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| List of Tables | |
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| 2<sup>nd</sup> Edition Foreword | |
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| 1<sup>st</sup> Edition Foreword | |
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| Preface: The Practical Alchemy of Editing | |
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| Acknowledgments | |
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| Permissions | |
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| Introduction: Stepping Aboard and Navigating the Book | |
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| Setting up and Organizing your Project | |
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| Introduction | |
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| Starting Your Project | |
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| Introduction | |
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| Decisions, Decisions: Getting Started on the Right Path through Postproduction | |
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| Project Checklist | |
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| Video, Digital, and Film Basics: Terms, Concepts, and Practices | |
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| Organizing for Editing | |
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| Introduction | |
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| Setting Up the Cutting Room: Workflows, Labeling Shots, and Other Common Cutting Room Tasks | |
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| DIY Postproduction Schedule | |
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| Preparing Dailies | |
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| Stage One: Budget Form for Dailies | |
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| Editing | |
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| Introduction | |
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| How to Approach the Footage | |
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| Introduction | |
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| To Cut or Not to Cut: Where to Cut and Why | |
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| Everyday Editing Challenges | |
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| From Animation to Reality: Editing Different Genres | |
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| Getting from First Cut to Final Cut | |
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| Introduction | |
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| Making the Cuts: Editing on a Digital System | |
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| The Process: Getting from First Cut to Locked Cut | |
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| Tape and Tapeless Show Continuity Form | |
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| Film Show Continuity Form | |
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| Stage Two: Budget Form for Editing | |
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| Completing Your Project | |
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| Introduction | |
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| Sound, Music, and the Mix | |
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| Introduction | |
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| Designing Sound and Music | |
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| Editing and Mixing Sound and Music | |
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| ADR Cue Sheet | |
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| Stage Three: Budget Form for Sound, Music, and the Mix | |
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| Finishing and Delivering | |
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| Introduction | |
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| Finishing on Tape, File, or the Web | |
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| Finishing on Film and via Digital Intermediary | |
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| Final Wrap-Up | |
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| Stage Three: Budget Form for Finishing | |
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| How to Find an Editing Job | |
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| Resources | |
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| Glossary | |
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| Bibliography | |
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| Index | |
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| About the Author | |