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Preface | |
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Illustrations | |
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Searching for Mozart | |
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Why This Book? Sources, Myths, and a Movie | |
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What Did Mozart Look Like? | |
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Was He Called Amadeus? | |
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Mozart as Craftsman | |
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Mozart's Family | |
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Timetable of Eighteenth-Century Events | |
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The Age of Enlightenment | |
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A Mozart Chronology | |
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Childhood and Youth, 1756-1773 | |
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Life in Salzburg | |
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Educating Nannerl and Woferl | |
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The Children's Spare Time | |
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Raising a Child in the Eighteenth Century: Two Theories | |
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Why Make These Tours? | |
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Challenges and Hazards on Tour | |
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Joys and Triumphs | |
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Home Again | |
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Mozart in his Music: Major Forms and How to Listen to them | |
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Instruments of Mozart's Day | |
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Mozart and the Piano | |
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Variation Form | |
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Twelve Variations for Piano on "Ah, vous dirai-je, maman," K. 265/300e | |
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Divertimentos, Serenades, Etc. | |
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Dance Form | |
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Two Minuets from Divertimento in D Major, K. 131 | |
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Violin Concertos | |
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Rondo Form | |
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Concerto for Violin and Orchestra in G Major, K. 216, "Strasbourg" | |
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Symphonies | |
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Sonata Form | |
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Symphony in G Minor, K. 183/173dB | |
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In Search of Employment, 1777-1779 | |
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Itinerary: Munich, Augsburg, Mannheim, Paris | |
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Mannheim | |
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Paris | |
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A Turning Point | |
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The "Paris" Symphony | |
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Symphony in D Major, K. 297/300a, "Paris" | |
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The Mysterious Paris Piano Sonata | |
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Piano Sonata in A Minor, K. 310/300d | |
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Return to Salzburg, 1779-1780 | |
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New Genre: The Sinfonia Concertante | |
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Comparing Sonata Form to Concerto First-Movement Form | |
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Sinfonia Concertante in E-flat Major for Violin and Viola, K. 364/320d | |
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Vienna, 1781-1791 | |
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Mozart's Life in Vienna | |
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Opera and Singspiel | |
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Two Operas with Lorenzo da Ponte | |
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Scenes from The Marriage of Figaro, K. 492 | |
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Figaro and Susanna (duettino): "Cinque ... dieci ... venti ..." | |
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Cherubino (aria): "Non so pi�, cosa son, cosa faccio" | |
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Figaro (aria): "Non pi� andrai" | |
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Scenes from Don Giovanni, K. 527 | |
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Leporello, Donna Anna, Don Giovanni, and the Commendatore (ensemble): Opening scene of Act I | |
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Don Giovanni and Zerlina (recitative and dute): "Alfin siam liberati ... L� ci darem la mano" | |
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Don Giovanni, Leporello, and the Statue of the Commendatore (recitative): "Don Giovanni, a cenar teco m'invitasti" | |
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Piano Concertos | |
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Piano Concerto in C Minor, K. 491 | |
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Piano Concerto in E-Flat Major, K. 482 | |
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Symphonies | |
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Symphony in D Major, K. 504, "Prague" | |
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Symphony in C Major, K. 551, "Jupiter" | |
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Chamber Music | |
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String Quartet in C Major, K. 465, "Dissonance" | |
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Quintet in A Major for Clarinet and Strings, K. 581 | |
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Church Music | |
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Mass in C Major, K. 317 317, "Coronation" | |
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Mass in C Minor, K. 427/417a (unfinished) | |
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Mozart and Freemasonry | |
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Letter to His Father in April 1787 | |
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The Magic Flute, K. 620 (Die Zauberfl�te) | |
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Scenes from The Magic Flute | |
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Queen of Night (recitative and aria): "O zitre nicht ... Zum Leiden bin ich auserkoren" | |
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Tamino, the Three Ladies, and Papageno (quintet): "Hm! hm! hm!" | |
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Papageno and Papagena (duet): "Pa-Pa-Pa" | |
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Requiem, K. 626 (unfinished) | |
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The Final Year, Death, and Burial | |
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1791 | |
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What Did He Die Of? | |
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Burial | |
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After December 5, 1791 | |
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Amadeus | |
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Background and Context of the Film | |
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Issues to Think About While viewing Amadeus | |
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Music on the Amadeus Soundtrack | |
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Excerpts of Letters from the Childhood Tours, 1762-1773 | |
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Important People in Mozart's Life | |
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Building a Portfolio of Recordings | |
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What Should I Listen to Next? | |
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Notes for Musical Beginners | |
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Glossary of Musical Terms | |
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Select Annotated Bibliography | |
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Index | |