionate Russian poet An admired contemporary of Rilke, Akhmatova, and Mandelstam, Marina Tsvetaeva was a witness to the political turmoil and the social devastation wrought by the Russian  More...

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Book details

List price: $17.00
Publisher: Penguin Publishing Group
Publication date: 1/1/1994
Binding: Paperback
Pages: 160
Size: 5.25" wide x 7.75" long x 0.50" tall
Weight: 0.286
Language: English

An acclaimed translation of the best work of the passionate Russian poet An admired contemporary of Rilke, Akhmatova, and Mandelstam, Marina Tsvetaeva was a witness to the political turmoil and the social devastation wrought by the Russian Revolution and a powerfully inspired chronicler of a difficult life and exile sustained by poetry. Pasternak "was immediately overcome by the immense lyrical power of her poetic form. It... had spring living from experience--personal, and neither narrow-chested nor short of breath from line to line but rich and compact and enveloping" For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Tsvetaeva, whose first collection appeared in 1910, ranks among the major twentieth-century Russian poets. Her numerous lyrics and long poems are distinguished by great vigor and passion and an astonishing technical mastery. Her language and rhythms are highly innovative. In subject, her poetry varies greatly, often diarylike but also intensely concerned with the fate of her generation, of Russia, and of Europe. Tsvetaeva did not shy away from controversial topics, often opposing received dogma, be it Soviet or Russian emigre. She frequently subsumed herself in other characters, merging dramatic and lyrical elements. Particularly striking are her long poems Poem of the Mountain, Poem of the End, and Ratcatcher and her later collections Craft (1923) and After Russia (1928). After emigrating from the Soviet Union, Tsvetaeva also seriously turned to prose. Drawing on her past, she wrote a number of striking quasi-autobiographical pieces, deeply exploring problems of literary and artistic creation. Tsvetaeva's husband fought as an officer against the Reds in the Crimea, and she celebrates the White Army in the collection The Demesne of Swans (1957). Following the civil war, she led a difficult and isolated existence in Prague and Paris during the twenties and thirties. Her eventual return to the Soviet Union in 1939, largely for family reasons, ended in tragedy; isolated and humiliated by official Soviet literary figures, she committed suicide in 1941. Her work was first republished in the Soviet Union in the 1960s, and the current period has brought a new wave of interest and new editions. As was the case with her writing from the start, poets are a particularly attentive audience.

She is a prize-winning poet, novelist & biographer was made a fellow of the royal Society of Literature in 1980 & has written biographies of D. H. Lawrence, Marina Tsvetayeva & Aleksandr Pushkin.

Introduction
Notes on the Text
Further Reading
Acknowledgements
Alfarabi
The New-born Star
St. Dunstan
Thoughts
To Night
Another
A Clock Striking Midnight
Lines (Written in ...'Prometheus Unbound')
Lines (Written at Geneva; July 16 [1824])
Sonnet (To Tartar, a Terrier beauty)
To B. W. Procter, Esq., May 1825
Another Letter to the Same, March 1826
Resurrection Song
From the German of Raupach
The Ghosts' Moonshine
Song from the German of Walther von der Vogelweide
Written in an Album at Clifton
Epilogue to Ernest's Story
Song of the Stygian Naiades
Silenus in Proteus
Lord Alcohol
Thanatos to Kenelm and the Song by Thanatos
Doomsday
Dream-Pedlary
The Phantom-Wooer
Lines Written in Switzerland
On Himself
from The Brides' Tragedy, 1822
from The Last Man and Other Projected Plays, 1823-5
from Love's Arrow Poisoned, 1823-5
from Torrismond: An Unfinished Drama, 1824
from The Second Brother: A Tragedy, 1824-5
from Death's Jest-Book, 1825-48
fragments of Death's Jest-Book
Beddoes's Last Letter
Notes

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