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Preface | |
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Introduction | |
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Maria Baranda | |
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Epistle of the Shipwreck | |
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The weddings of flowers take place upon the stigma. Pollen unfastens when aurora begins, and in a moment life redeems itself and then withdraws | |
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With only two or three stamens, masculine flowers burst. They rise from their own depths, glistening and moist. Loosely turning over, they bring themselves up under the sky midway between light and shadow. Voiceless they wilt, sluggish they die | |
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Ecstasy | |
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Efrain Bartolome | |
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Tattoos in the Water | |
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Intermezzo with Five Crocodiles | |
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The Ill-fated Water | |
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Alberto Blanco | |
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Theory of Light | |
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Quantum Theory | |
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Set Theory | |
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Theory of Fractals | |
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The Accuracy of the Scale | |
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Metamorphosis of a Chair | |
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Three States and Three Kingdoms | |
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Maps | |
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Carmen Boullosa | |
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Elysian Garden | |
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Coral Bracho | |
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In This Warm Dark Mosque | |
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Fish of Fleeting Skin | |
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From This Light | |
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A Stone in the Water of Sanity | |
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Upon It They Gently Reflect | |
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The Hypothetical Spectator | |
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Stone in the Sand | |
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The Mysteries of Touch | |
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The Allure of Forms | |
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Buffalo Conde | |
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Flower of Gold | |
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Time for Trees to Dance | |
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Give Away the Lie | |
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Elsa Cross | |
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Monsoon | |
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Ivy | |
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Mandap | |
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Seva | |
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Fabulation | |
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Banyan | |
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Pavilion | |
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Words | |
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Form | |
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Epiphany | |
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Balancing Act | |
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Shakti | |
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Alfonso D'Aquino | |
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Hotel | |
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Amorous | |
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The Wedding | |
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Metempsychosis of the Dog | |
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"The sun opens its lips and says to us" | |
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The Opened Orange of Light | |
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Brief Viper | |
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Antonio Deltoro | |
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Cartography | |
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Eggs Laid by a Tiger | |
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Sunday | |
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Anesthesia | |
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Voyage | |
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Pillows | |
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Contemporaries | |
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Secondhand Book | |
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Neighbors | |
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The Shy Ones | |
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Gerardo Deniz | |
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Muse | |
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Meditate | |
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Ignorance | |
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The Authoritarian School and How a Respectable Literary Genre Was Born | |
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Auditor | |
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Christmas | |
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Childish | |
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Classified Ads | |
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Merlin | |
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Ark | |
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Map | |
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Act | |
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Oedipus to the Third Power | |
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Superior | |
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Jorge Fernandez Granados | |
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Minimal Ulysses | |
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The Perfumist | |
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Specters | |
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The Promised Land | |
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Account of the Marvels Whispered in a Mannequin's Ear | |
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Malva Flores | |
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Nomad House (excerpts) | |
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Turbid Diction (excerpts) | |
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Gloria Gervitz | |
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Migrations (excerpt) | |
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Francisco Hernandez | |
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On How Robert Schumann Was Defeated by Demons | |
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Claudia Hernandez de Valle-Arizpe | |
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Hemicranea (excerpts) | |
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David Huerta | |
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Thirteen Propositions against Trivial Love | |
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Machinery | |
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Prayer for August 21 | |
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Pathological Beings | |
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Bolero at Armageddon | |
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Summer Mist | |
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The Cauldron | |
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Cancellation of a Construction Project | |
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Descent | |
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A Baroque Cell | |
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Light from Parallel Worlds | |
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Deck of Cards | |
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Pura Lopez Colome | |
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Dramatis Personae | |
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Heartache | |
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The Cubs | |
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Death of the Kiss | |
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Tedi Lopez Mills | |
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And Never Did... | |
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My Voice Faithful as a Shadow | |
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The Dead Weight of the Land | |
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An Ending by Pound | |
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On Reading Virgil | |
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Letter | |
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Advertisement | |
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Ernesto Lumbreras | |
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"The sky" (1) | |
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Overflowing Willow | |
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Reunion of Cellos | |
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Good-for-nothings on a White Corner | |
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Keys of the Saint | |
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A Green Hill, a Green Hill | |
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The Horizon Burns | |
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Regression of the Willow | |
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Where to? | |
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"The sky" (11) | |
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Eduardo Milan | |
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"I mean you as though referring to two furies because" | |
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"Rabbit-foot effectiveness, nonentity of" | |
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"Now that we're nothing, for example" | |
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"I believe in nothing, I collaborate, I assist" | |
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"Riddle me what marionettes are" | |
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"I let myself be led because I let loose" | |
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Five (excerpt) | |
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"We can't go on like this: be truthful, empty" | |
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"Do you care to remedy the faces of the gods?" | |
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"One's alone in this: making masks" | |
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"He sends word for them not to be in His place" | |
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"What chorus?" | |
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Fabio Morabito | |
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Sponge | |
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Scissors | |
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Piazza Gimma | |
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"I do not wish, in spite of all" | |
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"I've forgotten the words" | |
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"Elephants are born old" | |
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"Maps are drawn on Sundays" | |
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"I've never been in love enough" | |
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"Compared to the condos of the living" | |
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Josue Ramirez | |
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Tepozan | |
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Topography | |
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Mechanical Heart | |
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Of Fiction and Things | |
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Juan Gregorio Regino | |
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Cantares | |
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Jose Luis Rivas | |
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Red Tide | |
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Thalassa | |
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A Season of Paradise | |
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A Knack for Slipping Away | |
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River I | |
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Francisco Segovia | |
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Evening Star | |
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Premonition | |
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Chrysalis | |
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There Where You Sleep... | |
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Promise | |
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We Never Come | |
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It Isn't Gentleness | |
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Vegetal Animus | |
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Clarity of Silence | |
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Pedro Serrano | |
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Pool | |
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Bullfight | |
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Vertigo | |
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Rosary | |
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Inventory | |
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Ticklish Moments | |
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Boundary | |
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Flying | |
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Beacon | |
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Treadmill | |
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Victor Teran | |
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It Was Early Evening | |
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In the Palm of My Hand | |
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Indecision | |
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Six Variations on Love | |
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It's Over | |
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Natalia Toledo | |
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Na Tacha | |
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Zenaida | |
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Olga's House | |
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Temple | |
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Silly Ghost | |
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Na Aurea | |
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Marcelina | |
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Na Hermila Limon | |
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Cielo Min | |
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Revelation | |
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Agricola | |
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Bertha Beninu | |
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Na Victorica Litru | |
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Healers | |
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Natalia | |
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The Shadow That Draws the Light | |
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Manuel Ulacia | |
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On the Beach | |
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Hampstead Heath | |
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Return to the City | |
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Conrail Wax Museum | |
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In the Steam Bath | |
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Aegean Sea | |
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Visit to Turk's Head Pub | |
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In the Ritz at Meknes | |
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Arabian Knight | |
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Tenochtitlan Blues | |
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Veronica Volkow | |
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Arcana IV: The Emperor | |
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Arcana VIII: Justice | |
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Arcana X: Fortune | |
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Arcana XII: The Hanged Man | |
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The Story of the Labyrinth | |
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Wands | |
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The Valley of Zapata | |
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Heriberto Yepez | |
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"Maniacs and Crazies" | |
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On Coahuila Street | |
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The Life of a Cucapa Woman | |
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On the "Unusual" Lifestyle of the Cucapa Indians as Recorded by R. W. Hardy, British Lieutenant, While Exploring the Gulf of California | |
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Juan Martinez, Juan Nobody, Juan All | |
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Spanish Versions of Indigenous-Language Poems | |
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About the Translators | |
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Index of English Titles | |
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Index of Spanish Titles | |
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Index of Indigenous Titles | |