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Robert Browning's Poetry

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ISBN-10: 0393090922

ISBN-13: 9780393090925

Edition: N/A

Authors: Robert Browning, James M. Loucks

List price: $14.50
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Book details

List price: $14.50
Publisher: W. W. Norton & Company, Incorporated
Binding: Paperback
Pages: 620
Size: 5.50" wide x 8.50" long x 1.25" tall
Weight: 1.430
Language: English

Robert Browning was the son of a well-to-do clerk in the Bank of England. He was educated by private tutors and from his own reading in his father's library and elsewhere. Browning's first publication was Pauline (1833). The work made no stir at all. The following year Browning went to St. Petersburg and from there to Italy. On his return to England in 1835 he published Paracelsus, a dramatic poem based on the life of the fifteenth-century magician and alchemist. Browning next attempted a play. Strafford was the first of the poet's dramatic failures; it ran only five nights at Covent Garden in 1836. An obscure and difficult poem, Sordello, appeared in 1840. It did a great deal toward giving…    

Pauline; a fragment of a confessionp. 5
From Paracelsusp. 29
From Sordellop. 39
Pippa Possesp. 44
My last duchessp. 83
Count Gismondp. 84
Incident of the French campp. 88
Soliloquy of the Spanish cloisterp. 89
In a gondolap. 92
Cristinap. 98
Johannes Agricola in meditationp. 100
Porphyria's loverp. 101
The Pied Piper of Hamelinp. 103
"How they brought the good news from Ghent to Aix"p. 110
Pictor Ignotusp. 112
The Italian in Englandp. 114
The Englishman in Italyp. 118
The lost leaderp. 124
Home-thoughts, from abroadp. 125
["Here's to Nelson's memory!"]p. 125
Home-thoughts, from the seap. 126
The bishop orders his tomb at St. Praxed's churchp. 126
Garden fanciesp. 130
The laboratoryp. 134
Meeting at night; parting at morningp. 136
Love among the ruinsp. 137
A lovers' quarrelp. 139
Up at a villa - down in the cityp. 144
A woman's last wordp. 147
Fra Lippo Lippip. 148
A toccata of Galuppi'sp. 157
By the fire-sidep. 160
Mesmerismp. 169
An Epistle containing the strange medical experience of Karshish, the Arab physicianp. 174
My starp. 181
"Childe Roland to the dark tower came"p. 181
Respectabilityp. 188
A light womanp. 189
The statue and the bustp. 191
How it strikes a contemporaryp. 198
The last ride togetherp. 201
The patriot - an old storyp. 204
Master hugues of Saxe-Gothap. 205
Bishop Blougram's apologyp. 210
Memorabiliap. 235
Andrea del Sartop. 236
In a yearp. 242
"De Gustibus-"p. 244
Women and rosesp. 246
Holy-cross dayp. 247
The guardian-angelp. 252
Cleonp. 254
Popularityp. 262
Two in the campagnap. 264
A grammarian's funeralp. 266
"Transcendentalism : a poem in twelve books"p. 270
One word morep. 271
Dis aliter Visum; or, Le Byron de Nos Joursp. 277
Abt Voglerp. 283
Rabbi Ben Ezrap. 286
Caliban upon Setebos : or, natural theology in the islandp. 292
Confessionsp. 300
Prospicep. 302
Youth and artp. 302
A likenessp. 305
Apparent failurep. 307
Epiloguep. 309
From the ring and the book : book V. : Count Guido Franceschinip. 315
From the ring and the book : book VII. : Pompiliap. 361
From the ring and the book : book X. : the Popep. 401
From fifine at the fair : prologue (amphibian)p. 448
From Fifine at the fair : epilogue (the householder)p. 451
[Thamuris marching]p. 452
Housep. 455
Fears and scruplesp. 457
Numpholeptosp. 459
Adam, Lilith, and Evep. 462
Never the time and the placep. 463
With Christopher Smartp. 464
Prologuep. 471
Bad dreams, I-IVp. 473
"Imperante Augusto Natus Est-"p. 478
Developmentp. 482
Epiloguep. 485
From "introductory essay" to the letters of Percy Bysshe Shelleyp. 486
Criticism
Evidences of a new genius for dramatic poetryp. 495
[Letter to Browning]p. 497
[Review of men and women]p. 498
[Browning's alleged carelessness]p. 501
[Browning and the Italian Renaissance]p. 502
[Browning's grotesque art]p. 504
[The ring and the book]p. 508
The poetry of the period : Mr. Browningp. 509
[Browning's obscurity]p. 513
[Strictures on Browning]p. 516
[Browning as "writer of fiction"]p. 517
Browning in Westminster Abbeyp. 519
The dramatic monologue : sympathy versus judgmentp. 523
Dramatic monologue and the overhearing of lyricp. 542
The politics of dramatic formp. 557
The pragmatics of silence, and the figuration of the reader in Browning's dramatic monologuesp. 576
Browning's Pygmalion and the revenge of Galateap. 589
Browning's poetry of intimacyp. 610
Browning's 'a toccata of Galuppi's' : how Venice once was dearp. 622
Browning's "Childe Roland" : all things deformed and brokenp. 634
Andrea del Sarto's modestyp. 643
Browning's "Caliban" and primitive languagep. 651
"Pompilia" : the woman (in) questionp. 659
Robert Browning : a chronologyp. 679
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