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Acknowledgments | |
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Preface | |
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An Introduction to Color Study | |
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The Experience of Color | |
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Color Awareness | |
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The Uses of Color | |
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Color-Order Systems | |
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Color Study | |
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A Little Light on the Subject | |
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Light | |
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Mixing Light: Additive Color | |
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Lamps | |
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Lighting Level | |
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Vision | |
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The Illuminant Mode of Vision | |
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The Object Mode of Vision | |
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Modifying Light: Colorants | |
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Modifying Light: Surface | |
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Transparent, Opaque, and Translucent | |
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Lamps and Color Rendition | |
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Metamerism and Matching | |
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Luminosity | |
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Indirect Light, Indirect Color | |
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Modifying Light: Filters | |
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The Human Element | |
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The Sensation of Color | |
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Visual Acuity for Color | |
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Threshold | |
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Intervals | |
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The Perception of Color | |
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Physiology: Responding to Light | |
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Healing and Color | |
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Synaesthesia | |
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Psychology: Responding to Light | |
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Color and Meaning | |
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Naming Colors | |
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The Vocabulary Of Color: Hue | |
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Hue | |
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The Artists' Spectrum | |
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Primary and Secondary Colors | |
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Saturated Color | |
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Other Spectrums, Other Primaries | |
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Chromatic Scales | |
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Cool and Warm Colors | |
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Analogous Colors | |
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Complementary Colors | |
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Equilibrium | |
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Simultaneous Contrast | |
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Afterimage and Contrast Reversal | |
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Complementary Contrast | |
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Tertiary Colors: Muted Hues and Brown | |
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Black, White, Gray | |
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The Vocabulary of Color: Value And Saturation | |
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Value | |
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Value and Image | |
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Transposing Image | |
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Pure Hues and Value | |
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Tints and Shades | |
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Monochromatic Value Scales | |
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Comparing Value in Different Hues | |
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Saturation | |
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Saturation: Diluting Pure Hues with Gray | |
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Saturation: Diluting Pure Hues with the Complement | |
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Tone | |
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Working With Color | |
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Color Composition | |
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Ground and Carried Colors | |
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Placement and Color Change | |
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Ground Subtraction | |
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Reversing the Illusion: Two Colors as One | |
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Influenced and Influencing Colors | |
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Optical Mixes: Partitive Color | |
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Spatial Effects of Colors | |
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Color Illusions | |
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Spreading Effect | |
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Color and Area | |
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Color Harmony | |
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In Search of Beauty | |
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A Brief History of Color Theory | |
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Color Theory and Harmony | |
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Color Harmony: From the Ground Up | |
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Intervals and Harmony | |
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Hue and Harmony | |
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Value and Harmony | |
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Saturation and Harmony | |
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Major and Minor Themes | |
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Some Harmonious Conclusions | |
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On Beyond Harmony: Visual Impact | |
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On Beyond Harmony: Dissonant Colors | |
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The X(tra)-Factor: Surface and Harmony | |
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Tools of the Trade | |
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It's the Real Thing: Color in Product and Print | |
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Artists' Media | |
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Subtractive Mixing | |
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Tinting Strength | |
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Process Colors | |
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The Medium of Light | |
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The Medium of Light | |
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Lost in Translation | |
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The Screen Display | |
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Monitors | |
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Software: Color Display Modes | |
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Printed Images | |
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Standards and Supports | |
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Distributed Screen Images | |
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The Business of Color | |
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Palettes | |
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Color Cycles | |
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Color Forecasting | |
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Color Sampling | |
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Traditional Colors | |
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Color and Product Identity | |
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Influences on Palettes | |
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Glossary | |
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Workbook | |
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Bibliography | |
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Index | |