Sixteenth-Century Italian Art
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Description: Sixteenth-Century Italian Art is a first-rate collection of the major classic and contemporary writings on the Italian Renaissance. Taking a thematic approach, the book exemplifies the traditional concerns of the field and presents arguments in a clear, accessible way. A stellar collection of 23 classic and recent essays on the art and architecture of this fascinating period in art history Brings together in a single volume, important literature on sixteenth-century Italian art from the last half century, highlighting major topics of recent art historical studies Introduces major topics and debates in the field, including pagan mysteries, nature and artifice, the art of the body, and "reformations" of art, theory and practice Includes new translations of texts never previously published in English Organized thematically, and features substantial editorial introductions, making this anthology ideal for course use.
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All the information you need in one place! Each Study Brief is a summary of one specific subject; facts, figures, and explanations to help you learn faster.
List price: $66.95
Copyright year: 2006
Publisher: John Wiley & Sons, Incorporated
Publication date: 8/14/2006
Size: 6.50" wide x 9.75" long x 1.25" tall
|Durer and Italian Antiquity Aby Warburg|
|Virtue Reconciled with Pleasure Edgar Wind|
|Raphael's Tomb Tilmann Buddensieg|
|St. Peter's as Ruins: On Some Views by Heemskerck Christof Thoenes|
|Science and the Poetic Impulse Martin Kemp|
|Mannerist Grottos in 16th-Century Italy Philippe Morel|
|Imitation, Innovation, and Renovation in the Counter-Reformation: Landscapes all'antica in the Vatican Tower of the Winds Nicola Courtwright|
|Landscape and Still-Life Pamela Jones|
|Michaelangelo's Florentine Pieta: The Missing Leg Leo Stienberg|
|Figure come fratelli: A Transformation of Symmetry in Italian Renaissance Painting David Summers|
|The Mistress in the Masterpiece Nancy J. Vickers|
|Reclining Bodies: Figural Ornament in Renaissance Architecture Alina Payne|
|Michelangelo and Vittoria Colonna Charles De Tolnay|
|The Carracci and the Devout Style in Emilia Charles Dempsey|
|The Gesu in Light of Contemporary Church Design James Ackerman|
|Leonardo's Color and Chiaroscuro John Shearman|
|The Subject of Savoldo's Magdalene Mary Pardo|
|The Historian and technique: On the role of goldsmithery in Vasari's Lives Marco Collareta|