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general Information Regarding String Instruments | |
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Construction and Nomenclature | |
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Construction of String Instruments | |
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Nomenclature of String Instruments | |
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The Bow | |
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Care and Maintenance of String Instruments | |
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Purchasing String Equipment | |
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Proper Adjustment | |
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Selecting an Instrument of Proper Size | |
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String Accessories | |
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developing String Programs in Schools | |
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Creating Interest in Strings: Recruiting | |
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The Developmental String Program | |
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Selecting Students | |
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Measurements and Terminology of Sizes | |
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Selecting Materials | |
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Heterogeneous and Homogeneous String Classes | |
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Electronic Aids | |
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Strolling Strings | |
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Twentieth-Century Schools of String Teaching | |
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Early Instruction | |
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Holding the Instrument | |
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Holding the Instrument | |
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Holding the Bow | |
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Common Errors in Posture: Visual Clues | |
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Tuning Procedures | |
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Silent Exercises to Reinforce Learning | |
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Playing the Instrument on the Open Strings | |
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Introducing the Open Strings | |
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Pizzicato | |
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The Open-String Cycle | |
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Double Stops | |
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Finger Patterns One and Two | |
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The First Finger Pattern | |
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The Second Finger Pattern | |
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Slurs and Double Stops Using Patterns One and Two | |
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Slurs | |
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Crossing Strings and Double Stops | |
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Finger Patterns Three, Four, and Five | |
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The Third Finger Pattern | |
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The Fourth Finger Pattern | |
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The Fifth Finger Pattern | |
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Solos, �tudes, and Ensembles | |
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Playing Solos, �tudes, and Ensembles in All Patterns | |
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Intermediate Class Instruction | |
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Some Simple Guidelines Determining Bowing | |
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Bowing Terms | |
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Some Basic Bowing Guidelines | |
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Developing Concepts to Accommodate Basic Orchestral Bowing Problems and Learning to Use Double Stops | |
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Common Orchestral Bowing Problems | |
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Double Stops | |
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Double Stops Using Combinations of Fingers | |
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Arpeggios | |
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Advanced Class Instruction | |
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Explaining and Demonstrating Shifting into Five Positions | |
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Position �tudes | |
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Shifting | |
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Teaching the Vibrato | |
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Teaching the Use of Harmonics | |
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Appendixes | |
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Index | |