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| Acknowledgments | |
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| Introduction | |
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| The Culture That Sticks to Your Skin: A Manifesto for a New Cultural Studies | |
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| Defining Popular Culture | |
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| Self | |
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| Daytime Utopias: If You Lived in Pine Valley, You'd Be Home | |
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| Cardboard Patriarchy: Adult Baseball Card Collecting and the Nostalgia for a Presexual Past | |
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| Virgins for Jesus: The Gender Politics of Therapeutic Christian Fundamentalist Media | |
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| "Do We Look Like Ferengi Capitalists to You?" Star Trek's Klingons as Emergent Virtual American Ethnics | |
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| The Empress's New Clothing? Public Intellectualism and Popular Culture | |
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| "My Beautiful Wickedness": The Wizard of Oz as Lesbian Fantasy | |
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| Maker | |
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| "Ceci N'est Pas une Jeune Fille": Videocams, Representation, and "Othering" in the Worlds of Teenage Girls | |
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| "No Matter How Small": The Democratic Imagination of Dr. Seuss | |
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| An Auteur in the Age of the Internet: JMS, Babylon 5, and the Net | |
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| "I'm a Loser Baby": Zines and the Creation of Underground Identity | |
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| Performance | |
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| "Anyone Can Do It": Forging a Participatory Culture in Karaoke Bars | |
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| Watching Wrestling | |
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| Mae West's Maids: Race, "Authenticity," and the Discourse of Camp | |
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| "They Dig Her Message": Opera, Television, and the Black Diva | |
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| How to Become a Camp Icon in Five Easy Lessons: Fetishism --- and Tallulah Bankhead's Phallus | |
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| Taste | |
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| "It Will Get a Terrific Laugh": On the Problematic Pleasures and Politics of Holocaust Humor | |
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| The Sound of Disaffection | |
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| Corruption, Criminality, and the Nickelodeon | |
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| "Racial Cross-Dressing" in the Jazz Age: Cultural Therapy and Its Discontents in Cabaret Nightlife | |
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| The Invisible Burlesque Body of La Guardia's New York | |
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| Quarantined! A Case Study of Boston's Combat Zone | |
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| Change | |
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| On Thrifting | |
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| Shopping Sense: Fanny Fern and Jennie June on Consumer Culture in the Nineteenth Century | |
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| Navigating Myst-y Landscapes: Killer Applications and Hybrid Criticism | |
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| The Rules of the Game: Evil Dead II . . . Meet Thy Doom | |
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| Seeing in Black and White: Gender and Racial Visibility from Gone with the Wind to Scarlett | |
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| Home | |
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| "The Last Truly British People You Will Ever Know": Skinheads, Pakis, and Morrissey | |
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| Finding One's Way Home: I Dream of Jeannie and Diasporic Identity | |
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| As Canadian as Possible . . . : Anglo-Canadian Popular Culture and the American Other | |
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| Wheels of Fortune: Nation, Culture, and the Tour de France | |
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| Narrativizing Cyper-Travel: CD-ROM Travel Games and the Art of Historical Recovery | |
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| Hotting, Twocking, and Indigenous Shipping: A Vehicular Theory of Knowledge in Cultural Studies | |
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| Emotion | |
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| "Ain't I de One Everybody Come to See?!" Popular Memories of Uncle Tom's Cabin | |
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| Stress Management Ideology and the Other Spaces of Women's Power | |
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| "Have You Seen This Child?" From Milk Carton to Mise-en-Abime | |
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| Introducing Horror | |
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| About the Contributors | |
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| Name Index | |