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| Foreword: Performing Authoethnography: Making the Personal Political | |
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| Preface: Autoethnography Lost and Found | |
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| Acknowledgments | |
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| Introduction: The Textualizing Body | |
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| Body | |
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| Conceptualizing Performative Autoethnography | |
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| Why Do Performative Autoethnography? | |
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| Self-Other-Context | |
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| Connection | |
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| Performative Autoethnography and the Performative-I Disposition | |
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| Agency and Representation | |
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| Embodiment | |
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| Rupture and Fragmentation | |
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| In-and-Between Bodies | |
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| The Performance Studies Classroom and Beyond | |
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| Questions for Further Consideration | |
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| Paper | |
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| Writing the Body | |
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| Putting the Body On Paper, or, Writing the Performative Body | |
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| Our Relationship with Language | |
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| Autoethnography Descriptives | |
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| An Ethic of Aesthetics in Performative Autoethnography | |
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| Language of the Body | |
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| Aesthetic Accountability | |
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| The Answerable Body | |
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| Questions for Further Consideration | |
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| Paper | |
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| Composing Performative Autoethnography | |
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| Writing Bodies into Being | |
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| Methodology for Composing Performative Autoethnography | |
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| Sociocultural Context | |
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| Critical Self-Reflection | |
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| Self-Other Interaction | |
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| The Body | |
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| Ethics | |
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| Form | |
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| Research | |
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| Metaphor | |
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| Time and Space | |
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| Additional Persona | |
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| Structuring Performative Autoethnography: From Fragments to Collage | |
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| Warm-ups for Writing Performative Autoethnography | |
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| Stage | |
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| Performing the Autoethnographic Body | |
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| Why Perform Autoethnography? | |
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| Conceptualizing Performance | |
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| The Weight of Performative Embodiment: Putting Flesh on the Bones of Discourse | |
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| Practiced Vulnerability as Agency | |
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| Who and What Are We Performing in Performative Autoethnography? | |
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| Questions for Further Consideration | |
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| Stage | |
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| Embodying Performative Autoethnography | |
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| Elements of an Embodied Performance | |
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| Artistic Work Ethic | |
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| Dialogical Performance | |
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| Preparing for Rehearsal | |
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| Internal/External Dichotomy | |
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| Analyzing Internal Elements | |
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| Connecting Internal and External Elements for Performance Choices | |
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| Making Performance Choices of Voice, Body, Audience, and Space | |
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| Warm-ups for Embodying Performative Autoethnography | |
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| Body, Paper, Stage and Back Again | |
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| References | |
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| Index | |
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| About the Author | |