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| Acknowledgments | |
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| General Introduction | |
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| Form and Function | |
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| "Sterne's Tristram Shandy" | |
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| from Morphology of the Folktale | |
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| Prefaces to the New York Edition | |
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| Preface to The Portrait of a Lady | |
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| Preface to The Ambassadors | |
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| from The Craft of Fiction | |
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| from Anatomy of Criticism "Rhetorical Criticism: Theory of Genres" | |
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| The Chicago School | |
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| from "The Concept of Plot and the Plot of Tom Fones" | |
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| "Richardson to Austen" | |
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| from The Rhetoric of Fiction | |
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| Structuralism, Narratology, Deconstruction | |
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| from The Poetics of Prose "Language and Literature" "The Grammar of Narrative" | |
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| from Story and Discourse "Discourse: Cover versus Overt Narrators" | |
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| "The Reality Effect" | |
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| "From Work to Text" | |
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| from Reading Narrative "Indirect Discourses and Irony" | |
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| from A World of Difference "Metaphor, Metonymy, and Voice in Their Eyes Were Watching God" | |
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| Psychoanalytic Approaches | |
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| from Deceit, Desire, and the Novel "Triangular' Desire" | |
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| from "Turning the Screw of Interpretation" "The Turns of the Story's Frame: A Theory of Narrative" | |
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| "Freud's Masterplot" | |
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| Marxist Approaches | |
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| "The Storyteller" | |
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| from Studies in European Realism | |
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| "The Ideology of Modernism" | |
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| from The Political Unconscious | |
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| The Novel as Social Discourse | |
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| from The Rise of the Novel "Realism and the Novel Form" | |
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| from "Discourse in the Novel" | |
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| from The Signifying Monkey "Zora Neale Hurston and the Speakerly Text" | |
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| from Sensational Designs "Introduction: The Cultural Work of American Fiction" | |
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| from The Novel and the Police | |
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| Gender, Sexuality, and the Novel | |
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| "Women and Fiction" | |
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| from Between Men | |
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| "Queer Performativity: Henry James's The Art of the Novel" | |
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| from Desire and Domestic Fiction "Introduction: The Politics of Domesticating Culture, Then and Now" | |
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| from Nobody's Story | |
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| Post-Colonialism and the Novel | |
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| "Three Women's Texts and a Critique of Imperialism" | |
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| from Culture and Imperialism "Consolidated Vision" | |
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| from The Location of Culture "DissemiNation: Time, Narrative, and the Margins of the Modern Nation" | |
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| from Atlas of the European Novel, 1800-1900 "The Novel, the Nation-State" | |
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| Novel Readers | |
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| from The Implied Reader "The Reader as a Component Part of the Realistic Novel" | |
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| from Novels, Readers, and Reviewers "The Triumph of the Novel" | |
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| from Dear Reader "In the Absence of Audience: Of Reading and Dread in Mary Shelley" | |
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| Index | |