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Foreword | |
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Acknowledgments | |
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Introduction: Peligro! Subversive Subjects: Chicana and Chicano Cultural Studies in the 21st Century | |
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Dangerous Bodies | |
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Millennial Anxieties: Borders, Violence, and the Struggle for Chicana and Chicano Subjectivity | |
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Writing on the Social Body: Dresses and Body Ornamentation in Contemporary Chicana Art | |
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New Iconographies: Film Culture in Chicano Cultural Production | |
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Penalizing Chicano/a Bodies in Edward J. Olmos's American Me | |
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Biopower, Reproduction, and the Migrant Woman's Body | |
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Anzaldua's Frontera: Inscribing Gynetics | |
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Dismantling Colonial/Patriarchal Legacies | |
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Re(Riting) the Chicana Postcolonial: From Traitor to 21st Century Interpreter | |
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How the Border Lies: Some Historical Reflections | |
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"See How I Am Received": Nationalism, Race, and Gender in Who Would Have Thought It! | |
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Engendering Re/Solutions: The (Feminist) Legacy of Estela Portillo Trambley | |
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Unir los Lazos: Braiding Chicana and Mexicana Subjectivities | |
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Borders, Feminism, and Spirituality: Movements in Chicana Aesthetic Revisioning | |
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Mapping Space and Reclaiming Place | |
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Border/Transformative Pedagogies at the End of the Millennium: Chicana/o Cultural Studies and Education | |
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On the Bad Edge of La Frontera | |
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"Here Is Something You Can't Understand ...": Chicano Rap and the Critique of Globalization | |
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A Sifting of Centuries: Afro-Chicano Interaction and Popular Musical Culture in California, 1960-2000 | |
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Narratives of Undocumented Mexican Immigration as Chicana/o Acts of Intellectual and Political Responsibility | |
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Teki Lenguas del Yollotzin (Cut Tongues from the Heart): Colonialism, Borders, and the Politics of Space | |
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The Alamo, Slavery, and the Politics of Memory | |
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Color Coded: Reflections at the Millennium | |
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Contributors | |
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Index | |