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Foreword | |
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Acknowledgments | |
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Preface | |
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Introduction | |
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Commit or be Committed | |
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Secrets to Success | |
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The Journey | |
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The Power of Sound and Words | |
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Tips on Production with Xackery Irving | |
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The Perfect Pitch | |
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Visually Describe Your Film | |
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A Sticky Story Pitch | |
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The Winning Pitch by John McKeel | |
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Know Who's Who | |
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Become the Film | |
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The Wind-up and Delivery | |
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Perfecting Your Pitch | |
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The Proposal | |
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More Information to Include | |
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Understanding Proposal Writing: A Conversation with Writer/Filmmaker JanEva Hombaker McKeel | |
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Proposal Outline | |
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Log Line and Title | |
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Log Line Examples | |
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Log Line Construction by Rodney Vance | |
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Introduction/Synopsis | |
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Background and Need | |
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Approach, Structure, and Style | |
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Theme | |
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Audience, Marketing, and Distribution | |
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Budget | |
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Filmmaker's Statement and Biography | |
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Tips from a Grantor | |
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The Plan: From an Idea to a Trailer | |
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Building the Foundation for Fundraising Trailers | |
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A Conversation with Story Consultant Fernanda Rossi | |
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Creating Your Trailer | |
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By Bill Woolery, Editor of E.T. and the Usual Suspects | |
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Tricks to Trailer Editing | |
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Fundraising Trailers | |
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Fundraising Trailers-Things to Consider | |
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Different Types of Trailers | |
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Feature Trailers | |
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Three-Act Structure | |
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Music for Trailers | |
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Loading the Bases | |
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Rules of the Games | |
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Scouting the Majors: Researching Funders | |
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Organizing Your Search | |
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Winning the Mind Game | |
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Attracting Success | |
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Releasing a Potential | |
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First Law in Manifesting | |
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How Do You Do This? | |
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Daydreaming Is In! | |
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The Feature Film Game | |
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By Tom Malloy, Actor/Producer/Writer | |
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Finding Vested Investors | |
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Closing the Deal | |
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The Script | |
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Make Films | |
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Synopsis for Feature Films The Alphabet Killer | |
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The Roar of Crowdfunding | |
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Interview with Danea Ringlemann, co-founder of IndieGoGo | |
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Crowdfunding for Cash | |
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Tips for Success | |
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Average Contributions | |
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Crowdfunding for Features | |
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Creating a Successful Campaign, Outlined by Carole Dean | |
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Networking for Crowdfunding | |
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Money | |
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Crowdfunding Trailer | |
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Are You Ready to Receive? | |
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Create a Team and Get Moving | |
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Launch Date Check List | |
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Internet Marketing | |
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Interview with Peter Broderick of Paradigm Consulting | |
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Creating a Distribution Strategy | |
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Theatrical Distribution | |
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Digital Revenue | |
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Internet Distribution | |
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Distribution Pitfalls | |
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Raising Funds From Individuals and Businesses | |
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Raising Funds from Individuals | |
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Popping the Big Question | |
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Funding Parties, Instant Cash | |
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Funding Extravaganza Outline | |
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Your Fundraising Toolbox | |
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Archival Footage | |
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A Conversation with Rosemary Rotondi | |
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Betty Blankenbaker's Experience | |
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Archival Footage for Low Budgets | |
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Foundations and Grants | |
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Fiscal Sponsorship | |
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Making a Movie That Matters | |
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Finding the Grantor to Match Your Film | |
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Contacting Your Potential Grantor | |
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Listening Is an Art | |
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Tenacity Pays Off | |
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Interview with Jilann Spitzmiller of Philomath Films | |
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Winning Sundance Grants | |
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BBC License Fees | |
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ITVS-Winning Documentary Proposal | |
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Transmedia Proposal | |
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Music Clearances and Licenses | |
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By Maureen Ryan, author of Producer to Producer | |
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Plan for Success | |
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Creating a Music Soundtrack | |
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What Rights Do You Need? | |
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Putting in the License Request | |
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Music Rights Request Letter Format | |
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Negotiating the Music Rights | |
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Most Favored Nation | |
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Financing Independent Films | |
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A Conversation with Entertainment Attorney | |
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Financing Features | |
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Releases & Copyright | |
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Private Placement Memorandums (PPM) | |
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Gap Financing | |
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Benefits of an LLC | |
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Independent Film Financing | |
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Distribution-What Distributions Want | |
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Interview with | |
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When to Contact a Distributor | |
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Electronic Film Marketing | |
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The Value of a Trailer | |
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Documentary Distribution | |
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Karen McCann on Self Distribution | |
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The Money Maze of Public Funding | |
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Working with ITVS & PBS | |
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Producing for Public Broadcasting (PBS) | |
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American Public Television (APT) | |
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ITVS | |
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Independent Lens | |
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WNET and Wide Angle | |
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Arthur Dong | |
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Mission, Vision, and Values | |
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A Conversation with Morrie Warshawski | |
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Five-Year Projections | |
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Creating a Mission Statement | |
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Proposal for a Documentary | |
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Testing Your Film Idea | |
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Grant Proposal Writers | |
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Donations from Small Businesses | |
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Raising Money from Corporations | |
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Budgets: Production Glue | |
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By Norman C. Berns | |
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The Problem | |
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The Crux of It All | |
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You're in Charge of Your Film | |
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Stars. Props. Locations. Action. Talent. Schedules | |
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The Cost of Things | |
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Budgeting Programs Are Financial Management Tools | |
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Legal Considerations | |
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Film Financing | |
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Conditional Pay or Play | |
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Funding Sources | |
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Chain of Title | |
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Legal Basics of Filmmaking by Paige Gold | |
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Business Entity Formation | |
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Insurance | |
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Contract Basics | |
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Optioning Life Rights | |
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Co-Production Deals | |
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Negotiating a Good Contract | |
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Miscellaneous Advice | |
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Stretching Production Dollars Through Fair Use | |
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By Michael C. Donaldson | |
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Fair Use Can Save Production Dollars | |
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Fair Use Doctrine in the U.S. Copyright Act | |
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One Plaintiff, Three Cases, Same Result-The AIP Cases | |
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The Grateful Dead Can Still Break New Ground | |
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Safe Harbor | |
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Insurance to the Rescue | |
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Motion Picture Insurance | |
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By Kent Hamilton | |
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Overview | |
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General Liability | |
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Workers' Compensation | |
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Errors and Omissions | |
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Production Package | |
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Lights, Camera, Action! | |
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Studio and Lighting: An Interview with Britt Penrod, Vice President of Business Development, Raleigh Film and Television Studios | |
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Economic Incentives for Productions | |
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Negotiating with a Studio for Stage and Lights | |
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Saving Money on Stage and Lighting Rentals | |
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Camera Equipment: An Interview with Mala Kaufman | |
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Camera Trends | |
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Economical Cameras | |
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Savings on Rental Costs | |
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Student Discounts and Training | |
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Appendix | |
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Production Resources for Public Television | |
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Internet Search Tools | |
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Databases & Resources | |
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Print Resources | |
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Funders | |
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Production List | |
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About the Author | |