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Preface | |
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A Post-Photographic Cinema | |
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The Myth of "The Myth of Total Cinema" | |
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The Matrix: "A Prison for Your Mind" | |
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The New Realness | |
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Quid Est Veritas: The Reality of Unspeakable Suffering | |
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Social Network | |
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Postscript: Total Cinema Redux | |
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A Chronicle of the Bush Years | |
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2001: After September 11 | |
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2002: The War on Terror Begins | |
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2003: Invading Iraq | |
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2004: Bush's Victory | |
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2005: Looking for the Muslim World | |
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2006: September 11, the Anniversary | |
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2007: What Was Iraq and Where? | |
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2008: The Election | |
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Notes Toward a Syllabus | |
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In Praise of Love (Jean-Luc Godard, 2001) | |
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Avalon (Mamoru Oshii, 2001) | |
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Avant-Garde Goes Digital: *Corpus Callosum, Cotton Candy, and Razzle Dazzle | |
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Russian Ark (Alexander Sokurov, 2002) | |
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Ten (Abbas Kiarostami, 2002) | |
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Goodbye, Dragon Inn (Tsai Ming-liang, 2002) | |
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Dogville (Lars von Trier, 2003) | |
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The World (Jia Zhangke, 2004) | |
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Battle in Heaven (Carlos Reygadas, 2005) | |
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The Death of Mr. Lazarescu (Cristi Puiu, 2005) | |
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Day Night Day Night (Julia Loktev, 2006) | |
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Southland Tales (Richard Kelly, 2006) | |
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Inland Empire (David Lynch, 2006) | |
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Between Darkness and Light (After William Blake) (Douglas Gordon, 1997/2006) | |
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LOL (Joe Swanberg, 2006) | |
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Flight of the Red Balloon (Hou Hsiao-hsien, 2007) | |
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Hunger (Steve McQueen, 2008) | |
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Opening ceremonies, Beijing Olympics (August 8, 2008) | |
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Carlos (Olivier Assayas, 2010) | |
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The Strange Case of Angelica (Manoel de Oliveira, 2010) | |
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Once Upon a Time in Anatolia (Nuri Bilge Ceylan, 2011) | |
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Index | |