Skip to content

Writing Experiment Strategies for Innovative Creative Writing

Best in textbook rentals since 2012!

ISBN-10: 1741140153

ISBN-13: 9781741140156

Edition: 2005

Authors: Hazel Smith

List price: $31.95
Blue ribbon 30 day, 100% satisfaction guarantee!

Rental notice: supplementary materials (access codes, CDs, etc.) are not guaranteed with rental orders.

what's this?
Rush Rewards U
Members Receive:
Carrot Coin icon
XP icon
You have reached 400 XP and carrot coins. That is the daily max!

Description:

a systematic and engaging approach to creative writing' - Carla Harryman, Wayne State UniversityBy suggesting that students who are not born poets can yet learn to become good ones, Smith performs a very important service.' - Professor Susan M. Schultz, University of HawaiiThis is an impressive book, because it covers areas of creative writing practice and theory that have not been covered in published form It links radical practice with radical (but better-known) theory, and will appeal to anyone looking for a different approach ' - Robert Sheppard, Edge Hill College of Higher Education, UKThe Writing Experimentdemystifies the process of creative writing, showing that successful work does…    
Customers also bought

Book details

List price: $31.95
Copyright year: 2005
Publisher: Allen & Unwin
Publication date: 10/28/2005
Binding: Paperback
Pages: 304
Size: 6.26" wide x 9.02" long x 0.63" tall
Weight: 1.188
Language: English

Hazel Smith is a Reader in International Relations at the University of Warwick and Director of the MA in International Relations. She is currently on secondment to the United Nations World Food Programme in DPR Korea (North Korea) as programme adviser (since August 2000). Her previous books include Nicaragua: Self-Determination and Survival (Pluto, 1993), European Union Foreign Policy and Central America (Macmillan, 1995), North Korea in the New World Order (Palgrave, 1996), and Democracy and International Relations (Palgrave, 2000).

Preface
Introduction
Introductory strategies
Playing with language, running with referents
Genre as a moveable feast
Working out with structures
Writing as recycling
Narrative, narratology, power
Dialoguing
Advanced strategies
Postmodern f(r)ictions
Postmodern poetry, avant-garde poetics
The invert, the cross-dresser, the fictocritic
Tongues, talk and technologies
New media travels
Mapping worlds, moving cities
Conclusion: The ongoing editor
Acknowledgments
Index