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| Introduction | |
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| Sharpening Your Cubase 5 Battle Axe | |
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| Setting Up External MIDI Controllers | |
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| Steinberg's CC121 | |
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| M-Audio's Oxygen 49 | |
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| Organizing Creative Media and the MediaBay | |
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| Auditioning Loops in the MediaBay | |
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| Auditioning VST Instruments in the MediaBay | |
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| Auditioning Projects Using the MediaBaying Templates for a Speedy Startup | |
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| Creating Templates for a Speedy Startup | |
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| Diving In and Taking Control of Your Templates | |
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| Organizing Your Plug-Ins | |
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| Creating the Perfect "Battlefield"-Setting Your Preferences | |
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| Preference Automation | |
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| Optimization and Warning Suppression | |
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| Customization | |
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| Saving Your "Work Could Save Your Career | |
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| Time-Saving Steps-Setting Up Key Commands and Macros | |
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| Juggling Windows When the Pressure Is On | |
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| More Steps to Save Yourself a Few Headaches | |
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| Maximizing MIDI in Cubase 5 | |
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| Monitoring Raw MIDI | |
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| Using the New Virtual Keyboard | |
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| Advanced Quantize and Groove Features | |
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| Quantizing MIDI Parts to an Audio Groove | |
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| Adjusting the Quantization and Feel of the Groove in Real Time | |
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| Advanced MIDI Effects and Modifiers | |
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| The MIDI Modifiers | |
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| Musical and Tonal Altering Effects | |
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| MIDI Tool and Controls | |
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| Programmers | |
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| Creating Editable MIDI Parts from MIDI Effects | |
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| List Editor | |
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| Logical Editor | |
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| Automating MIDI in the Project Window | |
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| Using LoopMash to Take Your Old Loops to New and Interesting Places | |
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| Editing Loops Within LoopMash | |
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| Performing and Recording LoopMash Grooves | |
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| Using Groove Agent ONE with the MediaBay | |
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| Dropping Individual Drum Samples into Groove Agent ONE | |
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| Transferring an Audio Drum Loop via Slices into Groove Agent ONE | |
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| Creating a MIDI Track to Trigger a Sliced and Imported Audio Loop | |
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| Step Programming Drum Beats with Beat Designer | |
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| VST Instruments in Cubase 5 | |
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| Tips When Using VST Instruments | |
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| Taking Audio to the Limit in Cubase 5 | |
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| Working with the MR816 CSX | |
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| Quick Audio Cleanup | |
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| A General Overview of Audio Editing | |
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| Using the Offline Process History | |
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| Using Cubase 5 with WaveLab 6.0 | |
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| Using WaveLab to Prepare Your Files for Cubase | |
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| Finalizing Your Mixes in WaveLab | |
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| Quantizing Audio | |
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| Changing Audio Groove Tempos via Audio Slices | |
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| Working with Free Tempo Recordings | |
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| Using Musical Mode (AudioWarp) | |
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| Vocal Pitch Correction Using VariAudio | |
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| Mastering the Art of Mixing Within Cubase 5 | |
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| Making the Most of Cubase's Mixing Tools | |
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| Automation Techniques in the Project Window | |
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| Using Cubase's Effect Inserts and Sends | |
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| An Overview of Available Plug-In Effects | |
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| Interfacing External Hardware Effects Processors | |
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| Mixing with the CC121 | |
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| Creating the Final Output: Exporting Audio | |
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| Using Realtime Export vs. a Standard Export | |
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| Interfacing Cubase 5 with the Rest of the World | |
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| Working with a Cubase Project in Nuendo | |
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| Transferring to Pro Tools or Another DAW | |
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| Using OMF Files Between DAWs | |
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| Using Channel Batch Export in Cubase | |
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| Creating an OMF | |
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| Working with Video Files in Cubase | |
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| Connecting Reason to Cubase Using Re Wire | |
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| Index | |