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Description: There are ways to create, fix, steer and discover plots--ways which, over a writing life, you'd eventually puzzle out for yourself, writes Ansen Dibell. "They aren't laws. They're an array of choices, things to try, once you've put a name to the particular problem you're facing now."That's what this book is about: identifying those choices (whose viewpoint? stop and explain now, or wait? how can this lead to that?), then learning what narrative problems they are apt to create and how to choose an effective strategy for solving them. The result? Strong, solid stories and novels that move.Inside you'll discover how to:- test a story idea (using four simple questions) to see if it works-convince your reader that not only is something happening, but that something's going to happen and it all matters intensely- handle viewpoint shifts, flashbacks, and other radical jumps in your storyline weave plots with subplots- get ready for and write your Big Scenes- balance scene and summary narration to produce good pacing- handle the extremes of melodrama by "faking out" your readers--making them watch your right hand while your left hand is doing something sneaky- form subtle patterns with mirror characters and echoing incidents- choose the best type of ending --linear or circular, happy or downbeat, or (with caution!) a trick endingWhether your fiction is short or long, subtle or direct and hardhitting, you'll learn how to make the correct narrative choices that will lead to strong plots -- and fiction others will want to read.Ansen Dibell is the author of the five-novel science fiction series, the Rule of One. Currently she is involved with community writing groups and college level writing programs, in addition to working as a freelance writer and editor in Cincinnati, Ohio.
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All the information you need in one place! Each Study Brief is a summary of one specific subject; facts, figures, and explanations to help you learn faster.
List price: $14.99
Copyright year: 1999
Publisher: F&W Media, Incorporated
Publication date: 7/15/1999
Size: 6.00" wide x 9.00" long x 0.50" tall
|Introduction: Coming to Plot the Hard Way|
|What is Plot?|
|Would You Trust a Viewpoint with Shifty Eyes?|
|"Shut Up!" He Explained--Handling Exposition|
|Early Middles: New Directions and Subplots|
|Building the Big Scenes: Set-Pieces|
|Patterns, Mirrors, and Echoes|
|Pacing, Transitions, Flashes, and Frames|
|When You Come to the End, Stop|