History of Experimental Film and Video
Edition: 2nd 2011 (Revised)
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Description: This second edition covers the history of avante-garde film and video, ranging from Cezanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British video artists in the 1990s. The author also reconstitutes the avante-garde film as an independent form of art practice with its own internal logic and aesthetic discourse.
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All the information you need in one place! Each Study Brief is a summary of one specific subject; facts, figures, and explanations to help you learn faster.
List price: $37.00
Copyright year: 2011
Publisher: BFI Publishing
Publication date: 9/21/2011
Size: 6.00" wide x 9.25" long x 0.75" tall
|Introduction to the 2nd Edition|
|Siting the avant-garde|
|Point of view|
|The canonical avant-garde|
|Origins of the moving image (1780-1880)|
|Art and the avant-garde: summary 1909-20|
|Primitives and pioneers (1880-1915)|
|The comic burlesque|
|The Art Cinema and its circuit|
|Cine-poems and lyric abstraction|
|Origins of abstract film|
|The absolute film|
|Cubism and popular film|
|Dada and surrealist film|
|The French avant-garde 1924-32|
|Voice and vision in the pre-war avant-garde|
|Transition: into the 1930s and documentary|
|Reviewing the first avant-garde|
|Origins of the post-war avant-garde|
|Two avant-gardes (mark 1)?|
|Primitives and post-structuralists|
|Art and politics|
|A cinema of small gestures|
|Art Cinema's odd couple: Derek Jarman and Peter Greenaway|
|'Where are we now?'|
|Points of resistance|
|Conclusion: In the gallery and on the air|
|The migrating frame from film to video|
|The origins of the avant-garde and current practice|