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| Preface | |
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| Proem | |
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| Hors-d'CEuvre--I | |
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| Hors-d'CEuvre--II | |
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| An Archangel's Toilet | |
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| Yoicks! Gone Away! | |
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| The Body: A Fancy | |
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| No Doubt | |
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| From "Nature's Dessert" | |
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| A Posset for Nature's Breakfast | |
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| The Return of Charles II | |
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| The English Fleet Goes Out | |
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| The Faculty at Work | |
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| To Account Rendered | |
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| The Wonder | |
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| Short Curse | |
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| On His Mistress Drowned | |
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| Heavy Going | |
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| The Blue Pencil | |
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| Ode upon the New Year | |
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| The Chase of the Metaphor | |
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| From the Psalms | |
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| From the Book of Job | |
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| The Crystal Palaces | |
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| Possibilities | |
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| Rosamond's Song | |
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| King Henry's Song | |
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| Mr. Gunston is Shown round Heaven | |
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| A Polyglot in Paradise | |
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| Mr. Mead, Mr. Bates, and Mr. Gouge | |
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| Mrs. Warner Arrives Above | |
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| On the Landing of William III | |
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| From the New Year's Ode, 1731 | |
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| From the Birthday Ode, 1732 | |
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| From Another, 1743 | |
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| Salute to Property | |
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| Ode to Miss Margaret Pulteney | |
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| To the Right Hon. Robert Walpole, Esq. | |
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| Nature Queries | |
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| Rustic Interior | |
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| Advice to the Stout | |
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| The Gastric Muse | |
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| On Washing | |
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| On Feather Beds | |
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| A Submarine Jaunt | |
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| Seascape | |
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| A Runcible Thought | |
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| "Sting Her Up!" | |
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| From the "Ode to the King" | |
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| From "Ocean, an Ode" | |
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| To a Solemn Musick | |
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| Final Paean | |
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| Ye Nations, Tremble! Parliament has Met | |
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| With a Yo, Ho, Ho | |
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| La Pudeur Francaise | |
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| Pastoral | |
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| The Insensible Hottentot | |
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| The House Beautiful | |
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| Leeds for Pleasure | |
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| Home Industries First | |
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| Goats and Botanists | |
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| The Chase of Jessy | |
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| Le Spleen | |
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| Bryan and Pereene | |
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| Crescendo | |
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| The Shame of France | |
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| Advice to Slave-Owners | |
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| Call to the Muse | |
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| Of George, and Property | |
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| Il Latte | |
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| Hops and Props | |
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| The Nail in the Grass | |
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| Entry of the Villagers | |
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| Cause and Effect | |
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| A Sombre Moment | |
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| Females, Sacred and Profane | |
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| Eliza at the Battle | |
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| Fine Figure of a Nymph | |
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| "Ae Fond Kiss, and Then | |
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| The Maiden Truffle | |
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| The Birth of KNO[subscript 2] | |
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| Mr. Baker is Well | |
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| Miss Hoyland is Coy | |
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| Mr. Smith is Dead | |
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| A Business Man's Lair | |
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| The Baileys | |
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| A Bright Morning | |
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| Invitation to the Waltz | |
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| Verses on the Death of Sir James Hunter Blair | |
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| Elegy Written after reading the "Sorrows of Werter" | |
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| The Rush to the Lakes | |
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| Some Terrify Lions | |
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| The Poet is Piqued | |
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| The Tiff | |
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| Off Duty | |
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| The Well-Aimed Tear | |
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| Moods | |
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| Notice to Tourists | |
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| The Temple of Chastity | |
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| The Vest of Myrtle | |
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| Virtue Protests | |
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| Ratiocinative | |
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| The Affectionate Heart | |
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| George III Enters Paradise | |
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| Lovers' Exchange | |
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| Domestic Chat | |
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| "What with This and That--" | |
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| Aphrodite Adiposa | |
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| The Evening Stroll | |
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| The Evening Sin | |
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| Britannia Rejecta | |
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| The Tear | |
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| The Prisoner Scolds | |
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| Caesar Sings | |
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| Odd Case of Mr. Gill | |
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| (Oxford Street?) | |
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| The Aged, Aged Man | |
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| Asked and Answered | |
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| The Old Huntsman | |
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| The Poet Reveals All | |
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| Baffled | |
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| The Course Prescribed | |
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| A Mother's Quest | |
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| Insensibility | |
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| The Stuffed Owl | |
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| Decadence; or, The Umbrella | |
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| A Worm's Life Not Everything | |
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| An Experiment that Failed | |
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| To Some Ladies | |
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| The Female Friend | |
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| The First-Rate Wife | |
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| The Unfortunate Gentleman | |
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| From "The Rose-Covered Grave" | |
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| Catastrophe | |
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| The Poet Questions the Ant | |
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| And So Home | |
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| A Contretemps | |
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| Proximities | |
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| The Once-Over | |
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| Get-Together Song | |
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| Efficiency | |
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| Oh, No! We Never Mention Her | |
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| Something to Love | |
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| I'm Saddest When I Sing | |
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| The Soldier's Tear | |
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| I'd be a Butterfly | |
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| Insect Affection | |
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| Marine Vignette | |
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| A Request | |
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| Fore and Aft | |
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| On the Revolution | |
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| The Earl and the Girl | |
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| A Challenge | |
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| Only a Thought | |
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| Prone | |
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| Bridal Ballad | |
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| Eulalie | |
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| Miss Adair | |
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| Miss Lee | |
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| A Call | |
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| From "The Vigil of Aiden" | |
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| Snoblesse Oblige | |
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| Excelsior | |
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| Lord Stanhope's Steamer | |
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| On the Cork Packet, 1837 | |
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| Great Western Days | |
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| The Death of Huskisson | |
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| Roses All the Way | |
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| The Railway Boom, 1845 | |
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| A Lesson for the Proud | |
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| Vision of the World, regenerated by the Gospel and the Power of Steam | |
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| Trombone Solo | |
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| Live and Let Live | |
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| Becalmed in the Tropics | |
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| A Thought | |
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| From "The Old Arm-Chair" | |
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| Entry of the Marines | |
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| A Thought | |
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| Incident in Italy | |
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| The Passing of Arthur | |
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| Paean | |
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| Portrait of a Victorian Author | |
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| The Marriage Market | |
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| The Poor Relation; or, Pious Hope Frustrated | |
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| The Art of Giving (1850) | |
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| The Beelah Viaduct | |
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| Haloes, Not Hats | |
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| Mentem Mortalia Tangunt | |
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| A Timely Hint | |
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| Check to Song | |
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| Financial Note | |
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| The Count and the Lady | |
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| Sordid Scene | |
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| A Divine Mission | |
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| Disaster at Sea | |
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| A State Occasion | |
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| The Good Young Squire | |
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| A Graceful Divine | |
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| A Lisp in Numbers | |
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| From "Ashtaroth," a Drama | |
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| The Fight in the Cave | |
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| A Warning | |
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| Steam: The Seamy Side | |
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| Byron: A Critical Survey | |
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| A Noble Structure | |
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| Hic Finis Rapto | |
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| The Poet is Scornful | |
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| A Call (1876) | |
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| Anti-Bacchics | |
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| Ode Sung at the Opening of the International Exhibition | |
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| The Lord of Burleigh | |
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| Ocean-Spoil Alive, O! | |
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| Riflemen Form | |
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| Iphigenia in Extremis | |
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| Postprandial | |
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| Subject Index | |
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| Index of Authors | |