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| Foreword | |
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| Author's Note | |
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| Prose | |
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| from Earth House Hold | |
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| Lookout's Journal | |
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| Japan First Time Around | |
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| Spring Sesshin at Shokoku-ji | |
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| Buddhism and the Possibilities of a Planetary Culture | |
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| Passage to More Than India | |
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| Poetry and the Primitive | |
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| Suwa-no-se Island and the Banyan Ashram | |
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| from He Who Hunted Birds in His Father's Village | |
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| The Myth | |
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| Function of the Myth | |
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| from The Real Work | |
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| The East West Interview | |
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| from Passage Through India | |
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| The Cambodge | |
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| Pondicherry | |
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| Khajuraho | |
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| Dharamshala | |
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| Dalai Lama | |
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| Letters | |
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| to Philip Whalen (1954-1961) | |
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| to Will Petersen (1957-1958) | |
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| from The Practice of the Wild | |
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| The Etiquette of Freedom | |
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| The Place, the Region, and the Commons | |
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| Blue Mountains Constantly Walking | |
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| Ancient Forests of the Far West | |
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| Grace | |
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| from A Place in Space | |
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| Smokey the Bear Sutra | |
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| Four Changes, with a Postscript | |
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| "Energy Is Eternal Delight" | |
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| Unnatural Writing | |
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| The Porous World | |
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| Coming into the Watershed | |
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| Kitkitdizze: A Node in the Net | |
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| from The Great Clod Project | |
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| "Wild" in China | |
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| Walls Within Walls | |
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| The Brush | |
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| The Paris Review Interview | |
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| Selections from Journals | |
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| Japan, "Of All the Wild Sakura" | |
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| Australia | |
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| Ladakh | |
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| Botswana and Zimbabwe | |
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| Uncollected Essays | |
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| Walking the Great Ridge Omine on the Womb-Diamond Trail | |
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| Walking Downtown Naha | |
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| Is Nature Real? | |
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| Entering the Fiftieth Millennium | |
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| Poetry | |
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| from Riprap | |
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| Mid-August at Sourdough Mountain Lookout | |
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| Piute Creek | |
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| Milton by Firelight | |
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| Above Pate Valley | |
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| Hay for the Horses | |
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| Riprap | |
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| from Myths and Texts | |
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| [from "Logging"] | |
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| "The Morning Star Is Not a Star" | |
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| "But Ye Shall Destroy Their Altar" | |
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| "Lodgepole Pine: The Wonderful Reproductive" | |
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| "Each Dawn Is Clear" | |
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| "The Groves Are Down" | |
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| "Lodgepole" | |
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| [from "Hunting"] | |
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| First Shaman Song | |
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| This Poem Is for Bear | |
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| This Poem Is for Deer | |
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| "Sealion, Salmon, Offshore--" | |
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| "Flung from Demonic Wombs" | |
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| "How Rare to Be Born a Human Being!" | |
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| [from "Burning"] | |
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| Maudgalyayana Saw Hell | |
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| John Muir on Mt. Ritter | |
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| Amitabha's Vow | |
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| "Spikes of New Smell Driven up Nostrils" | |
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| "Stone-flake and Salmon" | |
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| "'Wash Me on Home, Mama'" | |
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| from The Back Country | |
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| A Berry Feast | |
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| The Spring | |
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| A Walk | |
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| Burning the Small Dead | |
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| Foxtail Pine | |
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| Oil | |
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| After Work | |
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| Four Poems for Robin | |
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| Work to Do Toward Town | |
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| The Manichaeans | |
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| Artemis | |
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| Mother of the Buddhas | |
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| Nature Green Shit | |
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| Twelve Hours Out of New York | |
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| Hop, Skip, and Jump | |
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| Through the Smoke Hole | |
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| Nanao Knows | |
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| from Regarding Wave | |
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| Wave | |
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| In the House of the Rising Sun | |
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| Song of the Taste | |
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| Kyoto Born in Spring Song | |
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| Everybody Lying on Their Stomochs, Head Toward the Candle, Reading, Sleeping, Drawing | |
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| Shark Meat | |
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| The Bed in the Sky | |
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| Regarding Wave | |
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| Revolution in the Revolution in the Revolution | |
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| Sours of the Hills | |
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| To Fire | |
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| Love | |
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| Meeting the Mountains | |
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| Long Hair | |
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| from Turtle Island | |
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| Without | |
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| I Went Into the Maverick Bar | |
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| No Matter, Never Mind | |
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| The Bath | |
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| Control Burn | |
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| Prayer for the Great Family | |
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| Source | |
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| For Nothing | |
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| The Egg | |
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| Pine Tree Tops | |
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| By Frazier Creek Falls | |
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| Mother Earth; Her Whales | |
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| Why Log Truck Drivers Rise Earlier Than Students of Zen | |
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| "One Should Not Talk to a Skilled Hunter About What Is Forbidden by the Buddha" | |
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| Magpie's Song | |
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| O Waters | |
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| For the Children | |
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| As for Poets | |
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| from Axe Handles | |
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| Axe Handles | |
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| River in the Valley | |
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| Changing Diapers | |
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| Walking Through Myoshin-ji | |
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| Working on the '58 Willys Pickup | |
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| For/From Lew | |
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| Getting in the Wood | |
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| True Night | |
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| 24:IV:40075, 3:30PM | |
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| Dillingham, Alaska, the Willow Tree Bar | |
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| Breasts | |
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| Old Woman Nature | |
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| The Canyon Wren | |
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| For All | |
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| from Left Out in the Rain | |
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| Poem Left in Sourdough Mountain Lookout | |
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| Seeing the Ox | |
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| Longitude 170[degree] West, Latitude 35[degree] North | |
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| For Example | |
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| English Lessons at the Boiler Company | |
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| Farewell to Burning Island | |
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| No Shoes No Shirt No Service | |
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| Poetry Is the Eagle of Experience | |
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| Calcium | |
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| At White River Roadhouse | |
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| The Persimmons | |
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| For Berkeley | |
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| "There are those who love to get dirty" | |
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| Sestina of the End of the Kalpa | |
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| How Zen Masters Are Like Mature Herring | |
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| from Cold Mountain Poems [Translations] | |
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| "The Path to Han-shan's Place Is Laoghable" | |
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| "In a Tangle of Cliffs I Chose a Place--" | |
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| "Men Ask the Way to Cold Mountain" | |
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| "I Settled at Cold Mountain Long Ago" | |
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| "I Have Lived at Cold Mountain" | |
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| "In My First Thirty Years of Life" | |
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| "There's a Naked Bug at Cold Mouatain" | |
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| "Cold Mountain Is a House" | |
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| "Some Critic Tried to Put Me Down--" | |
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| "When Men See Han-shan" | |
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| from Miyazawa Kenji [Translations] | |
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| Spring and the Ashura | |
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| Floating World Picture: Spring in the Kitagami Mountains | |
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| Cloud Semaphore | |
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| The Politicians | |
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| Thief | |
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| Sixteen T'ang Poems [Translations] | |
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| Long Bitter Song [Translations] | |
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| from No Nature | |
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| How Poetry Comes to Me | |
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| On Climbing the Sierra Matterhorn Again After Thirty-one Years | |
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| The Sweat | |
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| Building | |
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| Off the Trail | |
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| Word Basket Woman | |
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| Right in the Trail | |
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| For Lew Welch in a Snowfall | |
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| Ripples on the Surface | |
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| from Mountains and Rivers Without End | |
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| Bubbs Creek Haircut | |
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| The Blue Sky | |
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| The Flowing | |
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| Arctic Midnight Twilight | |
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| Walking the New York Bedrock | |
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| New Moon Tongue | |
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| Macaques in the Sky | |
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| Raven's Beak River at the End | |
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| Cross Legg'd | |
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| We Wash Our Bowls in This Water | |
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| Earth Verse | |
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| Finding the Space in the Heart | |
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| New Poems | |
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| Icy Mountains Constantly Walking | |
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| Summer of Ninety-Seven | |
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| "This present moment" | |
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| Chronology | |
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| Index | |