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The Basics of Reading Music | |
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Major Scales and Key Signatures | |
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Intervals | |
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Minor Scales and Key Signatures | |
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Triads and Figured Bass | |
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Melody and Counterpoint | |
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The Basics of Diatonic Harmony | |
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Part-Writing with Root Position Chords | |
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Root Movement by Fifth | |
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Root Movement by Second | |
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Root Movement by Third | |
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Review of Harmony: Root Position Triads | |
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The Cadential Six-Four Chord | |
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First Inversion Chords | |
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The Leading Tone Triad and Other First Inversion Practices | |
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Additional Six-Four Chords | |
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Introduction to Simple Non-Harmonic Tones | |
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Appoggiaturas, Escape Tones, Pedal Tones | |
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Suspensions, Retardations, Anticipations | |
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Introduction to Seventh Chords | |
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Dominant and Leading Tone Seventh Chords | |
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Additional Seventh Chords | |
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Diatonic Modulation | |
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Review of Seventh Chords, Non-Harmonic Tones, And Modulation | |
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Introduction to Secondary Dominants | |
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Secondary Dominants of the Dominant | |
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Secondary Dominants of the Supertonic | |
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Secondary Dominants of the Subdominant | |
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Secondary Dominants of the Mediant and Submediant | |
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Chromatic Modulation | |
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Borrowed Chords | |
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Neapolitan Triads and Other Altered Chords | |
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Additional Modulation Techniques | |
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Introduction to Augmented Sixth Chords | |
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Augmented Sixth Chords in Context | |
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Review of Chromatic Harmony | |
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Enharmonic Modulation with German Sixths | |
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Enharmonic Modulation with Fully-Diminished Seventh Chords | |
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Introduction to Modes | |
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Impressionist Techniques | |
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Jazz Theory | |
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Techniques of Non-Tonal Music | |
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Pitch Class Set Theory | |
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Non-Tertian Harmonic Techniques | |
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Serialism | |
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Minimalism and Rhythmic Techniques | |
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Avant-Garde and Electronic Music | |
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Review of Contemporary Techniques | |
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Practice Box Answers | |
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Composer Index | |
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General Index | |