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Notes on Contributors | |
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Editors' Introduction | |
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Introduction | |
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Imagining the New Media Encounter | |
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Traditions | |
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ePhilology: When the Books Talk to Their Readers | |
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Disciplinary Impact and Technological Obsolescence in Digital Medieval Studies | |
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"Knowledge will be multiplied": Digital Literary Studies and Early Modern Literature | |
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Eighteenth-Century Literature in English and Other Languages: Image, Text, and Hypertext | |
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Multimedia and Multitasking: A Survey of Digital Resources for Nineteenth-Century Literary Studies | |
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Hypertext and Avant-texte in Twentieth-Century and Contemporary Literature | |
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Textualities | |
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Reading Digital Literature: Surface, Data, Interaction, and Expressive Processing | |
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Is There a Text on This Screen? Reading in an Era of Hypertextuality | |
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Reading on Screen: The New Media Sphere | |
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The Virtual Codex from Page Space to E-space | |
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Handholding, Remixing, and the Instant Replay: New Narratives in a Postnarrative World | |
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Fictional Worlds in the Digital Age | |
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Riddle Machines: The History and Nature of Interactive Fiction | |
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Too Dimensional: Literary and Technical Images of Potentiality in the History of Hypertext | |
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Private Public Reading: Readers in Digital Literature Installation | |
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Digital Poetry: A Look at Generative, Visual, and Interconnected Possibilities in its First Four Decades | |
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Digital Literary Studies: Performance and Interaction | |
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Licensed to Play: Digital Games, Player Modifications, and Authorized Production | |
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Blogs and Blogging: Text and Practice | |
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Methodologies | |
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Knowing…: Modeling in Literary Studies | |
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Digital and Analog Texts | |
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Cybertextuality and Philology | |
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Electronic Scholarly Editions | |
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The Text Encoding Initiative and the Study of Literature | |
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Algorithmic Criticism | |
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Writing Machines | |
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Quantitative Analysis and Literary Studies | |
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The Virtual Library | |
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Practice and Preservation - Format Issues | |
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Character Encoding | |
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Annotated Overview of Selected Electronic Resources | |
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Index | |