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| Interrogating the past, or women in theatre - then and now : a preface | |
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| Theatre, activism and personal change : a preface | |
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| Art versus business : the challenge of women in American theatre : an introduction | |
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| Female rites | |
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| Sex roles and shamans | |
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| Trampling out the vintage | |
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| Friendship and ritual in the WTUL | |
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| Rites and rights | |
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| Crowning Miss California, again | |
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| Take back the night | |
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| Ritual and the national Black theatre | |
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| The story of a mother, a ritual drama | |
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| "Lesson I bleed" : Adrienne Kennedy's blood rites | |
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| The actress | |
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| Anne Brunton Merry : first star | |
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| Enter the Harlot | |
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| Women in male roles : Charlotte Cushman and others | |
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| Adah Isaacs Menken in Mazeppa | |
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| Lydia Thompson and the "British Blondes" | |
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| Horrible prettiness : a cultural analysis of "British Blondes" | |
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| Henrietta Vinton Davis : Shakespearean actress | |
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| Mary Shaw : a fighting champion | |
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| Aileen Stanley, her life and times | |
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| Women mimes in America | |
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| The art of Ruth Draper | |
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| Uta Hagen and Eva Le Gallienne | |
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| Alvina Krause on women in theatre | |
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| Alvina Krause - a teacher of life | |
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| Acting female | |
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| Here are the women playwrights | |
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| Mercy Warren : satirist of the revolution | |
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| Looking to women : Rachel Crothers and the feminist heroine | |
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| Apropos of women and the folk play | |
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| Anne Nichols : $1,000,000.00 playwright | |
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| Sophie Treadwell : agent for change | |
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| Gertrude Stein : form and content | |
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| The comic muse of Mary Chase | |
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| Lillian Hellman talks about women : interviews | |
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| Lorraine Hansberry : artist, activist, feminist | |
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| Women alone, women together | |
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| If not an actress, what? ... | |
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| Women open Augusta's first theatre | |
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| Art theatre in hull-house | |
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| Women directors - the early years | |
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| Hallie Flanagan : practical visionary | |
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| Talent and the times | |
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| Matriarchs of the regional theatre | |
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| Peggy Clark Kelley : reminiscences of a "designing" woman | |
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| The lady is a critic | |
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| Casting by Juliet Taylor : an interview | |
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| Images | |
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| The second face of the idol : women in Melodrama | |
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| Women in Pulitzer prize plays, 1918-1949 | |
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| The women's world of Glaspell's trifles | |
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| Black women in plays by black playwrights | |
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| Who put the "tragic" in the tragic mulatto? | |
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| Creative drama : sex-role stereotyping? | |
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| Female protagonists in the plays of Suzan Zeder | |
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| Feminist theatre | |
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| Feminist theatre : a rhetorical phenomenon | |
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| Caravan theatre | |
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| Omaha magic theatre | |
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| The Washington area feminist theatre | |
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| Women's interart theatre | |
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| New York feminist theatre troupe | |
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| The lavender cellar theatre | |
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| At the foot of the mountain | |
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| Spiderwoman | |
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| The women's experimental theatre | |
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| Rebeccah : rehearsal notes | |
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| Split britches | |
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| Fefu and her friends | |
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| A rainbow of voices | |
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| Feminism and political theatre | |
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| Process and problems | |
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| Reflections | |
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| Staging women's experience : feminist theatres in the USA | |
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| Changes and legacies | |
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| Feminist theatrical theories | |
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| A feminist theory of theatre : introduction | |
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| Semiotics and the gaze : toward a new poetics | |
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| The discourse of feminisms : the spectator and representation | |
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| Toward a gestic feminist criticism | |
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| Feminism and psychoanalysis | |
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| Women, woman and the subject of feminism : feminist directions | |
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| "Not ... but"/"not-not-me" : musings on cross-gender performance | |
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| Focus on the body : pain, praxis and pleasure in feminist performance | |
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| Critique of postmodern theory, conclusion : 1990s and beyond | |
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| About face : performing race in fashion and theatre | |
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| Under the "trickster's" sign : toward a reading of Ntozake Shange | |
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| Voices at the millennium | |
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| The "colored girls phenomenon" | |
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| Finding place and voice as a Chicana lesbian | |
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| Fast-talking, quick-thinking black women | |
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| The Asian American spectator and the politics of realism | |
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| "So much more than just myself" : women theatre artists in the south | |
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| The challenges of diversity : questions and complications | |
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| Eve's version | |
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| I see Messiah | |
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| Karen Finley : a constant state of becoming : an interview | |
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| Annie Sprinkle : dialectical image | |
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| A woman's perspective on Shakespeare | |
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| In the company of women : Carol Gilligan and Kristin Linklater collaborate to free women's voices | |
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| Mabou Mines' Ruth Maleczech plays Lear | |
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| Strategies for subverting the canon | |
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| Lois Weaver on feminist acting : an interview | |
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| The triune voice | |
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| Anne Bogart - viewpoints : an interview | |
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| From Ruby Dee's memory book | |
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| Joanne Woodward : changing people's minds | |
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| The integrity of Estelle Parsons | |
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| I love heroines : Cherry Jones | |
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| Theatre role models | |
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| Kathleen Chalfant : creative life and death | |
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| Where do plays come from? : (a conference of women playwrights) | |
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| White gloves or bare hands | |
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| Politically incorrect : Paula Vogel : an interview | |
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| Margaret Edson : kindergarten is where it happens | |
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| We are not only ourselves : Naomi Wallace : in conversation | |
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| Why I write for television | |
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| Women at the Helm | |
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| Maria Irene Fornes : the playwright as director : an interview | |
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| Elizabeth LeCompte | |
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| Julie Taymor : a woman in charge | |
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| Top girls | |
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| When designers gather | |
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| Marjorie Kellogg : collaboration | |
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| Pat Zipprodt : visualize | |
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| Patrizia von Brandenstein : film | |
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| Pat Collins : technology | |
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| Jean Rosenthal's light : making visible the magician | |
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| Re-visioning scenography : a feminist's approach to design for the theatre | |
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| Jane Alexander : she stoops to conquer | |
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| 1998 : year of the woman? | |
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| Having her say : Emily Mann : an interview | |
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| Sharing the work | |
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| Anna Deavere Smith's House arrest | |
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| Viewpoints on theatre now | |
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