| |
| |
| |
| Music as Intimate and Social, Private and Public | |
| |
| |
| |
| Feeling and Flourishing | |
| |
| |
| |
| Music, Affect, Emotion | |
| |
| |
| |
| Emotions, Narrative Play, and Music | |
| |
| |
| |
| Human Flourishing, Aesthetic Experience, and Music | |
| |
| |
| |
| Musical Flourishing Beyond Contemplative Cultivation | |
| |
| |
| |
| Musical Aesthetics and Bodily Experience: Dancing | |
| |
| |
| |
| Approaches to Music and Emotion in Everyday Life: Contributions and Limitations | |
| |
| |
| |
| Problems of Self-realization in Modern Life and Their Relation to Music | |
| |
| |
| |
| Competitive Individualism and Status Competition Through Music | |
| |
| |
| |
| Review: Music's Constrained Enrichment of Lives | |
| |
| |
| |
| Love and Sex | |
| |
| |
| |
| Sex and Love and Rock and Roll | |
| |
| |
| |
| Two Approaches to Music, Sex, and Sexuality | |
| |
| |
| |
| The Pop-Rock Divide and Rock's Sexual Politics | |
| |
| |
| |
| Post-War Pop's Emotional Resources | |
| |
| |
| |
| Sex and Love on the Dance Floor | |
| |
| |
| |
| Critiques of Countercultural Sexual Freedom | |
| |
| |
| |
| Sex and Love in Punk, Alternative Rock, and Metal | |
| |
| |
| |
| Sexuality in Twenty-First-Century Pop | |
| |
| |
| |
| Black Music and Racialized Sexuality | |
| |
| |
| |
| Sociability and Place | |
| |
| |
| |
| Ways of Being Together: Forms of Publicness | |
| |
| |
| |
| Celebrations of Musical Participation and Their Limitations | |
| |
| |
| |
| That Syncing Feeling | |
| |
| |
| |
| Ordinary Sociability I: Singing Together | |
| |
| |
| |
| Ordinary Sociability II: Dancing Together | |
| |
| |
| |
| Playing Together: Amateur Musicians | |
| |
| |
| |
| Theorizing Positive Musical Sociality | |
| |
| |
| |
| Spectres of Capitalist Modernity Revisited: Class and Inequality | |
| |
| |
| |
| Uneven Musical Development | |
| |
| |
| |
| Elements of Thriving Musical Places | |
| |
| |
| |
| Quality of Working Life of Professional Musicians | |
| |
| |
| |
| Commonality and Cosmopolitanism | |
| |
| |
| |
| Mediated Commonality in Modern Societies | |
| |
| |
| |
| Aesthetic Experience and Aspirations to Commonality | |
| |
| |
| |
| Redeeming Aesthetic Experience? | |
| |
| |
| |
| Talk About Music, What It Tells Us, and What It Doesn't | |
| |
| |
| |
| Music, Politics, and Publicness | |
| |
| |
| |
| Communities of Shared Taste? Subcultures, Scenes, and Fans | |
| |
| |
| |
| Nations, Ethnicity, Cosmopolitanism | |
| |
| |
| |
| Rock as Cosmopolitanism? | |
| |
| |
| |
| Complexities of Music and Nation | |
| |
| |
| |
| Strange Journeys: Working-Class and Ethnic Musics Become National Musics | |
| |
| |
| |
| Sentimental Citizenship | |
| |
| |
| |
| Music, the Nation, and the Popular | |
| |
| |
| |
| Music of the African Diaspora: Life-Affirming Collectivity in Decline? | |
| |
| |
| |
| A Critical Defense of Music | |
| |
| |
| Acknowledgments | |
| |
| |
| References | |
| |
| |
| Index | |