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The Elements of Music: A Brief Introduction | |
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Melody | |
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Sci-Tech:The acoustics of melody | |
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Rhythm | |
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Harmony Cultural Contexts:Illegal Harmony? | |
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Texture | |
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Timbre Sci-Tech:The acoustics of timbre | |
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Dynamics | |
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Form | |
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Word-Music Relationships | |
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Genre | |
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The Middle Ages | |
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Part-opener: The Middle Ages | |
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The Middle Ages: An Overview | |
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Hildegard von Bingen:Play of Virtues(excerpt) (3:30) Texture | |
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Primarily monophonic | |
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Melody | |
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Primarily conjunct, occasionally disjunct | |
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Cadences | |
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Word-Music Relationships | |
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Primarily syllabic, occasionally melismatic | |
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Rhythm | |
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Primarily free, but at one point in duple meter | |
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Listening Guide Bio: Visions Through Music | |
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The Composer Speaks: Hildegard Defends the Practice of Music Cultural | |
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Contexts:The Morality Play Expand Your Playlist:Chant(Christian plainchant, Buddhist, Hindu, Islamic, Jewish chant) | |
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San Ildefonso Indians of New Mexico:Eagle Dance(3:00) (Global Connection: Chant) Texture | |
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All voices sing one melodic line together | |
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Word-Music Relationships | |
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Vocables | |
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Voices as instruments | |
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Form | |
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A-B-A | |
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Melody | |
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A terraced melody | |
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Listening Guide Cultural Contexts:The Powwow Expand Your Playlist:Native American Music | |
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Francesco Landini: "Behold, Spring" (1:13) Texture: Polyphonic | |
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Rhythm | |
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Triple meter | |
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Melody | |
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Largely stepwise; each unit ends with a cadence | |
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Form | |
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Shaped by form of text, with repeated text set to same music (ABBA) | |
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Word-Music Relationships | |
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Largely syllabic, occasionally melismatic | |
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Listening Guide Bio: The Composer as Poet The Money Trail:Producing a Manuscript Expand Your Playlist:Medieval polyphony (Perotin, Machaut, da Firenze) | |
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Alfonso el Sabio:Songs to the Virgin Maryno | |
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249, "He Who Gladly Serves" (1:48) Timbre: Contrast between the percussion instruments (two drums) and the wind instruments (two shawms) | |
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Form: Repetition and variation of short melodic units throughout (A, B, and C) | |
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Texture: Three distinct textures on the sha | |