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| Acknowledgments | |
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| How to Use This Book | |
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| Nations Make Movies | |
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| Introduction: Other Languages, Other Stories | |
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| The Point, So Far | |
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| Talking about International Film | |
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| National Film Cultures | |
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| Questions in the Chapters | |
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| Summary | |
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| For Further Thought | |
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| Projects | |
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| Further Reading | |
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| France: French Revolutions at the Movies | |
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| The Movies Are Born in France | |
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| CASE STUDY: JEAN RENOIR | |
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| Renoirs Peers and the Golden Age of French Cinema | |
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| For Further Thought | |
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| Projects | |
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| The Fourth and Fifth Republics and the Prologue to the New Wave | |
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| The New Wave | |
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| Case Study: Jean-Luc Godard | |
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| Beyond the New Wave | |
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| For Further Thought: Dogme 95 | |
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| Mini Research Mission | |
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| Projects | |
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| Further Reading | |
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| Russia: Utopia and Dystopia | |
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| The Russian Revolution and the Golden Age of Soviet Cinema | |
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| Stalinism and the Ebb and Resurgence of Soviet Cinema | |
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| For Further Thought | |
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| Projects | |
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| New Freedoms | |
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| Case Study: Andrei Tarkovsky | |
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| Post-Soviet Cinema | |
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| Mini Research Mission | |
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| For Further Thought | |
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| Projects | |
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| Further Reading | |
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| Germany: From Darkness Toward Light | |
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| Early History | |
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| For Further Thought | |
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| Projects | |
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| Nazi Cinema and Beyond | |
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| Case Study: Werner Herzog | |
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| New German Cinema and the International Community | |
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| Mini Research Mission | |
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| For Further Thought: East German Cinema | |
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| Projects | |
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| Further Reading | |
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| Italy: The Myth of History, Neorealism, and Beyond | |
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| Italian Cinema and the Risorgimento | |
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| The Evolution of Neorealism | |
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| For Further Thought | |
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| Projects | |
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| Case Study: Federico Fellini | |
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| Debating Italian Postwar Recovery | |
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| Mini Research Mission | |
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| For Further Thinking | |
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| Projects | |
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| Further Reading | |
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| Japan: | |
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| Screening Modernism and Feudalism | |
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| Early Film in Japan | |
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| Meiji Era and Taisho Era Japanese Cinema | |
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| Film During the Showa Era | |
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| Case Study: Akira Kurosawa | |
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| For Further Thought | |
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| Projects | |
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| The New Wave and Beyond | |
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| Mini Research Mission | |
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| For Further Thought | |
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| Projects | |
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| Further Reading | |
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| India: Cinema of Composition and Contradiction | |
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| Film in Colonial India | |
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| Early Postcolonial Indian Film | |
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| For Further Thought | |
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| Projects | |
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| Bollywood Takes Charge | |
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| Case Study: Amitabh Bachchan | |
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| Bollywood and Parallel Cinema | |
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| Mini Research Mission | |
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| For Further Thought | |
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| Projects | |
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| Further Reading | |
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| Moviemaking In The Global Village | |
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| Introduction: They Do It Their Way | |
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| When Is a Film Foreign? | |
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| Reading Movies in the Global Village | |
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| Culture under a Microscope: A Modern Muddle or a New Mirror? | |
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| Mini Research Mission | |
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| For Further Thought | |
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| Projects | |
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| Further Reading | |
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| Spain: Luis Bu�uel, Playing with Ideas | |
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| The Arc of Bu�uels Career | |
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| Conclusion | |
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| Mini Research Mission | |
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| For Further Thought | |
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| Projects | |
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| Further Reading | |
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| Sweden: Ingmar Bergman, Being and Nothingness | |
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| The Arc of Bergman's Career | |
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| Conclusion | |
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| Mini Research Mission | |
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| For Further Thought | |
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| Projects | |
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| Further Reading | |
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| Hong Kong: Wong Kar-wai, Now You See It | |
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| The Arc of Wongs Career | |
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| Conclusion | |
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| Mini Research Mission | |
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| For Further Thought | |
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| Projects | |
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| Further Reading | |
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| Senegal: Ousmane Semb�ne, Postcolonial Pioneer | |
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| The Arc of Semb�nes Career | |
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| Conclusion | |
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| Mini Research Mission | |
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| For Further Thought | |
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| Projects | |
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| Further Reading | |
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| Mainland China: Jia Zhangke, Freedom and the Sixth Generation | |
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| The Arc of Jias Career | |
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| Conclusion | |
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| Mini Research Mission | |
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| For Further Thought | |
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| Projects | |
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| Further Reading | |
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| Glossary | |
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| Index | |