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| List of Black and White Illustrations | |
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| List of Colour Plates | |
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| Acknowledgements | |
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| The Origins of Video Art: The Historical and Cultural Context | |
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| In the Beginning: The Origins of Video Art | |
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| Crossing Boundaries: International Tendencies and Influences in Early Artists' Video | |
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| Technology, Access and Context: Social and Political Activists and Their Role in the Development of Video Art | |
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| Expanded Cinema: The Influence and Relationship of Experimental, Avant-Garde and Underground Film | |
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| Musique Concrete, Fluxus and Tape Loops: The Influence and Impact of Sound Recording and Experimental Music on Video Art | |
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| Theory and Practice: The Influence and Impact of Theoretical Ideas on Technology-Based Practice in the 1970s | |
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| Beyond the Lens: Abstract Video Imagery and Image Processing | |
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| A Discussion of Some Representative and Influential Video Art Works Set in Relation to their Technical and Critical Context | |
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| In and Out of the Studio: The Advent of Inexpensive Non-Broadcast Video | |
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| Vertical Roll | |
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| Television Delivers People | |
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| This is a Television Monitor | |
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| Monitor 1 | |
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| The Video Touch | |
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| Cutting It: Accessible Video Editing | |
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| Keeping Marlene Out of the Picture | |
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| Technology/Transformation: Wonder Woman | |
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| The Western is Alive | |
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| With Child | |
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| Blue Monday | |
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| Mixing It: Electronic/Digital Image Manipulation | |
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| Monument | |
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| Merging-Emerging | |
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| The Reflecting Pool | |
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| Juste le Temps | |
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| Art of Memory | |
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| Obsessive Becoming | |
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| The Gallery Opens Its Doors: Video Installation and Projection | |
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| De La | |
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| Il nuotatore | |
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| Television Circle | |
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| The Situation Envisaged: The Rite II | |
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| Tall Ships | |
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| The Development of Artists' Video and Video Installation in Response to Technological Change and Accessibility | |
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| Fields, Lines and Frames: Video as an Electronic Medium | |
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| Television Workshops: Broadcast and Cable | |
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| Closed-circuit TV Sound and Picture: Colour and Monochrome | |
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| Relationship to Sound, The Picture Signal, The Camera Image, Recordings and Tape | |
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| The Means of Production: Feminism and 'Otherness' - Race, Sexuality, Technology and Access | |
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| New Technologies: Freedom from History | |
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| Performance, Video, Intimacy and 'Liveness' | |
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| Ethnicity, Sexuality, Race and Issues, of Access and Visibility | |
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| Alternative Means of Distribution and Exhibition | |
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| Off the Wall: Video Sculpture and Installation | |
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| Video Installation: Relationships between Images and Space | |
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| Sculptural Installations and Video Sculpture | |
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| Video Projection: Cinema or Television? | |
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| Going Digital: The Emergence of Digital Video Processing and Effects | |
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| The Emergence of Digital Effects | |
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| Interactivity: New Narrative Possibilities | |
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| Computer Editing: Non-Linearity | |
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| The Virtual | |
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| Is There a 'Digital Aesthetic'? | |
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| The End of Video Art? Convergence and the Blurring of Boundaries Between Film and Video | |
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| Convergence. Recent Artists' Video and Blurring of Film and Production Techniques | |
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| Glossary of Technical Terms and Processes | |
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| Notes | |
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| Bibliography | |
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| Index | |