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| About the Authors | |
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| Preface To the Student | |
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| Fundamentals | |
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| Elements of Pitch | |
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| The Keyboard and Octave Registers Notation of the Staff | |
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| The Major Scale | |
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| The Major Key Signatures Minor Scale Minor Key Signatures Scale | |
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| Degree Names Intervals Perfect, Major, and Minor Intervals | |
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| Augmented and Diminished Intervals Inversion of Intervals | |
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| Consonant and Dissonant Intervals | |
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| Summary | |
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| Elements of Rhythm Rhythm Durational Symbols Beat and Tempo Meter Division of the Beat Simple | |
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| Time Signatures Compound | |
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| Time Signatures | |
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| Time Signatures Summarized More on Durational Symbols | |
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| Summary | |
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| Introduction to Triads and Seventh Chords | |
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| Introduction Triads Seventh Chords | |
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| Inversions of Chords | |
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| Inversion Symbols and Figured Bass Lead Sheet Symbols | |
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| Recognizing Chords in Various Textures | |
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| Summary | |
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| Diatonic Chords in Major and Minor Keys Introduction | |
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| The Minor Scale Diatonic Triads in Major | |
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| Diatonic Triads in Minor | |
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| Diatonic Seventh Chords in Major | |
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| Diatonic Seventh Chords in Minor | |
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| Summary | |
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| Diatonic Triads | |
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| Principles of Voice Leading Introduction | |
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| The Melodic Line Notating Chords Voicing a Singe Triad Parallel Motion | |
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| Summary | |
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| Root Position Part Writing Introduction Root Position | |
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| Part Writing with Repeated Roots Root Position | |
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| Part Writing with Roots a 4th (5th) Apart Root Position | |
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| Part Writing with Roots a 3rd (6th) Apart Root Position | |
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| Part Writing with Roots a 3rd(7th) Apart Instrumental Ranges and Transpositions | |
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| Summary | |
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| Harmonic Progression Introduction Sequences and the Circle of Fifths | |
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| The I and V Chords | |
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| The II Chord | |
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| The VI Chord | |
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| The III Chord | |
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| The VII Chord | |
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| The IV Chord Common Exceptions Differences in the Minor Mode | |
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| Progressions Involving Seventh Chords Harmonizing a Simple Melody | |
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| Conclusion | |
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| Summary | |
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| Triads in First Inversion Introduction Bass Arpeggiation | |
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| Substituted First Inversion Triads Parallel Sixth Chords | |
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| Part Writing First Inversion Triads Soprano-Bass Counterpoint | |
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| Summary | |
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| Triads in Second Inversion Introduction Bass | |
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| Arpeggiation and the Melodic Bass | |
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| The Cadential Six-Four | |
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| The Passing Six-Four | |
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| The Pedal Six-Four | |
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| Part Writing for Second Inversion Triads | |
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| Summary | |
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| Cadences, Phrases, and Periods Musical Form Cadences | |
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| Cadences and Harmonic Rhythm Motives and Phrases Mozart: SAn die Freude Period Forms | |
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| Summary | |
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| Non Chord Tones 1 Introduction Classification of Non-Chord | |
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| Tones Passing | |
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| Tones Neighboring | |
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| Tones Suspensions and Retardations Figured Bass and Lead Sheet Symbols Embellishing a Simple Texture | |
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| Summary | |
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| Non-Chord Tones 2 Appoggiaturas Escape Tones | |
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| The Neighbor Group Anticipations | |
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| The Pedal Point Special Problems in the Analysis of Non-Chord Tones | |
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| Summary | |
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| Diatonic Seventh Chords | |
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| The V7 Chord Introduction General Voice-Leading Considerations | |
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| The V7 in Root Position | |
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| The V7 in Three Parts Other Resolutions of the V7 | |
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| The Inverted V7 Chord | |
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| The V6/5 Chord | |
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| The V4/3 Chord | |
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| The V4/2 Chord | |
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| The Approach to the Seventh | |
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| Summary | |
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| The II7 and VII7 Chords Introduction | |
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| The II7 Chord | |
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| The VII7 Chord in Major | |
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| The VII7 Chord in Minor | |
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| Summary | |
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| Other Diatonic Seventh Chords | |
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| The IV7 Chord | |
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| The VI7 Chord | |
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| The I7 Chord | |
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| The III7 Chord Seventh Chords and the Circle-of -Fifths Progression | |
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| Summary | |
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| Chromaticism 1 | |
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| Secondary Functions 1 | |
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| Chromaticism and Altered Chords Secondary Functions | |
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| Secondary Dominant Chords Spelling Secondary | |
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| Dominants Recognizing Secondary Dominants | |
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| Secondary Dominants in Context | |
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| Summary | |
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| Secondary Functions 2 | |
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| Secondary Leading-Tone Chords Spelling Secondary | |
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| Leading-Tone Chords Recognizing Secondary | |
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| Leading-Tone Chords Secondary | |
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| Leading-Tone Chords in Context Sequences Involving Secondary | |
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| Functions Deceptive Resolutions of Secondary Functions Other | |
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| Secondary Functions | |
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| Summary | |
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| Modulations Using Diatonic Common Chords | |
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| Modulation and Change of Key | |
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| Modulation and Tonicization Key Relationships Common-Chord Modulation Analyzing Common-Chor | |