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| Foreword | |
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| Preface | |
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| Acknowledgments | |
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| Don Murray: The Ears Have It: An Engineer's Engineer | |
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| Bill Bottrell: Outside the Box | |
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| Shawn Murphy: Mixing Under Pressure | |
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| Mick Guzauski: Secrets From the Top of the Charts | |
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| Chuck Ainlay: Looking for the Magic | |
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| Al Schmitt: A Legend's Tips and Tools | |
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| Dave Jerden: Taking Care of Fundamentals: From Jane's to Chains, the Offspring, and Beyond | |
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| Kevin "KD" Davis: Quick Hits at an Early Age | |
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| Leslie Ann Jones: Doing It All | |
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| Jimmy Douglass: From Classic Rock to Hip-Hop, in Touch With the Times | |
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| Brian Malouf: Secrets for Crossover Success | |
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| Alan Moulder: From Trident to Nine Inch Nails | |
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| Dave Way: Mixer on a Hot Streak | |
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| Steve Marcantonio: Keeping It Real | |
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| David Thoener: Memoirs of a Mixmaster | |
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| Frank Filipetti: Life on the Digital Edge | |
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| Armin Steiner: Tips and Tales from an L.A. Studio Pioneer | |
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| Julian King: Recording Nashville Royalty | |
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| Dave "Hard Drive" Pensado: Keeping It Fresh | |
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| Tony Maserati: Driven to Mix | |
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| Brian "Big Bass" Gardner: "Big Bass" and Other Secrets From One of Mastering's Best | |
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| Neil Dorfsman: Award-Winning Engineering and Production | |
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| Jeff Balding: Mixing It Up In Nashville: Renting Talent to Music's Best | |
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| Dennis Sands: Capturing the Orchestra, Harnessing the Synths | |
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| Geoff Emerick: The Beatles, The '60s Sound Revolution, The Hall of Fame | |
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| Chris Fogel: From Alanis Morissette and Seal to Film Soundtracks | |
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| Elliot Scheiner: Master Craftsman | |
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| Afterword: An Interview with the Interviewer | |
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