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Introduction | |
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Acknowledgments | |
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Comedy | |
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Speechless (Charlie Chaplin / Buster Keaton) | |
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Hanging Tough (Harold Lloyd) | |
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There Ain't No Sanity Claus (Groucho Marx and Brothers) | |
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This Guy Wouldn't Give You the Parsley off His Fish (Jack Benny) | |
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Cowardly Custard (Bob Hope) | |
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Idiot Semi-Savant (Jerry Lewis) | |
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Film | |
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Best Picture, 1889 (Edison: The Invention of the Movies) | |
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Who Was That Masked Man? (Lon Chaney) | |
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Reviving Ghosts (Olive Thomas / Hindle Wakes) | |
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The Pulse of the World (Fritz Lang) | |
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Ways We Weren't (Vitaphone Shorts) | |
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Naked Truth (Children of Paradise) | |
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Things That Go Bump (Horror Films) | |
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A Few Stops on the Way to the Grave (Films Noir) | |
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Hokum Became Him (William Wyler) | |
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Primal Fear (Nightmare Alley) | |
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Tales of Treachery and Loyalty (Jules Dassin / Jacques Becker) | |
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Incomparable (Greta Garbo) | |
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Awash in Ambiguity (Marlon Brando) | |
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Going His Way (Bing Crosby) | |
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Blond and Beaming (Doris Day) | |
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The Two Leons (Animal Farm / Looney Tunes Golden Collection, Volume Two) | |
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Kong Has Crazed His Mind (Ray Harryhausen) | |
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All the Screen's a Stage (Jean Renoir) | |
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Eternal Times Square (Shadows) | |
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Once upon a Time on the Via Veneto (La Dolce Vita / Divorce Italian Style) | |
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Charming Imagination (L'eclisse) | |
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I Spy (The Counterfeit Traitor) | |
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McCarey Nods (Satan Never Sleeps) | |
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Across the Pacific (Zero Focus / The Demon) | |
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"My Life Makes Me Cry" (The Insect Woman) | |
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The Holland Line (Dutch Movies) | |
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Still Curious (I Am Curious) | |
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Broken Promises (The Honeymoon Killers) | |
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Calm, Cool, and Now Collected (Steve McQueen) | |
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Rock Heads (Martin Scorsese) | |
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Real Reality TV (The UP Series) | |
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Roll Out the Sixties and We'll Have a Wonderful Time (Berkeley in the Sixties / Letter to the Next Generation) | |
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'Round and Around and Around (Twist) | |
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Color Him Purple (Listen Up: The Lives of Quincy Jones) | |
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Call It Anything (Miles Electric) | |
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Savage Servility (Glory) | |
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Simplicity Itself (Robert Bresson) | |
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Pretty Boy (Alain Delon) | |
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French Doubt (Too Beautiful for You / May Fools) | |
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Blown Away (A Shock to the System / Pretty Woman / The Hot Spot / White Palace) | |
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WWII and the Whole Truth (The Big Red One / Devils on the Doorstep / British War Collection) | |
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Music | |
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Mixing Hot Licks with Vanilla (Fats Waller / Glenn Miller) | |
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Brush Up Your Porter (Cole Porter) | |
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Long-Playing (Duke Ellington) | |
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Jazz for the Eyes (The Sound of Jazz / Jazz on a Summer's Day) | |
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Regrets, They've Had a Few (Sinatra) | |
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Ambassadors (A Great Day in Harlem / The Real Ambassadors) | |
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Explosive (Count Basie) | |
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"I'm Supposed to Deliver" (B. B. King) | |
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Brother Al (Al Cohn) | |
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The Arranger (Gil Evans) | |
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A New Kind of Virtuosity (Christopher Earl) | |
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Beale Street Talks (Harold Mabern) | |
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Old Man Rivers (Sam Rivers) | |
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Who's Gonna Throw That Minstrel Boy a Coin? (Bob Dylan) | |
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Fresh Flowers (Albert Ayler) | |
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Put Your Voice Where Your Mouth Is (Lip-syncing) | |
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On Her 90th Birthday (Billie Holiday) | |
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Books | |
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"Harsh as the sound of a man's snore was the name of Khufu" (Norman Mailer) | |
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The Grove of Academe (The New Grove Dictionary of American Music) | |
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Carrying a Torch (The Modern Library) | |
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Muddy Waters, I Presume (Alan Lomax) | |
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Soupspoon's Blues (Walter Mosley) | |
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Short and Acerbic (M. M. Liberman) | |
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Oxford Jazz (Sheldon Meyer) | |
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A Public Burning (Ralph Ellison) | |
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Doin That Waitin (Albert French) | |
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Closed Minds (Saul Bellow) | |
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Laughing Man (Moss Hart) | |
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He's Got No Kick Against Modern Jazz (Robert Christgau) | |
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Mr. Ellington, Meet Mr. Matisse (Alfred Appel Jr.) | |
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Fighting for Freedom and Bad Taste (Sammy Davis Jr.) | |
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Pops and Pops (Louis Armstrong and Paul Whiteman: Two Kings of Jazz) | |
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Seduced (Classics Illustrated) | |
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Fear and Trembling (Friedrich Durrenmatt) | |
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Kaddish for the Jews (Soma Morgenstern) | |
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Index | |