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Foreword | |
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Preface | |
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Introduction | |
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Images of Women and Drugs in Myth and History | |
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Greece and Crete | |
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The Pleiades | |
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Mycenaean Poppy Goddess | |
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Helen of Troy | |
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Circe | |
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Pythia: The Delphic Oracle | |
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Demeter and Persephone | |
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Sappho | |
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Egypt | |
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Hathor | |
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Isis | |
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Nefertiti | |
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Cleopatra | |
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Asia Minor and India | |
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Eve | |
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Apsarasas | |
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Scheherazade | |
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Houris | |
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Europe | |
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Alchemists | |
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Witches | |
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Nonwestern Cultures | |
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Seven Sisters of Sleep | |
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Mama Coca | |
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Harvesting Opium | |
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Kavakava Ceremony | |
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Iboga Initiation | |
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Visionary Vine | |
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Peyote Woman | |
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Sacred Plants of Mexico | |
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Opium and the Victorian Imagination | |
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From "The Maniac" | |
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"The Development of Genius" | |
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"A True Dream" | |
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From Valentine | |
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From At Home and Abroad | |
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"An Opium Fantasy" | |
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From Villette | |
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Untitled poem | |
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"Perilous Play" | |
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The Hookah, 1770-1885 | |
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From Twenty Years at Hull-House | |
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From Memoirs of Sarah Bernhardt | |
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"An Opium Dream" | |
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The Pipe and the Needle, 1880-90 | |
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"An Overdose of Hasheesh" | |
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From A Mad Tour, Or a Journey Undertaken in an Insane Moment Through Central Europe on Foot | |
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Patent Medicines | |
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Coca Wine and Cocaine, 1880-1900 | |
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Expatriates and Vagabonds | |
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"The Oblivion Seekers" | |
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From Chicago May: Her Story | |
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From The House of Mirth | |
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From The Ashes of My Heart | |
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From Movers and Shakers and Edge of Taos Desert | |
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Hopheads, Snowbirds, and Vipers in Song | |
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"The Girl in the Blue Velvet Band" | |
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"Cocaine Lil" | |
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"If You're a Viper" | |
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White Lady | |
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"Lunar Baedeker" | |
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"Appalling Heart" | |
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"Cocaine (Snow Poem)" | |
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From The Passionate Years | |
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From No Bed of Roses: The Diary of a Lost Soul | |
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The War on Drugs | |
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From Sister of the Road | |
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From "The Big Smoke" | |
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Mainline Ladies | |
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From The Lonely Trip Back | |
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From Lady Sings the Blues | |
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From The Fantastic Lodge: The Autobiography of a Girl Drug Addict | |
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From Cookie | |
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From Piaf: A Biography | |
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From Toxique | |
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From Gather Together In My Name | |
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"Julia and the Bazooka" | |
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Psychedelic Pioneers | |
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Mazatec Magic Mushroom Ritual Chant | |
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"I Ate the Sacred Mushrooms" | |
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From "My Life with Gordon Wasson" | |
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"Hashish Fudge" | |
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From Enid Blyton: A Biography | |
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From The Diary of Anais Nin, 1947-1955 | |
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From This Timeless Moment: A Personal View of Aldous Huxley | |
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"LSD: Journals of an Artist's Trip" | |
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From Myself and I | |
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"Psychedelics and Western Religious Experience" | |
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Beats and Hippies | |
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From Troia: Mexican Memoirs | |
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From Trips: Rock Life in the Sixties | |
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From "LSD-748" | |
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From Memoirs of a Beatnik | |
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"The Holidays at Millbrook--1966" | |
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"Revolutionary Letter #39" [1969] | |
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"Peyote Walk" | |
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"Blues for Sister Sally" | |
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"the pot bird story" | |
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From "Marijuana Witchhunt" | |
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From Talk | |
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From Acid Temple Ball | |
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From Trashing | |
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"I Was Born on LSD" | |
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"Peyote Equinox" | |
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"The Mole People" | |
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Underground Comics | |
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Choosers and Abusers | |
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From "Fast Speaking Woman" | |
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"Billy Work Peyote" | |
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"13 Tanka: In Praise of Smoking Dope" | |
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From Visionary Vine: Psychedelic Healing in the Peruvian Amazon | |
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From Peyote Hunt: The Sacred Journey of the Huichol Indians | |
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From Loose Change: Three Women of the Sixties | |
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From The Butterfly Convention | |
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"Meeting Mescalito at Oak Hill Ceremony" | |
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From Journeys into the Bright World | |
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On Writers and Stimulants | |
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From Hygieia: A Woman's Herbal | |
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From Postcards from the Edge | |
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Shaman Women at the End of the Millennium | |
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"On Hennepin Avenue" | |
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"The Pattern That Connects" | |
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"Nature, She's the Law" | |
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"Visible Language" | |
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"The Intensive" | |
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"The Ecstatic Rite" | |
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"Erich and Nina in Ecstasy" | |
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"The Key" | |
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"The Story of a Psychedelic Socialite and Ecstatic Dancer" | |
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"The Brain vs. the Coochie" | |
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"Women and Pot" | |
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"The Best Time I've Ever Had on Acid" | |
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"Balloons" | |
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"We put this piece of paper on our tongues" | |
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"Telephone Talk" | |
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"56 Reasons To Go Downtown" | |
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"The Leaves of the Shepherdess" | |
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"Four Score and LSD" | |
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"To the Source" | |