Evolution's Captain The Story of the Kidnapping That Led to Charles Darwin's Voyage Aboard the Beagle

ISBN-10: 0060088788
ISBN-13: 9780060088781
Edition: 2003
Authors: Peter Nichols
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Description: Evolution's Captain is the story of a visionary but now forgotten English naval officer and the chain of events without which the name Charles Darwin would be unknown to us today. Captain Robert FitzRoy's first voyage aboard the HMS Beagle had  More...

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Book details

List price: $15.99
Copyright year: 2003
Publisher: HarperCollins Publishers
Publication date: 6/29/2004
Binding: Paperback
Pages: 352
Size: 5.25" wide x 8.00" long x 1.00" tall
Weight: 0.682
Language: English

Evolution's Captain is the story of a visionary but now forgotten English naval officer and the chain of events without which the name Charles Darwin would be unknown to us today. Captain Robert FitzRoy's first voyage aboard the HMS Beagle had concluded with the kidnapping of four "savages" from Tierra del Fuego. But when his plan to bring them back to England to civilize them as Christian gentlefolk backfired, the second and most famous voyage of the Beagle was born. In naval terms, this second voyage -- with twenty-two-year-old Charles Darwin in tow -- was a stunning scientific success. But FitzRoy, a fanatical Christian, was horrified by the heretical theories Darwin began to develop. As these ideas came to influence the most profound levels of religious and scientific thinking in the nineteenth century, FitzRoy's knowledge that he had provided Darwin with the vehicle for his sacrilegious ideas propelled him irrevocably toward suicide.

A Bristol-born former actor and schoolteacher, Peter Nichols got his start writing some 14 plays for television and has continued to write for that medium even since attaining success in the West End. A Day in the Death of Joe Egg, his first stage play, was produced in England in 1967 and on Broadway a year later. Joe Egg (as a squeamish American management insisted it be retitled) concerns a couple whose marriage is slowly being destroyed by their attempt to raise a hopelessly spastic daughter (Josephine, alias Joe Egg, their "living parsnip"). They survive in their situation as long as they do only by ceaselessly joking about it. This comic distancing, as much as its autobiographical revelation, was to be the common characteristic of Nichols's later plays. Forget-Me-Not-Lane (1971), distinctly personal in its middle-aged re-examination of a World War II childhood, has characters stepping back and forth through time and in and out of the dramatic situation. In Passion Play (1981), Nichols's characters even break away from themselves, each partner in a bickering couple splitting into mutually critical components. The National Health (1969), produced to general acclaim at the National Theatre, achieves its distancing through the alternation of realistic scenes of suffering and dying in a hospital ward with episodes of an outrageous medical soap opera, Nurse Norton's Affair, shown on a simulated television screen. And in the ironic musical episodes of Privates on Parade (1977), the story of an army entertainment troupe in the 1950s, Nichols entered the area of alienating theatricalism explored by John Osborne's The Entertainer (1957) and Joan Littlewood's Oh, What a Lovely War. Privates, a Royal Shakespeare Company hit of 1977, has been made into a film, as have Joe Egg and The National Health. (Nichols also wrote the screenplay for the 1966 film satire Georgy Girl.)

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