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| Foreword | |
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| Introduction: The Politics of Theatre Theory | |
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| The Poetics (4th c. B.C.): translation by Ingram Bywater, selections | |
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| The Art of Poetry (1st c. B.C.): translation by John Conington, complete | |
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| Natyasastra (1st c. A.D.?): translation by Adya Rangacharya, selections | |
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| On the Art of the No Drama (15th c.): translation by J. Thomas Rimer and Yamazaki Masakazu, selections | |
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| The Poetics of Aristotle (1570): translation by Allan H. Gilbert, selections | |
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| The Defense of Poesy (1583), selections | |
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| The Compendium of Tragicomic Poetry (1599): translation by Allan H. Gilbert, selections | |
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| The New Art of Writing Plays (1609): translation by Marvin Carlson, complete | |
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| The Whole Art of the Stage (1657): anonymous translation (1684), selections | |
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| Of the Three Unities of Action, Time, and Place (1660): translation by Donald Schier, complete | |
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| An Essay of Dramatic Poesy (1668), selections | |
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| Casual Expressions of Idle Feelings (1671): translation by Faye C. Fei and William H. Sun, selections | |
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| Conversations on The Natural Son (1757): translation by Derek Coltman, selections | |
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| The Paradox of Acting (1773-8): translation by Walter Herries Pollock, selections | |
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| An Epistle to Mr. d'Alembert (1758): anonymous translation (1767), selections | |
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| Preface to Shakespeare (1765), selections | |
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| Hamburg Dramaturgy (1767-9): translation by Helen Zimmern, selections | |
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| The Stage as a Moral Institution (1784): anonymous translation, complete | |
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| On the Use of the Chorus in Tragedy (1803): translation by Charles E. Passage, complete | |
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| Of The Dramatic Art (1810): anonymous translation (1871), selections | |
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| Lectures on Dramatic Art (1809-11): translation by John Black, selections | |
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| Shakespeare Once Again (1815): translation by Ellen von Nardroff and Ernest H. von Nardroff, complete | |
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| The World as Will and Idea (1819/1844): translation by R. B. Haldane and J. Kemp, selections | |
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| Preface to Cromwell (1827): translation by Barry V. Daniels, selections | |
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| The Philosophy of Fine Art (1835): translation by F. P. B. Osmaston, selections | |
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| Slavic Drama (1843): translation by Daniel Gerould, selections | |
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| The Birth of Tragedy (1872): translation by Clifton P. Fadiman, selections | |
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| Preface to Therese Raquin (1873): translation by Kathleen Boutall, complete | |
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| Naturalism in the Theatre (1881): translation by Jane House, selections | |
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| Preface to Miss Julie (1888): translation by Harry G. Carlson, complete | |
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| The Tragical in Daily Life (1896): translation by Alfred Sutro, complete | |
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| The Actor and the Ubermarionette (1907), selections | |
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| The Tragic Theatre (1910), complete | |
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| The Fairground Booth (1912): translation by Edward Braun, selections | |
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| The Variety Theatre (1913): translation by R. W. Flint, complete | |
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| Tolstoy: Tragedian or Comedian? (1921), selections | |
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| The Theater and Its Double (1938): translation by Mary Caroline Richards, selections | |
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| The Modern Theatre is the Epic Theatre (1930) | |
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| Alienation Effects in Chinese Acting (1935): translations by John Willett, both complete | |
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| Theater of the Oppressed (1974): translation by Charles A. and Maria-Odilia Leal McBride, selections | |
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| Drama and the African World-view (1976), selections | |
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| Writing for the Stage (1986): translation by Paul Wilson, selections | |
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| Bibliography | |
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| Acknowledgments | |