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| Acknowledgments | |
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| About the Editors | |
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| The Anthropology of Art: A Reflection on its History and Contemporary Practice | |
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| Foundations and Framing the Discipline | |
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| Primitive Art | |
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| Split Representation in the Art of Asia and America | |
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| Introduction to Tribes and Forms in African Art | |
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| Style, Grace, and Information in Primitive Art | |
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| Tikopia Art and Society | |
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| The Abelam Artist | |
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| Primitivism, Art, and Artifacts | |
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| Modernist Primitivism: An Introduction | |
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| Defective Affinities: "Primitivism" in 20th Century Art | |
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| Histories of the Tribal and the Modern | |
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| A Case in Point and Afterwords to Primitive Art in Civilized Places | |
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| Oriental Antiquities/Far Eastern Art | |
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| Introduction to Art/Artifact: African Art in Anthropology Collections | |
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| Vogel's Net: Traps as Artworks and Artworks as Traps | |
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| Aesthetics across Cultures | |
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| Yoruba Artistic Criticism | |
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| Style in Technology: Some Early Thoughts | |
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| "Marvels of Everyday Vision": The Anthropology of Aesthetics and the Cattle-keeping Nilotes | |
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| From Dull to Brilliant: The Aesthetics of Spiritual Power Among the Yolngu | |
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| Form, Style, and Meaning | |
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| Visual Categories: An Approach to the Study of Representational Systems | |
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| Structural Patterning in Kwakiutl Art and Ritual | |
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| Sacred Art and Spiritual Power: An Analysis of Tlingit Shamans' Masks | |
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| All Things Made | |
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| Modernity and the "Graphicalization" of Meaning: New Guinea Highland Shield Design in Historical Perspective | |
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| Marketing Culture | |
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| Arts of the Fourth World | |
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| The Collecting and Display of Souvenir Arts: Authenticity and the "Strictly Commercial" | |
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| The Art of the Trade: On the Creation of Value and Authenticity in the African Art Market | |
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| Contemporary Artists | |
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| A Second Reflection: Presence and Opposition in Contemporary Maori Art | |
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| Representing Culture: The Production of Discourse(s) for Aboriginal Acrylic Paintings | |
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| Aesthetics and Iconography: An Artist's Approach | |
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| Kinds of Knowing | |
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| Cew Ete Haw I Tih: The Bird That Carries Language Back to Another | |
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| Index | |