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Religion and Film Cinema and the Re-Creation of the World

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ISBN-10: 1905674694

ISBN-13: 9781905674695

Edition: 2008

Authors: James Hogg, S. Brent Plate, Caroline Bainbridge, Caroline Plate, S. B. Plate

List price: $22.00
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The religious altar and the film screen appear as cousins. Religions and film both operate by recreating the known world and then presenting that alternative version of the world to their viewers/worshippers. 'Religion and Film' explores the connection of these two worlds.
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Book details

List price: $22.00
Copyright year: 2008
Publisher: Wallflower Press
Publication date: 3/16/2009
Binding: Paperback
Pages: 144
Size: 6.00" wide x 7.75" long x 0.50" tall
Weight: 0.440
Language: English

Son of a Scottish shepherd and descended from minstrels, Hogg led a life that has the fictional quality Thomas Hardy was to capture later in the century in his novels of country life. After meeting Sir Walter Scott in 1802, Hogg adopted the name "Ettrick Shepherd," a pseudonym under which he published original lyrics and ballads. In 1814 Hogg met William Wordsworth and enjoyed literary friendships in the Lake District, although he parodied the other poets' styles and mannerisms in The Poetic Mirror (1816). He married at age 50 and fathered five children, whom he tried to support by the same kind of unproductive farming at which Robert Burns had labored a generation before. Like Burns, his…    

Worldmaking onscreen and at the altar
Visual mythologising
Ritualising film in space and time
Religious cinematics : the immediate body in the media of film
The footprints of film : after-images of religion in space and time
Notes
Filmography
Bibliography
Index