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| Our current approach to color mixing | |
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| The nature of color | |
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| Inside the paint film | |
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| Mixing the three 'primaries' | |
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| Mixing just two 'primaries' | |
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| Pure reds, yellows and blues do not exist | |
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| The Color Bias Wheel | |
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| The surviving light | |
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| The Color Coded Mixing Palette | |
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| Moving on | |
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| Grayed violets | |
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| Mid intensity violets | |
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| Bright violets | |
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| Why add the red? | |
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| Summary-violets | |
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| Completing the exercises | |
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| Exploring the range of grayed violets (ex 1) | |
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| Exploring the range of mid-intensity violets (ex 2and3) | |
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| Exploring the range of bright violets (ex 4) | |
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| Creating a variety of greens | |
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| Creating a series of grayed greens (ex 5) | |
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| Creating a series of mid-intensity greens (ex 6and7) | |
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| Creating a series of bright greens (ex 8 | |
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| Finding a little extra green (ex 9) | |
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| Mixing grayed orange (ex 10) | |
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| Mixing mid oranges (ex 11and12) | |
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| Mixing bright oranges (ex 13) | |
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| Varying the proportions | |
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| Prepared violets and oranges | |
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| Grays and neutral colors | |
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| Palette mixing areas | |
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| Grays and neutrals from yellow and violet (ex 14-19) | |
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| Why do the complementaries absorb each other? | |
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| Selecting complementary partners | |
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| The complementary pair, blue and orange (ex 20-25) | |
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| The complementary pair, red and green (ex 26-31) | |
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| Further complementary pairings | |
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| The six principle colors | |
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| The additional six | |
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| Introducing further colors - Phthalocyanine Green (ex 32-35) | |
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| Introducing further colors - Phthalocyanine Blue (ex 36) | |
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| Transparent, semi-transparent and opaque paints (ex 37-40) | |
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| Introducing further colors - Burnt Sienna (ex 41-45) | |
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| Introducing further colors - Yellow Ochre (ex 46-47) | |
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| Introducing further colors - Raw Sienna (ex 48) | |
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| Adding white to produce tints (ex 49) | |
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| Adding black | |
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| Prepared browns | |
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| Mixing wet into wet | |
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| Taking a color in other directions | |
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| Additive mixing | |
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| The mixing of colored light and surface | |
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| Surface mixing | |
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| Reflectance curves | |
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| Working with reflected light | |
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| The School of Color | |