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| Introductions | |
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| The Now and the Has Been: Paradoxes of Live Art in History | |
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| Then Again | |
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| Theories and Histories | |
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| Introduction | |
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| The Performativity of Performance Documentation | |
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| Dead Mannequin Walking: Fluxus and the Politics of Reception | |
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| The Viral Ontology of Performance | |
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| Can Photographs Make It So? Repeated Outbreaks of VALIE EXPORT's Genital Panic Since 1969 | |
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| Macular Degeneration: Some Peculiar Aspects of Performance Art Documentation | |
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| History and Precariousness: In Search of a Performative Historiography | |
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| Performance Remains | |
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| Not as Before, but Simply: Again | |
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| The Prosthetic Present Tense: Documenting Chinese Time-based Art | |
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| Progressive Striptease | |
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| Repetition: A Skin which Unravels | |
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| Art in the Age of Biopolitics: From Artwork to Art Documentation | |
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| The Interstices of History | |
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| An Unofficial Timeline of Socialist and Post-Socialist Performance | |
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| Documents | |
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| Introduction | |
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| A Text on 20 years with 66 footnotes | |
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| Faith Wilding, Waiting and Wait-With | |
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| Lynn Hershman and/as Roberta Breitmore | |
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| We Are Formatted Memories | |
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| Franko B and Kamal Ackarie, Don't Leave Me This Way | |
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| Make Me Stop Smoking | |
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| The Personal Evolution of the Performance Object (Or, What to Do with Leftovers) | |
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| Cai Yuan and J.J. Xi, Mad for Real | |
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| Hayley Newman, MiniFlux | |
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| Daniel Joseph Martinez, Call Me Ishmael or The Fully Enlightened Earth Radiates Disaster Triumphant | |
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| Multiple Journeys: A Performance Chronology | |
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| Attending to Anthony McCall's Long Film for Ambient Light | |
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| ReCut Project | |
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| Assuming a Migrant Woman's Identity | |
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| Barbara Smith, Intimations of Immortality | |
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| Santiago Sierra and the "Contexts" of History | |
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| Reconstruction2 | |
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| Documents of Chinese Time-based Art: Three Impressions from Three Fragments | |
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| Both Sitting Duet and Cheap Lecture | |
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| Aftermath: The Performance / Installation Nexus | |
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| Timeline of Ideas: Live Art in (Art) History, A Primarily European-US-based Trajectory of Debates and Exhibitions Relating to Performance Documentation and Re-enactments | |
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| Dialogues | |
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| Introduction | |
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| Interior Squirrel and the Vicissitudes of History | |
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| I Just Go in Life | |
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| The Maybe: Modes of Performance and the "Live" | |
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| Photography as a Performative Act | |
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| Do it Again, Do it Again (Turn Around, Go Back) | |
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| Touching Remains | |
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| Reverse Martyrologies | |
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| The Live Artist as Archaeologist | |
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| Every House Has a Door | |
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| Alliterations | |
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| Introduction and Translation: No�mie Solomon | |
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| Intangibles | |
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| Acknowledgements | |
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| Author Biographies | |
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| Index | |