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Long since written off as "death by misadventure," the soggy demise of Rolling Stones founding member Brian Jones was in fact a considerably more sinister affair. At least that's what Stoned would have us believe. Director Stephen Woolley's 2005 film begins with the discovery of Jones' body at the bottom of his swimming pool in the summer of 1969, and while it jumps all over the place, chronologically speaking, it always comes back to the events leading up to that July night. As portrayed by Leo Gregory, the Jones we see in his final days is a drug- and drink-ridden wreck, utterly debauched, at once a misogynist who beats his girlfriend and a helpless child who can't bear to be alone; his contribution to the Stones now virtually nil, he barely notices when his bandmates show up to kick him out (the official line was that he quit). Enter Frank Thorogood (Paddy Considine), a local builder hired to fix up Jones' country manor (once owned by Winnie the Pooh creator A. A. Milne). Dour and dull, Frank is the perfect target for Jones' sardonic taunts ("You're fun to wind up," says Brian), and the movie posits the theory, supposedly supported by Thorogood's deathbed confession, that it all became too much for this simple country lad to take. Whether any or all of this is true seems almost inconsequential; many viewers won't even remember who Brian Jones was, and many others won't care. This unrated version is filled with sex and nudity (we see a good deal more of Jones', uh, tool than his guitar), and Woolley's style is hip and kinetic, as if he were trying to capture the swirling excitement of '60s England. Stoned is a bit muddled, sometimes cliched and often rather ridiculous (Jones in heaven, discussing his legacy? Hey, whatever), and it contains not a note of actual Rolling Stones music. But in a lurid kind of way, it's undeniably entertaining. --Sam Graham